M A R Cooper
Biographic Data
| ID | 1950614 |
|---|---|
| NAME | M A R Cooper |
| GIVEN NAMES | M A R |
| FAMILY NAME | Cooper |
| SIGNATURE | COOPER M A R |
| AFFILIATIONS | Department of Civil Engineering, City University, London EC1V 0HB, UK |
| VERIFIED | No |
| TOTAL WORKS | 8 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 8 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 1983 |
| LATEST PUBLICATION YEAR | 2025 |
| H-INDEX | 0 |
Harold and Maude in the Clinical Hour
In the following essay, Dan Quinn's creative use of film-emerging from the author's reverie about his patient-clinically echoes Giuseppe Tornatore's description of how an idea comes: " with simplicity and clarity which, from that moment on, will guide you toward the focus of that idea, giving you the strength to shape it and make it real."Quinn brings us into the complexity and intimacy of the consulting room as the analytic couple grapples with …
Introduction from the Film & Culture Editors
The Lighting of Shadow Images
Introduction from the Clinical Commentaries Editors
In a recent online lecture on "The Wounded Healer", Jungian analyst Penelope Tarasuk noted that one of the first questions she often asks her analysands early in treatment is, "How has your heart been broken?What I mean by that is, how have you been disappointed by another human being or your sense of the Divine?"She emphasizes that this question does not arise from wondering "if" but rather "how" each patient comes heartbroken to analysis, and t…
Robert Hooke's work as surveyor for the city of London in the aftermath of the great fire. Part two
In the rebuilding of the City of London after the Great Fire of 1666, private land was taken by the City for new and widened streets, new markets, wharves alongside the Fleet River, and quays and wharves along the northern bank of the Thames. The amount of compensation paid by the City to owners of property depended on the location of the site and the area of ground taken away. In Part 1 of this paper, evidence of Hooke's work staking out widened…
Robert Hookeapos;s work as surveyor for the city of London in the aftermath of the great fire. Part three
Administration of the sections of the Rebuilding Acts that defined materials and the types of new buildings permitted after the Great Fire of 1666 was primarily the responsibility of the City. Only after new and widened streets had been staked out and foundation certificates issued could owners start to rebuild. Disputes then arose from time to time between neighbours. Complaints were made that some rebuilding was contrary to the Acts. These disp…
Robert Hooke's work as surveyor for the City of London in the aftermath of the Great Fire. Part one
It is known that Robert Hooke was one of the Surveyors appointed after the Great Fire to assist the City in its urgent task of rebuilding, but until now only a very general understanding of the extent of his work and the time he spent on it has been gained. By examining contemporary manuscripts from the City of London's records it is now possible to make a reasonable estimate of the time he spent on the first major activities he was called upon t…
Modern Theodolites and Levels
Basic constructional features of the theodolite Details of theodolite construction Features of modern theodolites Adjustments to the theodolite Accuracies of constructional features of theodolites Basic constructional features of the level Details of level construction Features of modern levels Adjustments and accuracies of non-automatic levels Errors and accuracies of automatic levels
No prominent works on this page.
Modern Theodolites and Levels
Basic constructional features of the theodolite Details of theodolite construction Features of modern theodolites Adjustments to the theodolite Accuracies of constructional features of theodolites Basic constructional features of the level Details of level construction Features of modern levels Adjustments and accuracies of non-automatic levels Errors and accuracies of automatic levels
Robert Hooke's work as surveyor for the City of London in the aftermath of the Great Fire. Part one
It is known that Robert Hooke was one of the Surveyors appointed after the Great Fire to assist the City in its urgent task of rebuilding, but until now only a very general understanding of the extent of his work and the time he spent on it has been gained. By examining contemporary manuscripts from the City of London's records it is now possible to make a reasonable estimate of the time he spent on the first major activities he was called upon t…
Robert Hooke's work as surveyor for the city of London in the aftermath of the great fire. Part two
In the rebuilding of the City of London after the Great Fire of 1666, private land was taken by the City for new and widened streets, new markets, wharves alongside the Fleet River, and quays and wharves along the northern bank of the Thames. The amount of compensation paid by the City to owners of property depended on the location of the site and the area of ground taken away. In Part 1 of this paper, evidence of Hooke's work staking out widened…
Robert Hookeapos;s work as surveyor for the city of London in the aftermath of the great fire. Part three
Administration of the sections of the Rebuilding Acts that defined materials and the types of new buildings permitted after the Great Fire of 1666 was primarily the responsibility of the City. Only after new and widened streets had been staked out and foundation certificates issued could owners start to rebuild. Disputes then arose from time to time between neighbours. Complaints were made that some rebuilding was contrary to the Acts. These disp…
Introduction from the Clinical Commentaries Editors
In a recent online lecture on "The Wounded Healer", Jungian analyst Penelope Tarasuk noted that one of the first questions she often asks her analysands early in treatment is, "How has your heart been broken?What I mean by that is, how have you been disappointed by another human being or your sense of the Divine?"She emphasizes that this question does not arise from wondering "if" but rather "how" each patient comes heartbroken to analysis, and t…
Harold and Maude in the Clinical Hour
In the following essay, Dan Quinn's creative use of film-emerging from the author's reverie about his patient-clinically echoes Giuseppe Tornatore's description of how an idea comes: " with simplicity and clarity which, from that moment on, will guide you toward the focus of that idea, giving you the strength to shape it and make it real."Quinn brings us into the complexity and intimacy of the consulting room as the analytic couple grapples with …
Introduction from the Film & Culture Editors
The Lighting of Shadow Images
Art (4 works) · Geography (4 works) · Psychology (4 works) · Sociology (4 works) · Cartography (3 works) · Engineering (3 works) · Law (3 works) · Maritime and Coastal Archaeology (3 works) · Political science (3 works) · Psychoanalysis (3 works)