Paula García Bustos
Biographic Data
| ID | 199883 |
|---|---|
| NAME | Paula García Bustos |
| GIVEN NAMES | Paula García |
| FAMILY NAME | Bustos |
| SIGNATURE | BUSTOS P G |
| AFFILIATIONS | Universidad de Salamanca |
| ORCID | 0000-0003-1205-2089 |
| VERIFIED | Yes |
| TOTAL WORKS | 3 |
| TOTAL CITATIONS | 3 |
| AUTHOR COUNT | 3 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2022 |
| LATEST PUBLICATION YEAR | 2024 |
| H-INDEX | 1 |
New Methods for Old Questions: The Use of Elliptic Fourier Analysis for the Formal Study of Palaeolithic Art
One of the main objectives of Palaeolithic art researchers is to study and systematise the form of artistic representations. Some methodologies include the analysis of qualitative variables, linear measurements or the use of geometric morphometry with landmarks. However, these techniques depend to a large extent on the subjectivity of the researcher, which often leads to biased results. To overcome this issue, we present an application of geometr…
From the cave to the virtual museum: Accessibility and democratisation of Franco-Cantabrian Palaeolithic art
Highlights: Despite being a transcendental cultural manifestation in the history of humanity, there are hardly any open-access virtual repertoires of Palaeolithic art. The numerous photogrammetric studies carried out in successive archaeological campaigns to answer scientific questions can be used in educational and dissemination projects. In the framework of the authors’ outreach project called "PaleoArt-3D: regreso al pasado" a virtual museum h…
To be or not to be: Reassessing the origins of portable art in the Cantabrian Region (Northern Spain)
The characterization of the first portable artistic depictions in Cantabrian Spain is crucial for comprehension of the symbolic development of Neandertals and Homo sapiens in the context of the passage from the Middle to the Upper Paleolithic. However, despite the importance of these first graphic representations, their study has tended to lack the application of suitable methodologies to be able to discriminate between graphic activity and other…
New Methods for Old Questions: The Use of Elliptic Fourier Analysis for the Formal Study of Palaeolithic Art
One of the main objectives of Palaeolithic art researchers is to study and systematise the form of artistic representations. Some methodologies include the analysis of qualitative variables, linear measurements or the use of geometric morphometry with landmarks. However, these techniques depend to a large extent on the subjectivity of the researcher, which often leads to biased results. To overcome this issue, we present an application of geometr…
To be or not to be: Reassessing the origins of portable art in the Cantabrian Region (Northern Spain)
The characterization of the first portable artistic depictions in Cantabrian Spain is crucial for comprehension of the symbolic development of Neandertals and Homo sapiens in the context of the passage from the Middle to the Upper Paleolithic. However, despite the importance of these first graphic representations, their study has tended to lack the application of suitable methodologies to be able to discriminate between graphic activity and other…
From the cave to the virtual museum: Accessibility and democratisation of Franco-Cantabrian Palaeolithic art
Highlights: Despite being a transcendental cultural manifestation in the history of humanity, there are hardly any open-access virtual repertoires of Palaeolithic art. The numerous photogrammetric studies carried out in successive archaeological campaigns to answer scientific questions can be used in educational and dissemination projects. In the framework of the authors’ outreach project called "PaleoArt-3D: regreso al pasado" a virtual museum h…
To be or not to be: Reassessing the origins of portable art in the Cantabrian Region (Northern Spain)
The characterization of the first portable artistic depictions in Cantabrian Spain is crucial for comprehension of the symbolic development of Neandertals and Homo sapiens in the context of the passage from the Middle to the Upper Paleolithic. However, despite the importance of these first graphic representations, their study has tended to lack the application of suitable methodologies to be able to discriminate between graphic activity and other…
New Methods for Old Questions: The Use of Elliptic Fourier Analysis for the Formal Study of Palaeolithic Art
One of the main objectives of Palaeolithic art researchers is to study and systematise the form of artistic representations. Some methodologies include the analysis of qualitative variables, linear measurements or the use of geometric morphometry with landmarks. However, these techniques depend to a large extent on the subjectivity of the researcher, which often leads to biased results. To overcome this issue, we present an application of geometr…
Archaeology (2 works) · Pleistocene-Era Hominins and Archaeology (2 works) · 3D Surveying and Cultural Heritage (1 works) · Archaeology and ancient environmental studies (1 works) · Art (1 works) · Aurignacian (1 works) · Australopithecus (1 works) · Biological evolution (1 works) · Biology (1 works) · Calculus (dental (1 works)