David Racanelli
Biographic Data
| ID | 201942 |
|---|---|
| NAME | David Racanelli |
| GIVEN NAMES | David |
| FAMILY NAME | Racanelli |
| SIGNATURE | RACANELLI D |
| AFFILIATIONS | Dowling College |
| VERIFIED | No |
| TOTAL WORKS | 3 |
| TOTAL CITATIONS | 3 |
| WORKS AS AUTHOR | 3 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2011 |
| LATEST PUBLICATION YEAR | 2016 |
| H-INDEX | 1 |
Revisiting the Katanga Guitar Style(s) and Some Other Early African Guitar Idioms
Guitar Playing and Representation in the Changing Locations of New York City's African Music Scene
For the past decade, a handful of African guitarists and their groups have formed the basis of the African music scene in New York City. They have performed in diasporic African contexts and cosmopolitan, mostly non- African, settings drawing upon notions of difference that have greatly characterized various representations of African music. For these guitarists and their collaborators, difference and musical diversity have helped to comprise a s…
Diasporic jeliya as a collaborative trade in New York City
In Mali, Guinea, and Senegal, the term jeliya denotes the traditional art of praise singing as practiced by only male and female hereditary musicians (jeliw and jelimusow). The jeli or griot is a verbal artist whose profession or practice requires a specific set of oral skills. Instrumentalists accompany vocalists on hereditary instruments such as the balafon (xylophone) and kora (harp) and play a subordinate role to them. In New York City (herea…
Diasporic jeliya as a collaborative trade in New York City
In Mali, Guinea, and Senegal, the term jeliya denotes the traditional art of praise singing as practiced by only male and female hereditary musicians (jeliw and jelimusow). The jeli or griot is a verbal artist whose profession or practice requires a specific set of oral skills. Instrumentalists accompany vocalists on hereditary instruments such as the balafon (xylophone) and kora (harp) and play a subordinate role to them. In New York City (herea…
Revisiting the Katanga Guitar Style(s) and Some Other Early African Guitar Idioms
Diasporic jeliya as a collaborative trade in New York City
In Mali, Guinea, and Senegal, the term jeliya denotes the traditional art of praise singing as practiced by only male and female hereditary musicians (jeliw and jelimusow). The jeli or griot is a verbal artist whose profession or practice requires a specific set of oral skills. Instrumentalists accompany vocalists on hereditary instruments such as the balafon (xylophone) and kora (harp) and play a subordinate role to them. In New York City (herea…
Guitar Playing and Representation in the Changing Locations of New York City's African Music Scene
For the past decade, a handful of African guitarists and their groups have formed the basis of the African music scene in New York City. They have performed in diasporic African contexts and cosmopolitan, mostly non- African, settings drawing upon notions of difference that have greatly characterized various representations of African music. For these guitarists and their collaborators, difference and musical diversity have helped to comprise a s…
Revisiting the Katanga Guitar Style(s) and Some Other Early African Guitar Idioms
Acoustics (2 works) · Aesthetics (2 works) · Art (2 works) · Global Maritime and Colonial Histories (2 works) · Guitar (2 works) · Music History and Culture (2 works) · Sociology (2 works) · Visual arts (2 works) · African american (1 work) · African history and culture analysis (1 work)