Skip to main content

ETHNOS_APP

Home • Search • Journals • List 0

James Tar Tsaaior

Biographic Data

ID192450
NAMEJames Tar Tsaaior
GIVEN NAMESJames Tar
FAMILY NAMETsaaior
SIGNATURETSAAIOR J T
AFFILIATIONSPan-Atlantic University
VERIFIEDNo
TOTAL WORKS6
TOTAL CITATIONS5
WORKS AS AUTHOR6
WORKS AS EDITOR0
FIRST PUBLICATION YEAR2009
LATEST PUBLICATION YEAR2018
H-INDEX2
  • New” Nollywood Video Films and the Post/Nationality of Nigeria's Film Culture

    James Tar Tsaaior, James Tar Tsaaior James Tar Tsaaior•ARTICLE•Research in African Literatures•2018•Cited by: 2

    Nollywood, Nigeria’s signature video-film culture, has had its fortunes significantly impacted or improved since the early 1990s when it emerged as a powerful cultural production site in the national imaginary. Nollywood has since travelled from its aboriginal Nigerian homeland and transgressed national boundaries to become a truly global film phenomenon with post-national aspirations and global ambitions. The global enactment of energies by this…

  • Exile, exilic consciousness and the poetic imagination in Tanure Ojaide’s poetry

    Open Access•James Tar Tsaaior•ARTICLE•Tydskrif vir letterkunde•2017•Cited by: 2

    As a thematic trajectory, exile constitutes a visible presence in the Nigerian poetic afflatus and imagination. This is sometimes not adequately or sufficiently acknowledged. Increasingly, however, exile and exilic consciousness have continued to occupy a contested and contestable site in literature especially Nigerian poetry. This is essentially because of the multiple and shifting networks of significations that undergird the very constitution …

  • Those Days and These Days

    Open Access•James Tar Tsaaior•ARTICLE•Africa•2015•References: 4

    This article pays tribute to Akiga Sai (1898-1959) and his iconic status as the first great Tiv writer who recorded Tiv history, customs, beliefs and experiences during the turbulence unleashed by colonization and missionary intervention in the early twentieth century. It offers an appreciation of Akiga's vivid writing style and his achievements as both a historian and a recorder of his people's way of life, which was fast changing. The article p…

  • New Wine, Old Wineskins

    Open Access•James Tar Tsaaior•ARTICLE•Journal of Asian and African…•2013•Cited by: 1•References: 6

    Much of Nigerian oral poetry, especially the musical genre, has been increasingly reduced to digital formats through the instrumentality of new media technologies. This transformation has, however, not been sufficiently acknowledged in oral literary researches and discourses. This alternative existence acquired by the oral forms manifests itself in digital technological modes like CDs, VCDs, DVDs, digital radio and television and the internet whi…

  • Lynn Chukura and the New Feminist Poetic in Nigeria

    James Tar Tsaaior•ARTICLE•Women s Studies•2010•References: 2

    Feminist poetics, as a veritable discursive site, is necessarily politically positioned and ideologically engaged. It cannot afford to be anything else. This ideological gravitation and imperative

  • Geo-spatial politics and the trope of migration in Tayeb Salih'sSeason of Migration to the North

    James Tar Tsaaior•ARTICLE•The Journal of North African…•2009•References: 4

    The encounter between Africa and Europe during the historical reality of the colonial and imperial enterprise has fashioned an elaborate corpus of knowledge systems. These knowledge systems have been produced and circulated by Europe as standard and they have become part of the European regime of universal truth-telling. Thus those who are defined as Others, and are marginal to the Empire, are constituted as outside of culture and civilisation. T…

  • New” Nollywood Video Films and the Post/Nationality of Nigeria's Film Culture

    James Tar Tsaaior, James Tar Tsaaior James Tar Tsaaior•ARTICLE•Research in African Literatures•2018•Cited by: 2

    Nollywood, Nigeria’s signature video-film culture, has had its fortunes significantly impacted or improved since the early 1990s when it emerged as a powerful cultural production site in the national imaginary. Nollywood has since travelled from its aboriginal Nigerian homeland and transgressed national boundaries to become a truly global film phenomenon with post-national aspirations and global ambitions. The global enactment of energies by this…

  • Exile, exilic consciousness and the poetic imagination in Tanure Ojaide’s poetry

