Pascal Belin
Biographic Data
| ID | 1906417 |
|---|---|
| NAME | Pascal Belin |
| GIVEN NAMES | Pascal |
| FAMILY NAME | Belin |
| SIGNATURE | BELIN P |
| AFFILIATIONS | Bell (Canada) |
| ORCID | 0000-0002-7578-6365 |
| VERIFIED | Yes |
| TOTAL WORKS | 8 |
| TOTAL CITATIONS | 10 |
| AUTHOR COUNT | 6 |
| EDITOR COUNT | 2 |
| FIRST PUBLICATION YEAR | 2004 |
| LATEST PUBLICATION YEAR | 2022 |
| H-INDEX | 1 |
Categorization of vocal and nonvocal stimuli in Guinea baboons ( Papio papio )
Categorization of vocal sounds apart from other sounds is one of the key abilities in human voice processing, but whether this ability is present in other animals, particularly nonhuman primates, remains unclear. In the present study, 25 socially housed Guinea baboons ( Papio papio ) were tested on a vocal/nonvocal categorization task using Go/Nogo paradigm implemented on freely accessible automated learning devices. Three individuals from the gr…
The representational dynamics of perceived voice emotions evolve from categories to dimensions
The perception of caricatured emotion in voice
Affective vocalisations such as screams and laughs can convey strong emotional content without verbal information. Previous research using morphed vocalisations (e.g. 25% fear/75% anger) has revealed categorical perception of emotion in voices, showing sudden shifts at emotion category boundaries. However, it is currently unknown how further modulation of vocalisations beyond the veridical emotion (e.g. 125% fear) affects perception. Caricatured …
The Oxford Handbook of Voice Perception
The past decades have seen an explosion of research into the psychological, cognitive, neural, biological, and technical mechanisms of voice perception. These mechanisms refer to the general ability to extract information from voices expressed by other living beings or by technical systems. Voice perception research is now a lively area of research, which is studied from many different perspectives ranging from basic research on the acoustic anal…
How Do You Say ‘Hello’? Personality Impressions from Brief Novel Voices
On hearing a novel voice, listeners readily form personality impressions of that speaker. Accurate or not, these impressions are known to affect subsequent interactions; yet the underlying psychological and acoustical bases remain poorly understood. Furthermore, hitherto studies have focussed on extended speech as opposed to analysing the instantaneous impressions we obtain from first experience. In this paper, through a mass online rating experi…
Integrating Face and Voice in Person Perception
This book follows a successful symposium organized in June 2009 at the Human Brain Mapping conference. The topic is at the crossroads of two domains of increasing importance and appeal in the neuroimaging/neuroscience community: multi-modal integration, and social neuroscience. Most of our social interactions involve combining information from both the face and voice of other persons: speech information, but also crucial nonverbal information on …
Understanding Voice Perception
Voices carry large amounts of socially relevant information on persons, much like 'auditory faces'. Following Bruce and Young (1986)'s seminal model of face perception, we propose that the cerebral processing of vocal information is organized in interacting but functionally dissociable pathways for processing the three main types of vocal information: speech, identity, and affect. The predictions of the 'auditory face' model of voice perception a…
Thinking the voice
Understanding Voice Perception
Voices carry large amounts of socially relevant information on persons, much like 'auditory faces'. Following Bruce and Young (1986)'s seminal model of face perception, we propose that the cerebral processing of vocal information is organized in interacting but functionally dissociable pathways for processing the three main types of vocal information: speech, identity, and affect. The predictions of the 'auditory face' model of voice perception a…
Thinking the voice
Understanding Voice Perception
Voices carry large amounts of socially relevant information on persons, much like 'auditory faces'. Following Bruce and Young (1986)'s seminal model of face perception, we propose that the cerebral processing of vocal information is organized in interacting but functionally dissociable pathways for processing the three main types of vocal information: speech, identity, and affect. The predictions of the 'auditory face' model of voice perception a…
Integrating Face and Voice in Person Perception
This book follows a successful symposium organized in June 2009 at the Human Brain Mapping conference. The topic is at the crossroads of two domains of increasing importance and appeal in the neuroimaging/neuroscience community: multi-modal integration, and social neuroscience. Most of our social interactions involve combining information from both the face and voice of other persons: speech information, but also crucial nonverbal information on …
How Do You Say ‘Hello’? Personality Impressions from Brief Novel Voices
On hearing a novel voice, listeners readily form personality impressions of that speaker. Accurate or not, these impressions are known to affect subsequent interactions; yet the underlying psychological and acoustical bases remain poorly understood. Furthermore, hitherto studies have focussed on extended speech as opposed to analysing the instantaneous impressions we obtain from first experience. In this paper, through a mass online rating experi…
The Oxford Handbook of Voice Perception
The past decades have seen an explosion of research into the psychological, cognitive, neural, biological, and technical mechanisms of voice perception. These mechanisms refer to the general ability to extract information from voices expressed by other living beings or by technical systems. Voice perception research is now a lively area of research, which is studied from many different perspectives ranging from basic research on the acoustic anal…
The perception of caricatured emotion in voice
Affective vocalisations such as screams and laughs can convey strong emotional content without verbal information. Previous research using morphed vocalisations (e.g. 25% fear/75% anger) has revealed categorical perception of emotion in voices, showing sudden shifts at emotion category boundaries. However, it is currently unknown how further modulation of vocalisations beyond the veridical emotion (e.g. 125% fear) affects perception. Caricatured …
The representational dynamics of perceived voice emotions evolve from categories to dimensions
Categorization of vocal and nonvocal stimuli in Guinea baboons ( Papio papio )
Categorization of vocal sounds apart from other sounds is one of the key abilities in human voice processing, but whether this ability is present in other animals, particularly nonhuman primates, remains unclear. In the present study, 25 socially housed Guinea baboons ( Papio papio ) were tested on a vocal/nonvocal categorization task using Go/Nogo paradigm implemented on freely accessible automated learning devices. Three individuals from the gr…
Perception (7 works) · Psychology (7 works) · Cognitive psychology (6 works) · Communication (4 works) · Face Recognition and Perception (4 works) · Neuroscience (4 works) · Speech perception (4 works) · Computer Science (3 works) · Linguistics (3 works) · Neuroscience and Music Perception (3 works)