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Burlin Barr

Dados Biográficos

ID190763
NOMEBurlin Barr
PRENOMESBurlin
SOBRENOMEBarr
ASSINATURABARR B
AFILIAÇÕESCentral Connecticut State University
ORCID0000-0002-5232-2736
VERIFICADOSim
TOTAL DE OBRAS4
TOTAL DE CITAÇÕES4
TOTAL COMO AUTOR4
TOTAL COMO EDITOR0
PRIMEIRO ANO DE PUBLICAÇÃO2003
ANO MAIS RECENTE DE PUBLICAÇÃO2011
ÍNDICE H1
  • Raoul Peck'sLumumbaandLumumba

    Open Access•Burlin Barr•ARTICLE•African Studies Review•2011•Citada por: 3•Referências: 9

    This article examines two films by Raoul Peck-Lumumba: La mort du prophèle(1992) andLumumba(2000) that offer vastly divergent methods for remembering, memorializing, and meditating on the life and death of Patrice Lumumba. Peck succeeds in creating films that do more than preserve or resuscitate a historical record. The earlier film in particular performs analytic historical work as it delves into the conflicted historical record in which Lumumba…

  • Shot and Counter-shot

    Open Access•Burlin Barr•ARTICLE•Journal of French and Francophone…•2010•Citada por: 1

    Notre Musique includes a lengthy sequence that involves a presentation by Godard on the relationship between text and image. The occasion of the lecture is a conference in Sarajevo titled European Literary Encounters, an annual event first organized in 2000. Godard gave his lecture in 2002 and the long middle-section of the film offers a "lightly fictionalized restaging" of his address and of other encounters surrounding the conference. The narra…

  • Dependency, Appetite, and Iconographies of Hunger in Mambéty's Hyenas

    Burlin Barr•ARTICLE•Social Text•2010

    This essay offers a close reading of the Senegalese director Djibril Diop Mambéty's film Hyenas and looks especially at the way the film addresses issues of development and dependency in postcolonial and contemporary Africa. Released in 1992, Hyenas is an adaptation of the Swiss writer Friedrich Dürrenmatt's 1956 play Der Besuch der alten Dame (translated into English as The Visit). The essay discusses how Mambéty's film is insistently heteroglos…

  • Too Close, Too Far

    Burlin Barr•ARTICLE•Camera Obscura Feminism Culture…•2003•Referências: 2

  • Raoul Peck'sLumumbaandLumumba

    Open Access•Burlin Barr•ARTICLE•African Studies Review•2011•Citada por: 3•Referências: 9

    This article examines two films by Raoul Peck-Lumumba: La mort du prophèle(1992) andLumumba(2000) that offer vastly divergent methods for remembering, memorializing, and meditating on the life and death of Patrice Lumumba. Peck succeeds in creating films that do more than preserve or resuscitate a historical record. The earlier film in particular performs analytic historical work as it delves into the conflicted historical record in which Lumumba…

  • Shot and Counter-shot

    Open Access•Burlin Barr•ARTICLE•Journal of French and Francophone…•2010•Citada por: 1

    Notre Musique includes a lengthy sequence that involves a presentation by Godard on the relationship between text and image. The occasion of the lecture is a conference in Sarajevo titled European Literary Encounters, an annual event first organized in 2000. Godard gave his lecture in 2002 and the long middle-section of the film offers a "lightly fictionalized restaging" of his address and of other encounters surrounding the conference. The narra…

  • Too Close, Too Far

    Burlin Barr•ARTICLE•Camera Obscura Feminism Culture…•2003•Referências: 2

  • Shot and Counter-shot

    Open Access•Burlin Barr•ARTICLE•Journal of French and Francophone…•2010•Citada por: 1

    Notre Musique includes a lengthy sequence that involves a presentation by Godard on the relationship between text and image. The occasion of the lecture is a conference in Sarajevo titled European Literary Encounters, an annual event first organized in 2000. Godard gave his lecture in 2002 and the long middle-section of the film offers a "lightly fictionalized restaging" of his address and of other encounters surrounding the conference. The narra…

  • Dependency, Appetite, and Iconographies of Hunger in Mambéty's Hyenas

    Burlin Barr•ARTICLE•Social Text•2010

    This essay offers a close reading of the Senegalese director Djibril Diop Mambéty's film Hyenas and looks especially at the way the film addresses issues of development and dependency in postcolonial and contemporary Africa. Released in 1992, Hyenas is an adaptation of the Swiss writer Friedrich Dürrenmatt's 1956 play Der Besuch der alten Dame (translated into English as The Visit). The essay discusses how Mambéty's film is insistently heteroglos…

  • Raoul Peck'sLumumbaandLumumba

    Open Access•Burlin Barr•ARTICLE•African Studies Review•2011•Citada por: 3•Referências: 9

    This article examines two films by Raoul Peck-Lumumba: La mort du prophèle(1992) andLumumba(2000) that offer vastly divergent methods for remembering, memorializing, and meditating on the life and death of Patrice Lumumba. Peck succeeds in creating films that do more than preserve or resuscitate a historical record. The earlier film in particular performs analytic historical work as it delves into the conflicted historical record in which Lumumba…

History (4 obras) · Art (3 obras) · History (3 obras) · Literature (3 obras) · Aesthetics (2 obras) · Anthropology (2 obras) · Sociology (2 obras) · African history and culture studies (1 obras) · Archaeology (1 obras) · Cinema and Media Studies (1 obras)

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