Jan Dorscheid
Biographic Data
| ID | 191254 |
|---|---|
| NAME | Jan Dorscheid |
| GIVEN NAMES | Jan |
| FAMILY NAME | Dorscheid |
| SIGNATURE | DORSCHEID J |
| AFFILIATIONS | Rijksmuseum |
| ORCID | 0000-0002-2740-4836 |
| VERIFIED | Yes |
| TOTAL WORKS | 4 |
| TOTAL CITATIONS | 2 |
| AUTHOR COUNT | 4 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2019 |
| LATEST PUBLICATION YEAR | 2021 |
| H-INDEX | 1 |
Integrating expert feedback on the spot in a time-efficient explorative CT scanning workflow for cultural heritage objects
Computed Tomography (CT) has proven itself as a powerful technique for analysing the internal structure of cultural heritage objects. The process followed by conservators and technical art historians for investigating an object is explorative: each time a new question is asked based on the outcome of the previous investigation. This workflow however conflicts with the static nature of CT imaging, where the planning, execution and image analysis f…
The treatment of a longcase clock attributed to Jean-Pierre Latz
A longcase clock attributed to Jean-Pierre Latz from the collection of the Cleveland Museum of Art was treated at the J. Paul Getty Museum in 2012. The clock is dated to 1744 and is decorated with Boulle-style marquetry and elaborate gilt-bronze mounts. As part of the treatment, the tarnished brass marquetry was to be cleaned and brought into visual balance with the mounts’ gilded surfaces. The application of a peelable protein poultice proved ef…
Floral wood marquetry cabinets attributed to André-Charles Boulle – A technical comparison
In 1990, the Rijksmuseum acquired a splendid 17th-century French cabinet on stand. Initially regarded as belonging to the late oeuvre of Pierre Gole, this opinion was revised after a comparison with cabinets attributed to André-Charles Boulle in the Wallace Collection, the Getty Museum and in the collection of the Duke of Buccleuch at Drumlanrig. Recent technical studies of the cabinets of the J. Paul Getty Museum and the Wallace Collection allow…
CHARMed PyMca, Part II
CHARMed PyMca is a protocol for researchers using energy‐dispersive X‐ray fluorescence spectroscopy (ED‐XRF) who wish to maximize interlaboratory reproducibility of quantitative results from copper alloys found in heritage materials. This paper reports the results of a study evaluating the interlaboratory reproducibility expected when following this protocol. Five institutions participated in this study, using nine tube‐based instruments of seven…
Integrating expert feedback on the spot in a time-efficient explorative CT scanning workflow for cultural heritage objects
Computed Tomography (CT) has proven itself as a powerful technique for analysing the internal structure of cultural heritage objects. The process followed by conservators and technical art historians for investigating an object is explorative: each time a new question is asked based on the outcome of the previous investigation. This workflow however conflicts with the static nature of CT imaging, where the planning, execution and image analysis f…
CHARMed PyMca, Part II
CHARMed PyMca is a protocol for researchers using energy‐dispersive X‐ray fluorescence spectroscopy (ED‐XRF) who wish to maximize interlaboratory reproducibility of quantitative results from copper alloys found in heritage materials. This paper reports the results of a study evaluating the interlaboratory reproducibility expected when following this protocol. Five institutions participated in this study, using nine tube‐based instruments of seven…
CHARMed PyMca, Part II
CHARMed PyMca is a protocol for researchers using energy‐dispersive X‐ray fluorescence spectroscopy (ED‐XRF) who wish to maximize interlaboratory reproducibility of quantitative results from copper alloys found in heritage materials. This paper reports the results of a study evaluating the interlaboratory reproducibility expected when following this protocol. Five institutions participated in this study, using nine tube‐based instruments of seven…
The treatment of a longcase clock attributed to Jean-Pierre Latz
A longcase clock attributed to Jean-Pierre Latz from the collection of the Cleveland Museum of Art was treated at the J. Paul Getty Museum in 2012. The clock is dated to 1744 and is decorated with Boulle-style marquetry and elaborate gilt-bronze mounts. As part of the treatment, the tarnished brass marquetry was to be cleaned and brought into visual balance with the mounts’ gilded surfaces. The application of a peelable protein poultice proved ef…
Floral wood marquetry cabinets attributed to André-Charles Boulle – A technical comparison
In 1990, the Rijksmuseum acquired a splendid 17th-century French cabinet on stand. Initially regarded as belonging to the late oeuvre of Pierre Gole, this opinion was revised after a comparison with cabinets attributed to André-Charles Boulle in the Wallace Collection, the Getty Museum and in the collection of the Duke of Buccleuch at Drumlanrig. Recent technical studies of the cabinets of the J. Paul Getty Museum and the Wallace Collection allow…
Integrating expert feedback on the spot in a time-efficient explorative CT scanning workflow for cultural heritage objects
Computed Tomography (CT) has proven itself as a powerful technique for analysing the internal structure of cultural heritage objects. The process followed by conservators and technical art historians for investigating an object is explorative: each time a new question is asked based on the outcome of the previous investigation. This workflow however conflicts with the static nature of CT imaging, where the planning, execution and image analysis f…
Cultural Heritage Materials Analysis (3 works) · Art (2 works) · Computer Science (2 works) · Materials Science (2 works) · Aesthetic Perception and Analysis (1 works) · Aesthetics (1 works) · Analytical Chemistry (journal) (1 works) · Architecture and Art History Studies (1 works) · Art history (1 works) · Art History and Market Analysis (1 works)