Patricia E Sawin
Biographic Data
| ID | 191572 |
|---|---|
| NAME | Patricia E Sawin |
| GIVEN NAMES | Patricia E |
| FAMILY NAME | Sawin |
| SIGNATURE | SAWIN P E |
| VERIFIED | No |
| TOTAL WORKS | 5 |
| TOTAL CITATIONS | 16 |
| AUTHOR COUNT | 5 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 1990 |
| LATEST PUBLICATION YEAR | 2002 |
| H-INDEX | 2 |
Performance at the Nexus of Gender, Power, and Desire: Reconsidering Bauman'sVerbal Artfrom the Perspective of Gendered Subjectivity as Performance
Richard Bauman's theory of performance has supported feminist work in folklore but proves incompatible with contemporary concepts of gendered subjectivity. Bauman's combination of formalist and behaviorist perspectives paradoxically de-emphasized and undertheorized audience and emotion. The threat posed by women's performance is better explained by exploring how performance constructs reciprocal positions for audience and performer, mobilizes des…
On the Mall: Presenting Maroon Tradition-Bearers at the 1992 Festival of American Folklife. Richard PRICE and Sally PRICE
Right here is a good Christian lady: Reported speech in personal narratives
The personal narratives told by a North Carolina woman contribute to our understanding of both the relationship of personal narratives to the overall speech economy of an area and gender-specific narrative technique. Reported speech provides the means for this narrator to bring local speech practices into her stories where they support her claims for individual worth and the value of women's work without directly contravening local prohibitions a…
The World of the Kalevala: Essays in Celebration of the 150 Year Jubilee of the Publication of the Finnish National Epic
The Wood Carvers of Cordova, New Mexico: "Social Dimensions of an Artistic "Revival
Right here is a good Christian lady: Reported speech in personal narratives
The personal narratives told by a North Carolina woman contribute to our understanding of both the relationship of personal narratives to the overall speech economy of an area and gender-specific narrative technique. Reported speech provides the means for this narrator to bring local speech practices into her stories where they support her claims for individual worth and the value of women's work without directly contravening local prohibitions a…
The Wood Carvers of Cordova, New Mexico: "Social Dimensions of an Artistic "Revival
Performance at the Nexus of Gender, Power, and Desire: Reconsidering Bauman'sVerbal Artfrom the Perspective of Gendered Subjectivity as Performance
Richard Bauman's theory of performance has supported feminist work in folklore but proves incompatible with contemporary concepts of gendered subjectivity. Bauman's combination of formalist and behaviorist perspectives paradoxically de-emphasized and undertheorized audience and emotion. The threat posed by women's performance is better explained by exploring how performance constructs reciprocal positions for audience and performer, mobilizes des…
The Wood Carvers of Cordova, New Mexico: "Social Dimensions of an Artistic "Revival
The World of the Kalevala: Essays in Celebration of the 150 Year Jubilee of the Publication of the Finnish National Epic
Right here is a good Christian lady: Reported speech in personal narratives
The personal narratives told by a North Carolina woman contribute to our understanding of both the relationship of personal narratives to the overall speech economy of an area and gender-specific narrative technique. Reported speech provides the means for this narrator to bring local speech practices into her stories where they support her claims for individual worth and the value of women's work without directly contravening local prohibitions a…
On the Mall: Presenting Maroon Tradition-Bearers at the 1992 Festival of American Folklife. Richard PRICE and Sally PRICE
Performance at the Nexus of Gender, Power, and Desire: Reconsidering Bauman'sVerbal Artfrom the Perspective of Gendered Subjectivity as Performance
Richard Bauman's theory of performance has supported feminist work in folklore but proves incompatible with contemporary concepts of gendered subjectivity. Bauman's combination of formalist and behaviorist perspectives paradoxically de-emphasized and undertheorized audience and emotion. The threat posed by women's performance is better explained by exploring how performance constructs reciprocal positions for audience and performer, mobilizes des…
Art (4 works) · Sociology (3 works) · Visual arts (3 works) · History (2 works) · History (2 works) · Literature (2 works) · Media studies (2 works) · Aesthetics (1 works) · Anthropology (1 works) · Art history (1 works)