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Robin R Means Coleman

Biographic Data

ID195369
NAMERobin R Means Coleman
GIVEN NAMESRobin R Means
FAMILY NAMEColeman
SIGNATURECOLEMAN R R M
AFFILIATIONSNew York University
VERIFIEDNo
TOTAL WORKS9
TOTAL CITATIONS6
WORKS AS AUTHOR9
WORKS AS EDITOR0
FIRST PUBLICATION YEAR2000
LATEST PUBLICATION YEAR2024
H-INDEX2
  • “The One Who Did Not Die”

    Open Access•AHMED HONEINI, NICOLE GIPSON et al.•ARTICLE•Journal of American Studies•2024

    An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content

  • Assessing Programmatic Mentoring

    Open Access•Robin R Means Coleman, Jennifer McGee Reyes•ARTICLE•Communication Culture and Critique•2021•References: 1

    This essay is not about getting good mentoring. Rather, it is about the ways in which institutions must invest in providing resources for professional success and wellness, with a particular understanding of the needs of women of color. To ensure faculty retention and success, institutions must not only provide resources but also engage in exacting assessment practices to ensure programmatic efficacy

  • Fix It Black Jesus

    Open Access•Robin R Means Coleman, Novotny Lawrence•ARTICLE•Religions•2019•References: 1

    Good Times is primarily remembered for the situation comedy that it became, rather than how the series began. As a part of what Means Coleman classifies as "The Lear Era: Social Relevancy and Ridiculed Black Subjectivity," the series was the first sitcom in TV history to feature a loving, working-class, Black nuclear family-the Evanses-with a focus on recounting their racial and socioeconomic challenges and gains. While the representational treat…

  • You might not know her, but you know her brother

    Robin R Means Coleman, Douglas-Wade Brunton•ARTICLE•Souls•2016

    In this article, we consider the power of the “Internet of things” and that of respectability policing. Our concern is the role of digital technologies in social stratification and neighborhood management. We begin by examining the use of ShotSpotter technology that provides audio detection of gunfire in (Black) neighborhoods and transmits the location of shots fired to police. We explore how ShotSpotter was used to investigate the murder of Jane…

  • No Way of Seeing

    Robin R Means Coleman, Jasmine Nichole Cobb•ARTICLE•Popular Communication•2007•Cited by: 2•References: 10

    This essay examines the attempt to market to a mainstream audience a gay, Black rapper—Caushun—who embodies competing claims of “thug” masculinity and “queen” femininity. We argue that Caushun might experience failure because his music, and more importantly his music videos, will offer his target audience “no way of seeing” authenticity in his intersecting identities. That is the viewing experience, theorized as the gaze (Mulvey, 1975 Mulvey, L.,…

  • The Gentrification of "Black" in Black Popular Communication in the New Millennium

    Robin R Means Coleman•ARTICLE•Popular Communication•2006•Cited by: 2

    This issue of Popular Communication features two particularly interesting pieces of scholarship whose salience should be noted in that the authors work expressly to extend our ideational boundaries regarding racial identity-in these two instances, the categories of Blackness and Whiteness. The authors share a common goal, though one taken with great care: to disrupt plebeian notions of what is thought to be essentialized Black cultural forms (e.g…

  • Elmo Is Black! Black Popular Communication and the Marking and Marketing of Black Identity

    Robin R Means Coleman•ARTICLE•Popular Communication•2003•Cited by: 1•References: 2

    http://deepblue.lib.umich.edu/bitstream/2027.42/60136/1/Elmo.pdf

  • Bringing Diversity and Activism to Media Education through African American-Centered Pedagogical Cases

    Open Access•Robin R Means Coleman•ARTICLE•Television & New Media•2003•Cited by: 1•References: 2

    This article works to illustrate the manner in which two principal goals of media education can be fulfilled in media instruction. These goals are to create savvy media consumers who are empowered to demystify their mediated worlds and to foster recognition in media consumers that they possess agency to inform their mediated worlds. Toward these ends, the author provides media educators with two case studies—the mediation of Ebonics and the NAACP…

  • Mediating Ebonics

    Open Access•Robin R Means Coleman, Jack L Daniel•ARTICLE•Journal of Black Studies•2000

  • No Way of Seeing

    Robin R Means Coleman, Jasmine Nichole Cobb•ARTICLE•Popular Communication•2007•Cited by: 2•References: 10

    This essay examines the attempt to market to a mainstream audience a gay, Black rapper—Caushun—who embodies competing claims of “thug” masculinity and “queen” femininity. We argue that Caushun might experience failure because his music, and more importantly his music videos, will offer his target audience “no way of seeing” authenticity in his intersecting identities. That is the viewing experience, theorized as the gaze (Mulvey, 1975 Mulvey, L.,…

  • The Gentrification of "Black" in Black Popular Communication in the New Millennium