    Open Access•James Tar Tsaaior•ARTICLE•Tydskrif vir letterkunde•2017•Cited by: 2

    As a thematic trajectory, exile constitutes a visible presence in the Nigerian poetic afflatus and imagination. This is sometimes not adequately or sufficiently acknowledged. Increasingly, however, exile and exilic consciousness have continued to occupy a contested and contestable site in literature especially Nigerian poetry. This is essentially because of the multiple and shifting networks of significations that undergird the very constitution …

  • New Wine, Old Wineskins

    Open Access•James Tar Tsaaior•ARTICLE•Journal of Asian and African…•2013•Cited by: 1•References: 6

    Much of Nigerian oral poetry, especially the musical genre, has been increasingly reduced to digital formats through the instrumentality of new media technologies. This transformation has, however, not been sufficiently acknowledged in oral literary researches and discourses. This alternative existence acquired by the oral forms manifests itself in digital technological modes like CDs, VCDs, DVDs, digital radio and television and the internet whi…

  • Geo-spatial politics and the trope of migration in Tayeb Salih'sSeason of Migration to the North

    James Tar Tsaaior•ARTICLE•The Journal of North African…•2009•References: 4

    The encounter between Africa and Europe during the historical reality of the colonial and imperial enterprise has fashioned an elaborate corpus of knowledge systems. These knowledge systems have been produced and circulated by Europe as standard and they have become part of the European regime of universal truth-telling. Thus those who are defined as Others, and are marginal to the Empire, are constituted as outside of culture and civilisation. T…

  • Lynn Chukura and the New Feminist Poetic in Nigeria

    James Tar Tsaaior•ARTICLE•Women s Studies•2010•References: 2

    Feminist poetics, as a veritable discursive site, is necessarily politically positioned and ideologically engaged. It cannot afford to be anything else. This ideological gravitation and imperative

  • New Wine, Old Wineskins

    Open Access•James Tar Tsaaior•ARTICLE•Journal of Asian and African…•2013•Cited by: 1•References: 6

    Much of Nigerian oral poetry, especially the musical genre, has been increasingly reduced to digital formats through the instrumentality of new media technologies. This transformation has, however, not been sufficiently acknowledged in oral literary researches and discourses. This alternative existence acquired by the oral forms manifests itself in digital technological modes like CDs, VCDs, DVDs, digital radio and television and the internet whi…

  • Those Days and These Days

    Open Access•James Tar Tsaaior•ARTICLE•Africa•2015•References: 4

    This article pays tribute to Akiga Sai (1898-1959) and his iconic status as the first great Tiv writer who recorded Tiv history, customs, beliefs and experiences during the turbulence unleashed by colonization and missionary intervention in the early twentieth century. It offers an appreciation of Akiga's vivid writing style and his achievements as both a historian and a recorder of his people's way of life, which was fast changing. The article p…

  • Exile, exilic consciousness and the poetic imagination in Tanure Ojaide’s poetry

    Open Access•James Tar Tsaaior•ARTICLE•Tydskrif vir letterkunde•2017•Cited by: 2

    As a thematic trajectory, exile constitutes a visible presence in the Nigerian poetic afflatus and imagination. This is sometimes not adequately or sufficiently acknowledged. Increasingly, however, exile and exilic consciousness have continued to occupy a contested and contestable site in literature especially Nigerian poetry. This is essentially because of the multiple and shifting networks of significations that undergird the very constitution …

  • New” Nollywood Video Films and the Post/Nationality of Nigeria's Film Culture

    James Tar Tsaaior, James Tar Tsaaior James Tar Tsaaior•ARTICLE•Research in African Literatures•2018•Cited by: 2

    Nollywood, Nigeria’s signature video-film culture, has had its fortunes significantly impacted or improved since the early 1990s when it emerged as a powerful cultural production site in the national imaginary. Nollywood has since travelled from its aboriginal Nigerian homeland and transgressed national boundaries to become a truly global film phenomenon with post-national aspirations and global ambitions. The global enactment of energies by this…

Art (6 works) · Literature (6 works) · Sociology (5 works) · Aesthetics (4 works) · History (3 works) · History (3 works) · Law (3 works) · Law (3 works) · Poetry (3 works) · Political science (3 works)

Ethnos_APP • Open Source Project • MIT License • Frontend v2.0.0 • Privacy and Cookies • API Documentation: api.ethnos.app/docs • API Source Code: GitHub • DOI: 10.5281/zenodo.17049435 • Frontend Source Code: GitHub • DOI: 10.5281/zenodo.17050053 • cruz.rio.br • Expectantes Misericordiae