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Iliana Pagán-Teitelbaum

Biographic Data

ID196062
NAMEIliana Pagán-Teitelbaum
GIVEN NAMESIliana
FAMILY NAMEPagán-Teitelbaum
SIGNATUREPAGÁN-TEITELBAUM I
AFFILIATIONSUniversity of Pennsylvania
VERIFIEDNo
TOTAL WORKS2
TOTAL CITATIONS1
WORKS AS AUTHOR2
WORKS AS EDITOR0
FIRST PUBLICATION YEAR2010
LATEST PUBLICATION YEAR2012
H-INDEX1
  • Glamour in the Andes

    Iliana Pagán-Teitelbaum•ARTICLE•Latin American and Caribbean…•2012•Cited by: 1•References: 2

    This study analyzes racist cultural representations in two purportedly pro-indigenous Peruvian films directed by non-indigenous filmmakers during and after the Peruvian civil war in which 70,000 people, mostly Quechua-speakers, were killed (1980–2000). I contend that in the films Gregorio (1984, dir. Grupo Chaski) and Madeinusa (2006 , dir. Claudia Llosa), the positive image of indigenous Peruvian women as migrant subjects with agency is weakened…

  • Depiction or erasure? Violence and trauma in contemporary Peruvian film

    Iliana Pagán-Teitelbaum•ARTICLE•Continuum•2010•References: 3

    Most of the 70,000 people who died or disappeared during the 1980–2000 civil war in Peru were Indigenous Quechua speakers. It is still proscribed to talk about the violent conflict in this Latin American country on the Pacific, where the high levels of poverty that may have triggered the war continue to affect 40% of the population. In this paper, I discuss the effort of three Peruvian films to respond to the trauma of misery, racism, forced migr…

  • Glamour in the Andes

    Iliana Pagán-Teitelbaum•ARTICLE•Latin American and Caribbean…•2012•Cited by: 1•References: 2

    This study analyzes racist cultural representations in two purportedly pro-indigenous Peruvian films directed by non-indigenous filmmakers during and after the Peruvian civil war in which 70,000 people, mostly Quechua-speakers, were killed (1980–2000). I contend that in the films Gregorio (1984, dir. Grupo Chaski) and Madeinusa (2006 , dir. Claudia Llosa), the positive image of indigenous Peruvian women as migrant subjects with agency is weakened…

  • Depiction or erasure? Violence and trauma in contemporary Peruvian film

    Iliana Pagán-Teitelbaum•ARTICLE•Continuum•2010•References: 3

    Most of the 70,000 people who died or disappeared during the 1980–2000 civil war in Peru were Indigenous Quechua speakers. It is still proscribed to talk about the violent conflict in this Latin American country on the Pacific, where the high levels of poverty that may have triggered the war continue to affect 40% of the population. In this paper, I discuss the effort of three Peruvian films to respond to the trauma of misery, racism, forced migr…

  • Glamour in the Andes

    Iliana Pagán-Teitelbaum•ARTICLE•Latin American and Caribbean…•2012•Cited by: 1•References: 2

    This study analyzes racist cultural representations in two purportedly pro-indigenous Peruvian films directed by non-indigenous filmmakers during and after the Peruvian civil war in which 70,000 people, mostly Quechua-speakers, were killed (1980–2000). I contend that in the films Gregorio (1984, dir. Grupo Chaski) and Madeinusa (2006 , dir. Claudia Llosa), the positive image of indigenous Peruvian women as migrant subjects with agency is weakened…

Ethnology (2 works) · Gender Studies (2 works) · Gender Studies (2 works) · Gender, Security, and Conflict (2 works) · History (2 works) · History (2 works) · Indigenous (2 works) · Law (2 works) · Law (2 works) · Political science (2 works)

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