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Brian Ferneyhough

Biographic Data

ID2023207
NAMEBrian Ferneyhough
GIVEN NAMESBrian
FAMILY NAMEFerneyhough
SIGNATUREFERNEYHOUGH B
AFFILIATIONSStanford University
VERIFIEDNo
TOTAL WORKS7
TOTAL CITATIONS1
AUTHOR COUNT7
EDITOR COUNT0
FIRST PUBLICATION YEAR1972
LATEST PUBLICATION YEAR2004
H-INDEX1
  • Analysis by Modeling

    Damián Keller, Brian Ferneyhough•ARTICLE•Journal of New Music Research•2004•Cited by: 1

    This paper proposes analysis by modeling as a complement to current analytical practices. We present an analysis of Xenakis's algorithmic composition ST/10-1 080262. Two models were developed in order to study the temporal quantization processes and the streaming-fusion processes in this piece. Our study shows that fused granular textures could have been obtained by constraining the use of timbres to closely related classes and by increasing slig…

  • A Necessary Violence

    Jonathan Cross, Brian Ferneyhough•ARTICLE•The Musical Times•1996

  • Brave New Worlds

    Milton Babbitt, Pierre Boulez et al.•ARTICLE•The Musical Times•1994

  • Speaking with tongues

    Brian Ferneyhough•ARTICLE•Contemporary Music Review•1989

  • Transit

    Paul E Griffiths, Paul Griffiths et al.•ARTICLE•The Musical Times•1979

  • Sonatas for String Quartet

    Paul E Griffiths, Paul Griffiths et al.•ARTICLE•The Musical Times•1978

    24 sections courtes. - Dates de composition : aout (Vienne) - decembre (Londres) 1967. - 1re execution : 1969 par le Quatuor Gaudeamus (version reduite) ; festival de Royan, 23 mars 1975, par le Quatuor de Berne (version integrale) )

  • Modern Wind

    Niall O'Loughlin, Niall O’Loughlin et al.•ARTICLE•The Musical Times•1972

  • Analysis by Modeling

    Damián Keller, Brian Ferneyhough•ARTICLE•Journal of New Music Research•2004•Cited by: 1

    This paper proposes analysis by modeling as a complement to current analytical practices. We present an analysis of Xenakis's algorithmic composition ST/10-1 080262. Two models were developed in order to study the temporal quantization processes and the streaming-fusion processes in this piece. Our study shows that fused granular textures could have been obtained by constraining the use of timbres to closely related classes and by increasing slig…

  • Modern Wind

    Niall O'Loughlin, Niall O’Loughlin et al.•ARTICLE•The Musical Times•1972

  • Sonatas for String Quartet

    Paul E Griffiths, Paul Griffiths et al.•ARTICLE•The Musical Times•1978

    24 sections courtes. - Dates de composition : aout (Vienne) - decembre (Londres) 1967. - 1re execution : 1969 par le Quatuor Gaudeamus (version reduite) ; festival de Royan, 23 mars 1975, par le Quatuor de Berne (version integrale) )

  • Transit

    Paul E Griffiths, Paul Griffiths et al.•ARTICLE•The Musical Times•1979

  • Speaking with tongues

    Brian Ferneyhough•ARTICLE•Contemporary Music Review•1989

  • Brave New Worlds

    Milton Babbitt, Pierre Boulez et al.•ARTICLE•The Musical Times•1994

  • A Necessary Violence

    Jonathan Cross, Brian Ferneyhough•ARTICLE•The Musical Times•1996

  • Analysis by Modeling

    Damián Keller, Brian Ferneyhough•ARTICLE•Journal of New Music Research•2004•Cited by: 1

    This paper proposes analysis by modeling as a complement to current analytical practices. We present an analysis of Xenakis's algorithmic composition ST/10-1 080262. Two models were developed in order to study the temporal quantization processes and the streaming-fusion processes in this piece. Our study shows that fused granular textures could have been obtained by constraining the use of timbres to closely related classes and by increasing slig…

Art (4 works) · Computer Science (3 works) · Aeolian processes and effects (1 works) · Aesthetics (1 works) · Algorithm (1 works) · Art history (1 works) · Astrobiology (1 works) · Australian History and Society (1 works) · Communication (1 works) · Communism, Protests, Social Movements (1 works)

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