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Thomas L Riis

Biographic Data

ID197050
NAMEThomas L Riis
GIVEN NAMESThomas L
FAMILY NAMERiis
SIGNATURERIIS T L
AFFILIATIONSUniversity of Colorado Boulder
VERIFIEDNo
TOTAL WORKS14
TOTAL CITATIONS0
WORKS AS AUTHOR14
WORKS AS EDITOR0
FIRST PUBLICATION YEAR1984
LATEST PUBLICATION YEAR2020
H-INDEX0
  • The Original Blues

    Thomas L Riis•ARTICLE•American Music•2020

  • Forgotten Manuscripts

    Krystyn R Moon, David Krasner et al.•ARTICLE•African American Review•2011

    Forgotten Manuscripts: A Trip to Coontown Krystyn R. Moon (bio), David Krasner (bio), and Thomas L. Riis (bio) Finding A Trip to Coontown, by Krystyn R. Moon By 1897, most American audiences had had an opportunity to see African Americans perform on the stage during the previous thirty years. Hired by European American agents and managers, they were expected to reproduce many of the songs and skits that had been made famous in blackface minstrels…

  • Charles Ives, Violin Sonatas Nos. 1-4

    Thomas L Riis•ARTICLE•American Music•2006

  • Demons of Disorder

    Thomas L Riis, Dale Cockrell•ARTICLE•Ethnomusicology•1999

  • "The Music and Scripts of "In Dahomey

    Marva Griffin Carter, Thomas L Riis•ARTICLE•American Music•1998

  • From the Bowery to Broadway

    Thomas L Riis, Armond Fields et al.•ARTICLE•American Music•1995

    Before Ziegfeld launched his Follies, before the Shubert brothers built their empire, Lew Fields' productions were the toast of Broadway. For the smart set in the luxury box seats and the shopkeepers and clerks in the gallery, an evening at Weber & Fields' Music Hall was the hottest ticket in town, a chance to see the biggest stars of the era - Lillian Russell, Fay Templeton, David Warfield, DeWolf Hopper, and the Dutch knockabout comedy team of …

  • Music Matters

    Thomas L Riis, George Seltzer•ARTICLE•American Music•1992

  • Just Before Jazz

    John Graziano, Thomas L Riis et al.•ARTICLE•American Music•1992

  • Just before Jazz

    Robert Witmer, Thomas L Riis•ARTICLE•Ethnomusicology•1991

  • Just before Jazz

    Doris Evans Mcginty, Doris McGinty et al.•ARTICLE•The Black Perspective in Music•1990

  • The Experience and Impact of Black Entertainers in England, 1895-1920

    Thomas L Riis•ARTICLE•American Music•1986

    In a 1976 collection of essays entitled America, Daniel Walker Howe and several other American historians demonstrated the many facets of a more or less unified Anglo-American worldview in the nineteenth century.' Howe's excellent introductory essay, Victorian Culture in America,' discussed the especially close cultural connections between the countries stemming from their economies and ideologies. The United States and England possessed, he show…

  • The Music and Musicians in Nineteenth-Century Productions of Uncle Tom's Cabin

    Thomas L Riis•ARTICLE•American Music•1986

    Harriet Beecher Stowe's famous novel Uncle Tom's Cabin is among the most widely known and influential works of American literature. It achieved record sales shortly after its publication in book form in March 1852 by the Boston publisher Jewett and was quickly translated, in hundreds of versions, into at least twenty-one languages, the more exotic of which include Arabic, Welch, Wallachian, and Armenian.1 Its melodramatic qualities, sharply drawn…

  • "Bob" Cole

    Thomas L Riis•ARTICLE•The Black Perspective in Music•1985

  • Black Musical Theater, 1870-1930

    Thomas L Riis•ARTICLE•American Music•1984

    Black musical theater is a little-explored field with far-reaching ramifications in American music history. Over the past century the majority of informal and scholarly writing about black music has focused on contributions to folk music, especially spirituals, and on the creation of jazz. Both repertories possess traits that have made them apt for study. The spirituals reflect a general religiousness that white reformers of the nineteenth and ea…

No prominent works on this page.