    Robin R Means Coleman•ARTICLE•Popular Communication•2006•Cited by: 2

    This issue of Popular Communication features two particularly interesting pieces of scholarship whose salience should be noted in that the authors work expressly to extend our ideational boundaries regarding racial identity-in these two instances, the categories of Blackness and Whiteness. The authors share a common goal, though one taken with great care: to disrupt plebeian notions of what is thought to be essentialized Black cultural forms (e.g…

  • Elmo Is Black! Black Popular Communication and the Marking and Marketing of Black Identity

    Robin R Means Coleman•ARTICLE•Popular Communication•2003•Cited by: 1•References: 2

    http://deepblue.lib.umich.edu/bitstream/2027.42/60136/1/Elmo.pdf

  • Bringing Diversity and Activism to Media Education through African American-Centered Pedagogical Cases

    Open Access•Robin R Means Coleman•ARTICLE•Television & New Media•2003•Cited by: 1•References: 2

    This article works to illustrate the manner in which two principal goals of media education can be fulfilled in media instruction. These goals are to create savvy media consumers who are empowered to demystify their mediated worlds and to foster recognition in media consumers that they possess agency to inform their mediated worlds. Toward these ends, the author provides media educators with two case studies—the mediation of Ebonics and the NAACP…

  • Mediating Ebonics

    Open Access•Robin R Means Coleman, Jack L Daniel•ARTICLE•Journal of Black Studies•2000

  • Elmo Is Black! Black Popular Communication and the Marking and Marketing of Black Identity

    Robin R Means Coleman•ARTICLE•Popular Communication•2003•Cited by: 1•References: 2

    http://deepblue.lib.umich.edu/bitstream/2027.42/60136/1/Elmo.pdf

  • Bringing Diversity and Activism to Media Education through African American-Centered Pedagogical Cases

    Open Access•Robin R Means Coleman•ARTICLE•Television & New Media•2003•Cited by: 1•References: 2

    This article works to illustrate the manner in which two principal goals of media education can be fulfilled in media instruction. These goals are to create savvy media consumers who are empowered to demystify their mediated worlds and to foster recognition in media consumers that they possess agency to inform their mediated worlds. Toward these ends, the author provides media educators with two case studies—the mediation of Ebonics and the NAACP…

  • The Gentrification of "Black" in Black Popular Communication in the New Millennium

    Robin R Means Coleman•ARTICLE•Popular Communication•2006•Cited by: 2

    This issue of Popular Communication features two particularly interesting pieces of scholarship whose salience should be noted in that the authors work expressly to extend our ideational boundaries regarding racial identity-in these two instances, the categories of Blackness and Whiteness. The authors share a common goal, though one taken with great care: to disrupt plebeian notions of what is thought to be essentialized Black cultural forms (e.g…

  • No Way of Seeing

    Robin R Means Coleman, Jasmine Nichole Cobb•ARTICLE•Popular Communication•2007•Cited by: 2•References: 10

    This essay examines the attempt to market to a mainstream audience a gay, Black rapper—Caushun—who embodies competing claims of “thug” masculinity and “queen” femininity. We argue that Caushun might experience failure because his music, and more importantly his music videos, will offer his target audience “no way of seeing” authenticity in his intersecting identities. That is the viewing experience, theorized as the gaze (Mulvey, 1975 Mulvey, L.,…

  • You might not know her, but you know her brother

    Robin R Means Coleman, Douglas-Wade Brunton•ARTICLE•Souls•2016

    In this article, we consider the power of the “Internet of things” and that of respectability policing. Our concern is the role of digital technologies in social stratification and neighborhood management. We begin by examining the use of ShotSpotter technology that provides audio detection of gunfire in (Black) neighborhoods and transmits the location of shots fired to police. We explore how ShotSpotter was used to investigate the murder of Jane…

  • Fix It Black Jesus

    Open Access•Robin R Means Coleman, Novotny Lawrence•ARTICLE•Religions•2019•References: 1

    Good Times is primarily remembered for the situation comedy that it became, rather than how the series began. As a part of what Means Coleman classifies as "The Lear Era: Social Relevancy and Ridiculed Black Subjectivity," the series was the first sitcom in TV history to feature a loving, working-class, Black nuclear family-the Evanses-with a focus on recounting their racial and socioeconomic challenges and gains. While the representational treat…

  • Assessing Programmatic Mentoring

    Open Access•Robin R Means Coleman, Jennifer McGee Reyes•ARTICLE•Communication Culture and Critique•2021•References: 1

    This essay is not about getting good mentoring. Rather, it is about the ways in which institutions must invest in providing resources for professional success and wellness, with a particular understanding of the needs of women of color. To ensure faculty retention and success, institutions must not only provide resources but also engage in exacting assessment practices to ensure programmatic efficacy

  • “The One Who Did Not Die”

    Open Access•AHMED HONEINI, NICOLE GIPSON et al.•ARTICLE•Journal of American Studies•2024

    An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content

Sociology (8 works) · Political science (6 works) · Aesthetics (4 works) · Art (4 works) · Law (4 works) · Law (4 works) · Media studies (4 works) · Psychology (4 works) · Music History and Culture (3 works) · Philosophy (3 works)

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