Trevor Wishart
Biographic Data
| ID | 190883 |
|---|---|
| NAME | Trevor Wishart |
| GIVEN NAMES | Trevor |
| FAMILY NAME | Wishart |
| SIGNATURE | WISHART T |
| VERIFIED | No |
| TOTAL WORKS | 5 |
| TOTAL CITATIONS | 0 |
| AUTHOR COUNT | 5 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 1978 |
| LATEST PUBLICATION YEAR | 1996 |
| H-INDEX | 0 |
Connections
The function of text in the VOX Cycle
The VOX cycle is discussed from the point of view of its use of text. The voice is a unique instrument. Knowledge about timbral perception and a concern with recognisable sound-events, leads to a focus on sonic events in their totality. Internal form is concerned with sound-gestalts themselves and external form with how these are arranged. Perception is stratified. Questions of perception precede the making of a musical score. In organizing a son…
Whose Music? A Sociology of Musical Languages
Whose Music? A Sociology of Musical Languages
Whose Music? combines historical, musicological, and sociological materials and styles of analysis in ways that connect to the field of sociology. The analyses of social class systems presented here speak in translatable ways to analyses of musical forms. Not only that, both are connected to an understanding of the organizations through which works are distributed to their audiences. Perhaps most importantly for the contemporary reader, this book…
Socio-Musicography
No prominent works on this page.
Whose Music? A Sociology of Musical Languages
Whose Music? combines historical, musicological, and sociological materials and styles of analysis in ways that connect to the field of sociology. The analyses of social class systems presented here speak in translatable ways to analyses of musical forms. Not only that, both are connected to an understanding of the organizations through which works are distributed to their audiences. Perhaps most importantly for the contemporary reader, this book…
Socio-Musicography
Whose Music? A Sociology of Musical Languages
The function of text in the VOX Cycle
The VOX cycle is discussed from the point of view of its use of text. The voice is a unique instrument. Knowledge about timbral perception and a concern with recognisable sound-events, leads to a focus on sonic events in their totality. Internal form is concerned with sound-gestalts themselves and external form with how these are arranged. Perception is stratified. Questions of perception precede the making of a musical score. In organizing a son…
Connections
Sociology (4 works) · Art (3 works) · Linguistics (3 works) · Musical (3 works) · Diverse Musicological Studies (2 works) · Music History and Culture (2 works) · Philosophy (2 works) · Psychology (2 works) · Visual arts (2 works) · Computer Science (1 works)