Roger Hillman
Biographic Data
| ID | 195221 |
|---|---|
| NAME | Roger Hillman |
| GIVEN NAMES | Roger |
| FAMILY NAME | Hillman |
| SIGNATURE | HILLMAN R |
| AFFILIATIONS | Australian National University |
| VERIFIED | No |
| TOTAL WORKS | 8 |
| TOTAL CITATIONS | 13 |
| AUTHOR COUNT | 7 |
| EDITOR COUNT | 1 |
| FIRST PUBLICATION YEAR | 1986 |
| LATEST PUBLICATION YEAR | 2023 |
| H-INDEX | 1 |
Fields of Vision
Laura Heins. Nazi Film Melodrama
Journal Article Laura Heins. Nazi Film Melodrama. Get access Laura Heins. Nazi Film Melodrama. Urbana and Chicago: University of Illinois Press, 2013. Pp. viii, 240. Cloth $85.00, paper $30.00. Roger Hillman Roger Hillman Australian National University [email protected] Search for other works by this author on: Oxford Academic Google Scholar The American Historical Review, Volume 119, Issue 5, December 2014, Pages 1808–1809, https://doi.or…
Germany, Difficult Heimat
A review of Klaus Neumann's Shifting Memories: The Nazi Past in the New Germany (University of Michigan Press, Ann Arbor, 2000
A Transnational Gallipoli
Without a uniform, it is impossible to tell the nationality of a soldier's frame, and many an unidentifiable, incomplete and anonymous heap of fractured bones ended up in co-interment with those of former enemies, near monuments speciously engraved with the sentiment that 'Their Name Liveth for Evermore' Louis de Bernires, Birds Without Wings, Chapter 71 1 Not for the first time, in relation to literary representations, but within a more globaliz…
Goodbye Lenin (2003)
Wolfgang Becker's film Goodbye Lenin (2003) has been popular far beyond Germany. It provokes questions not found in standard debates about film and history. Feature films and documentary representations frequently 'adjust' history, governed by criteria of narrative economy and audience expectations that are quite different from those of historians. A counter-current within the discipline has pleaded for acknowledging the capacity of film to repre…
Beethoven, Mahler, and the new German cinema
Art music has been used on the soundtrack since the silent film era. Often functioning as highbrow mood music, it can also convey ideological associations which lend the narrative a further historical layer. The New German Cinema features works by Wagner, Beethoven, Mahler, and others whose reception has been partially influenced by Nazi propaganda. The overtones of these cultural icons parallel discourses about a fluctuating national identity. W…
Filmmusik im DRitteN R
The professed aim of this volume is to serve as an archival resource for television stations, cinemas and relevant university departments. After an introduction, the bulk of the work consists of an alphabetic list of films in German for each of the years 1933–1945. There follow similar lists of the composers of film music, and of those who provided the texts, brief biographies of the major film music composers and finally — the most interesting s…
Ein Fliehendes Pferd — a Reconsideration
Fields of Vision
Goodbye Lenin (2003)
Wolfgang Becker's film Goodbye Lenin (2003) has been popular far beyond Germany. It provokes questions not found in standard debates about film and history. Feature films and documentary representations frequently 'adjust' history, governed by criteria of narrative economy and audience expectations that are quite different from those of historians. A counter-current within the discipline has pleaded for acknowledging the capacity of film to repre…
Ein Fliehendes Pferd — a Reconsideration
Filmmusik im DRitteN R
The professed aim of this volume is to serve as an archival resource for television stations, cinemas and relevant university departments. After an introduction, the bulk of the work consists of an alphabetic list of films in German for each of the years 1933–1945. There follow similar lists of the composers of film music, and of those who provided the texts, brief biographies of the major film music composers and finally — the most interesting s…
Beethoven, Mahler, and the new German cinema
Art music has been used on the soundtrack since the silent film era. Often functioning as highbrow mood music, it can also convey ideological associations which lend the narrative a further historical layer. The New German Cinema features works by Wagner, Beethoven, Mahler, and others whose reception has been partially influenced by Nazi propaganda. The overtones of these cultural icons parallel discourses about a fluctuating national identity. W…
Goodbye Lenin (2003)
Wolfgang Becker's film Goodbye Lenin (2003) has been popular far beyond Germany. It provokes questions not found in standard debates about film and history. Feature films and documentary representations frequently 'adjust' history, governed by criteria of narrative economy and audience expectations that are quite different from those of historians. A counter-current within the discipline has pleaded for acknowledging the capacity of film to repre…
A Transnational Gallipoli
Without a uniform, it is impossible to tell the nationality of a soldier's frame, and many an unidentifiable, incomplete and anonymous heap of fractured bones ended up in co-interment with those of former enemies, near monuments speciously engraved with the sentiment that 'Their Name Liveth for Evermore' Louis de Bernires, Birds Without Wings, Chapter 71 1 Not for the first time, in relation to literary representations, but within a more globaliz…
Germany, Difficult Heimat
A review of Klaus Neumann's Shifting Memories: The Nazi Past in the New Germany (University of Michigan Press, Ann Arbor, 2000
Laura Heins. Nazi Film Melodrama
Journal Article Laura Heins. Nazi Film Melodrama. Get access Laura Heins. Nazi Film Melodrama. Urbana and Chicago: University of Illinois Press, 2013. Pp. viii, 240. Cloth $85.00, paper $30.00. Roger Hillman Roger Hillman Australian National University [email protected] Search for other works by this author on: Oxford Academic Google Scholar The American Historical Review, Volume 119, Issue 5, December 2014, Pages 1808–1809, https://doi.or…
Fields of Vision
History (6 works) · Art (5 works) · History (5 works) · Art history (4 works) · German (3 works) · Nazism (3 works) · Political science (3 works) · Archaeology (2 works) · Cinema and Media Studies (2 works) · Computer Science (2 works)