John Bealle
Biographic Data
| ID | 192026 |
|---|---|
| NAME | John Bealle |
| GIVEN NAMES | John |
| FAMILY NAME | Bealle |
| SIGNATURE | BEALLE J |
| VERIFIED | No |
| TOTAL WORKS | 4 |
| TOTAL CITATIONS | 2 |
| WORKS AS AUTHOR | 4 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 1993 |
| LATEST PUBLICATION YEAR | 1999 |
| H-INDEX | 1 |
Public Worship, Private Faith
The Sacred Harp, a tunebook that first appeared in 1844, has stood as a model of early American musical culture for most of this century. Tunebooks such as this, printed in shape notes for public singing and singing schools, followed the England tradition of singing hymns and Psalms from printed music. Nineteeth-century Americans were inundated by such books, but only the popularity of The Sacred has endured throughout the twentieth century.With …
Public Worship, Private Faith
Another Look at Charles M. Skinner
Self-Involvement in Musical Performance
Despite considerable scholarly attention given to the dynamics of musical performance, there has been no systematic study of stage talk. This paper seeks to redress that deficiency, arguing that performers use spoken language to gain control over the interpretive dimensions of musical performance. This is particularly the case in traditions where recording or other media have recontextualized musical texts as mass cultural forms. In such instance…
Another Look at Charles M. Skinner
Self-Involvement in Musical Performance
Despite considerable scholarly attention given to the dynamics of musical performance, there has been no systematic study of stage talk. This paper seeks to redress that deficiency, arguing that performers use spoken language to gain control over the interpretive dimensions of musical performance. This is particularly the case in traditions where recording or other media have recontextualized musical texts as mass cultural forms. In such instance…
Self-Involvement in Musical Performance
Despite considerable scholarly attention given to the dynamics of musical performance, there has been no systematic study of stage talk. This paper seeks to redress that deficiency, arguing that performers use spoken language to gain control over the interpretive dimensions of musical performance. This is particularly the case in traditions where recording or other media have recontextualized musical texts as mass cultural forms. In such instance…
Another Look at Charles M. Skinner
Public Worship, Private Faith
The Sacred Harp, a tunebook that first appeared in 1844, has stood as a model of early American musical culture for most of this century. Tunebooks such as this, printed in shape notes for public singing and singing schools, followed the England tradition of singing hymns and Psalms from printed music. Nineteeth-century Americans were inundated by such books, but only the popularity of The Sacred has endured throughout the twentieth century.With …
Public Worship, Private Faith
Art (3 works) · History (3 works) · Music History and Culture (3 works) · Philosophy (3 works) · Art history (2 works) · Faith (2 works) · HARP (2 works) · History (2 works) · Pentecostalism and Christianity Studies (2 works) · Philosophy (2 works)