Clifford R Murphy
Biographic Data
| ID | 191197 |
|---|---|
| NAME | Clifford R Murphy |
| GIVEN NAMES | Clifford R |
| FAMILY NAME | Murphy |
| SIGNATURE | MURPHY C R |
| AFFILIATIONS | National Endowment for the Arts |
| VERIFIED | No |
| TOTAL WORKS | 4 |
| TOTAL CITATIONS | 13 |
| WORKS AS AUTHOR | 4 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2007 |
| LATEST PUBLICATION YEAR | 2016 |
| H-INDEX | 2 |
We Can Always Go Back Home
The article examines the process of promoting, with a view to safeguarding, the centuries-old Singing and Praying Bands living tradition, an African American musical and spiritual expression that is distinctive to the Chesapeake Bay region of the US. Discussed within the context of US public folklore, the process is understood as a co-intervention, representing an active partnership between the Bands’ community and public folklorists (including t…
The Applied Ethnomusicologist as Public Folklorist
The Diesel Cowboy in New England
This article examines the sources and symbolic meaning of "A Tombstone Every Mile," a song written by Dan Fulkerson and recorded by Dick Curless in Bangor, Maine, in 1964. The song relates the dangers of trucking goods along the Haynesville Road in Aroostook County, Maine. The hit song galvanized a regional and national sub-genre of trucker music and transformed Curless from regional star to national symbol of Maine's country music authenticity
Real Country
Book Review| October 01 2007 Real Country: Music and Language in Working-Class CultureCountry Music Records: A Discography, 1921-1942 Real Country: Music and Language in Working-Class Culture, Aaron A. Fox.Country Music Records: A Discography, 1921-1942, Tony Russell and Bob Pinson. Clifford R. Murphy Clifford R. Murphy Search for other works by this author on: This Site Google Ethnomusicology (2007) 51 (3): 498–500. https://doi.org/10.2307/20174…
The Applied Ethnomusicologist as Public Folklorist
We Can Always Go Back Home
The article examines the process of promoting, with a view to safeguarding, the centuries-old Singing and Praying Bands living tradition, an African American musical and spiritual expression that is distinctive to the Chesapeake Bay region of the US. Discussed within the context of US public folklore, the process is understood as a co-intervention, representing an active partnership between the Bands’ community and public folklorists (including t…
The Diesel Cowboy in New England
This article examines the sources and symbolic meaning of "A Tombstone Every Mile," a song written by Dan Fulkerson and recorded by Dick Curless in Bangor, Maine, in 1964. The song relates the dangers of trucking goods along the Haynesville Road in Aroostook County, Maine. The hit song galvanized a regional and national sub-genre of trucker music and transformed Curless from regional star to national symbol of Maine's country music authenticity
Real Country
Book Review| October 01 2007 Real Country: Music and Language in Working-Class CultureCountry Music Records: A Discography, 1921-1942 Real Country: Music and Language in Working-Class Culture, Aaron A. Fox.Country Music Records: A Discography, 1921-1942, Tony Russell and Bob Pinson. Clifford R. Murphy Clifford R. Murphy Search for other works by this author on: This Site Google Ethnomusicology (2007) 51 (3): 498–500. https://doi.org/10.2307/20174…
The Diesel Cowboy in New England
This article examines the sources and symbolic meaning of "A Tombstone Every Mile," a song written by Dan Fulkerson and recorded by Dick Curless in Bangor, Maine, in 1964. The song relates the dangers of trucking goods along the Haynesville Road in Aroostook County, Maine. The hit song galvanized a regional and national sub-genre of trucker music and transformed Curless from regional star to national symbol of Maine's country music authenticity
The Applied Ethnomusicologist as Public Folklorist
We Can Always Go Back Home
The article examines the process of promoting, with a view to safeguarding, the centuries-old Singing and Praying Bands living tradition, an African American musical and spiritual expression that is distinctive to the Chesapeake Bay region of the US. Discussed within the context of US public folklore, the process is understood as a co-intervention, representing an active partnership between the Bands’ community and public folklorists (including t…
Art (4 works) · Diverse Musicological Studies (3 works) · History (3 works) · Music History and Culture (3 works) · Folklore (2 works) · Visual arts (2 works) · Aesthetics (1 work) · American and British Literature Analysis (1 work) · Anthropology (1 work) · Archaeology (1 work)