  • Black Musical Theater, 1870-1930

    Thomas L Riis•ARTICLE•American Music•1984

    Black musical theater is a little-explored field with far-reaching ramifications in American music history. Over the past century the majority of informal and scholarly writing about black music has focused on contributions to folk music, especially spirituals, and on the creation of jazz. Both repertories possess traits that have made them apt for study. The spirituals reflect a general religiousness that white reformers of the nineteenth and ea…

  • "Bob" Cole

    Thomas L Riis•ARTICLE•The Black Perspective in Music•1985

  • The Experience and Impact of Black Entertainers in England, 1895-1920

    Thomas L Riis•ARTICLE•American Music•1986

    In a 1976 collection of essays entitled America, Daniel Walker Howe and several other American historians demonstrated the many facets of a more or less unified Anglo-American worldview in the nineteenth century.' Howe's excellent introductory essay, Victorian Culture in America,' discussed the especially close cultural connections between the countries stemming from their economies and ideologies. The United States and England possessed, he show…

  • The Music and Musicians in Nineteenth-Century Productions of Uncle Tom's Cabin

    Thomas L Riis•ARTICLE•American Music•1986

    Harriet Beecher Stowe's famous novel Uncle Tom's Cabin is among the most widely known and influential works of American literature. It achieved record sales shortly after its publication in book form in March 1852 by the Boston publisher Jewett and was quickly translated, in hundreds of versions, into at least twenty-one languages, the more exotic of which include Arabic, Welch, Wallachian, and Armenian.1 Its melodramatic qualities, sharply drawn…

  • Just before Jazz

    Doris Evans Mcginty, Doris McGinty et al.•ARTICLE•The Black Perspective in Music•1990

  • Just before Jazz

    Robert Witmer, Thomas L Riis•ARTICLE•Ethnomusicology•1991

  • Music Matters

    Thomas L Riis, George Seltzer•ARTICLE•American Music•1992

  • Just Before Jazz

    John Graziano, Thomas L Riis et al.•ARTICLE•American Music•1992

  • From the Bowery to Broadway

    Thomas L Riis, Armond Fields et al.•ARTICLE•American Music•1995

    Before Ziegfeld launched his Follies, before the Shubert brothers built their empire, Lew Fields' productions were the toast of Broadway. For the smart set in the luxury box seats and the shopkeepers and clerks in the gallery, an evening at Weber & Fields' Music Hall was the hottest ticket in town, a chance to see the biggest stars of the era - Lillian Russell, Fay Templeton, David Warfield, DeWolf Hopper, and the Dutch knockabout comedy team of …

  • "The Music and Scripts of "In Dahomey

    Marva Griffin Carter, Thomas L Riis•ARTICLE•American Music•1998

  • Demons of Disorder

    Thomas L Riis, Dale Cockrell•ARTICLE•Ethnomusicology•1999

  • Charles Ives, Violin Sonatas Nos. 1-4

    Thomas L Riis•ARTICLE•American Music•2006

  • Forgotten Manuscripts

    Krystyn R Moon, David Krasner et al.•ARTICLE•African American Review•2011

    Forgotten Manuscripts: A Trip to Coontown Krystyn R. Moon (bio), David Krasner (bio), and Thomas L. Riis (bio) Finding A Trip to Coontown, by Krystyn R. Moon By 1897, most American audiences had had an opportunity to see African Americans perform on the stage during the previous thirty years. Hired by European American agents and managers, they were expected to reproduce many of the songs and skits that had been made famous in blackface minstrels…

  • The Original Blues

    Thomas L Riis•ARTICLE•American Music•2020

Art (14 works) · Visual arts (11 works) · Art history (10 works) · History (10 works) · Theater, Performance, and Music History (10 works) · Music History and Culture (8 works) · Race, History, and American Society (7 works) · Musical (6 works) · Literature (5 works) · Aesthetics (3 works)

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