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Yifen Beus

Biographic Data

ID198167
NAMEYifen Beus
GIVEN NAMESYifen
FAMILY NAMEBeus
SIGNATUREBEUS Y
AFFILIATIONSBrigham Young University–Hawaii
VERIFIEDNo
TOTAL WORKS4
TOTAL CITATIONS0
AUTHOR COUNT4
EDITOR COUNT0
FIRST PUBLICATION YEAR2011
LATEST PUBLICATION YEAR2021
H-INDEX0
  • Possessing Polynesians: The Science of Settler Colonial Whiteness in Hawai‘i and Oceania, Maile Arvin (2019)

    Open Access•Yifen Beus•ARTICLE•Journal of New Zealand & Pacific…•2021

    Review of: Possessing Polynesians: The Science of Settler Colonial Whiteness in Hawai‘i and Oceania , Maile Arvin (2019) Durham: Duke University Press, 328 pp., ISBN 978 1 47800 633 6 (pbk), US$27.95

  • The force awakens: Mana as causal agent in Pacific narrative cinemas

    Yifen Beus•ARTICLE•Journal of New Zealand & Pacific…•2018

    Mainstream narrative cinemas as theorized by David Bordwell privilege human characters or protagonists as the causal agents, whose desires and goals motivate the progression of the plot towards a satisfactory ending that resolves all dramatic conflicts. Bordwell delineates a logical, cause-effect pattern in the classical (Hollywood) narrative structure, which has come to dominate most of the mainstream cinemas’ storytelling. In an attempt to indi…

  • Vamping the Stage: Female Voices of Asian Modernities

    Frederick Lau, Tan Sooi Beng et al.•BOOK•Vamping the Stage•2017

  • Authorship and criticism in self-reflexive African cinema

    Yifen Beus•ARTICLE•Journal of African Cultural Studies•2011•References: 25

    Many theories and criticisms have been devoted to analysing various modes and themes of presentation in a postcolonial context in dealing with African cinema. Topics range from authenticity, cultural identity, decolonization, to the influence of oral tradition on cinema. However, little has been said about a type of criticism that comes from within cinema itself through a reflexive directorial intrusion. As a political tool to address continual c…

No prominent works on this page.

  • Authorship and criticism in self-reflexive African cinema

    Yifen Beus•ARTICLE•Journal of African Cultural Studies•2011•References: 25

    Many theories and criticisms have been devoted to analysing various modes and themes of presentation in a postcolonial context in dealing with African cinema. Topics range from authenticity, cultural identity, decolonization, to the influence of oral tradition on cinema. However, little has been said about a type of criticism that comes from within cinema itself through a reflexive directorial intrusion. As a political tool to address continual c…

  • Vamping the Stage: Female Voices of Asian Modernities

    Frederick Lau, Tan Sooi Beng et al.•BOOK•Vamping the Stage•2017

  • The force awakens: Mana as causal agent in Pacific narrative cinemas

    Yifen Beus•ARTICLE•Journal of New Zealand & Pacific…•2018

    Mainstream narrative cinemas as theorized by David Bordwell privilege human characters or protagonists as the causal agents, whose desires and goals motivate the progression of the plot towards a satisfactory ending that resolves all dramatic conflicts. Bordwell delineates a logical, cause-effect pattern in the classical (Hollywood) narrative structure, which has come to dominate most of the mainstream cinemas’ storytelling. In an attempt to indi…

  • Possessing Polynesians: The Science of Settler Colonial Whiteness in Hawai‘i and Oceania, Maile Arvin (2019)

    Open Access•Yifen Beus•ARTICLE•Journal of New Zealand & Pacific…•2021

    Review of: Possessing Polynesians: The Science of Settler Colonial Whiteness in Hawai‘i and Oceania , Maile Arvin (2019) Durham: Duke University Press, 328 pp., ISBN 978 1 47800 633 6 (pbk), US$27.95

History (3 works) · Sociology (3 works) · Anthropology (2 works) · Art (2 works) · Cinema and Media Studies (2 works) · Literature (2 works) · Movie theater (2 works) · Aesthetics (1 works) · African history and culture studies (1 works) · African Sexualities and LGBTQ+ Issues (1 works)

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