Morgane Cadieu
Biographic Data
| ID | 191087 |
|---|---|
| NAME | Morgane Cadieu |
| GIVEN NAMES | Morgane |
| FAMILY NAME | Cadieu |
| SIGNATURE | CADIEU M |
| AFFILIATIONS | Yale University |
| VERIFIED | No |
| TOTAL WORKS | 3 |
| TOTAL CITATIONS | 0 |
| AUTHOR COUNT | 3 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2017 |
| LATEST PUBLICATION YEAR | 2025 |
| H-INDEX | 0 |
The Sylvan Ghosts of Class Mobility
How the Grass Grows in the Works of Patrick Modiano
This article is an attempt at deciphering the enigmatic title of Patrick Modiano’s 2012 novel: why did he choose to call it L’Herbe des nuits, despite the book’s apparent lack of engagement with plants? In Jardins de papier, Evelyne Bloch-Dano understands the references to nature in the rest of Modiano’s œuvre as metaphors for the author’s poetics of memory and childhood. I want to argue that another interpretation is possible if we fully conside…
Stratification of the Urban Space in Contemporary Paris
Modiano and Vasset share a common vision of Paris as a gigantic data center that stores memory in layers. The past manifests itself as a magnetic field of waves. Immateriality has a geography. Both writers update the motif of the palimpsest by taking into account the growth of massive data storage; they represent this palimpsest in their writing style through enunciation, enumeration, and antitheses that evoke the binary code of a computer. Vasse…
No prominent works on this page.
Stratification of the Urban Space in Contemporary Paris
Modiano and Vasset share a common vision of Paris as a gigantic data center that stores memory in layers. The past manifests itself as a magnetic field of waves. Immateriality has a geography. Both writers update the motif of the palimpsest by taking into account the growth of massive data storage; they represent this palimpsest in their writing style through enunciation, enumeration, and antitheses that evoke the binary code of a computer. Vasse…
How the Grass Grows in the Works of Patrick Modiano
This article is an attempt at deciphering the enigmatic title of Patrick Modiano’s 2012 novel: why did he choose to call it L’Herbe des nuits, despite the book’s apparent lack of engagement with plants? In Jardins de papier, Evelyne Bloch-Dano understands the references to nature in the rest of Modiano’s œuvre as metaphors for the author’s poetics of memory and childhood. I want to argue that another interpretation is possible if we fully conside…
The Sylvan Ghosts of Class Mobility
Art (2 works) · Art history (2 works) · History (2 works) · History (2 works) · Literature (2 works) · Artificial Intelligence (1 works) · Artificial Intelligence (1 works) · Class (philosophy) (1 works) · Computer Science (1 works) · Cultural Insights and Digital Impacts (1 works)