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Douglas M Dalton

Biographic Data

ID198452
NAMEDouglas M Dalton
GIVEN NAMESDouglas M
FAMILY NAMEDalton
SIGNATUREDALTON D M
AFFILIATIONSLongwood University
VERIFIEDNo
TOTAL WORKS2
TOTAL CITATIONS9
AUTHOR COUNT2
EDITOR COUNT0
FIRST PUBLICATION YEAR1981
LATEST PUBLICATION YEAR1996
H-INDEX1
  • The Aesthetic of the Sublime

    Open Access•Douglas M Dalton•ARTICLE•American Ethnologist•1996•Cited by: 9•References: 56

    An examination of shell objects and their presentation, exchange, and roles in ritual self-decoration among Papua New Guinea Rawa speakers relates them to a sublime aesthetic combination of pleasure and pain involving an indigenous ethos of pathos and sorrow and a sense of the inadequacy of symbolic shell images to convey the ideal concepts they embody. This sense is exacerbated in a colonial context, and the analysis of the sublime shows shells …

  • Guardians of the Flutes

    Douglas M Dalton, Gilbert H Herdt et al.•ARTICLE•Anthropological Quarterly•1981

  • The Aesthetic of the Sublime

    Open Access•Douglas M Dalton•ARTICLE•American Ethnologist•1996•Cited by: 9•References: 56

    An examination of shell objects and their presentation, exchange, and roles in ritual self-decoration among Papua New Guinea Rawa speakers relates them to a sublime aesthetic combination of pleasure and pain involving an indigenous ethos of pathos and sorrow and a sense of the inadequacy of symbolic shell images to convey the ideal concepts they embody. This sense is exacerbated in a colonial context, and the analysis of the sublime shows shells …

  • Guardians of the Flutes

    Douglas M Dalton, Gilbert H Herdt et al.•ARTICLE•Anthropological Quarterly•1981

  • The Aesthetic of the Sublime

    Open Access•Douglas M Dalton•ARTICLE•American Ethnologist•1996•Cited by: 9•References: 56

    An examination of shell objects and their presentation, exchange, and roles in ritual self-decoration among Papua New Guinea Rawa speakers relates them to a sublime aesthetic combination of pleasure and pain involving an indigenous ethos of pathos and sorrow and a sense of the inadequacy of symbolic shell images to convey the ideal concepts they embody. This sense is exacerbated in a colonial context, and the analysis of the sublime shows shells …

History (2 works) · History (2 works) · Psychology (2 works) · Aesthetics (1 works) · Anthropological Studies and Insights (1 works) · Archaeology (1 works) · Art (1 works) · Art history (1 works) · Colonialism (1 works) · Context (archaeology (1 works)

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