Angeliki Lymberopoulou
Biographic Data
| ID | 2025520 |
|---|---|
| NAME | Angeliki Lymberopoulou |
| GIVEN NAMES | Angeliki |
| FAMILY NAME | Lymberopoulou |
| SIGNATURE | LYMBEROPOULOU A |
| AFFILIATIONS | The Open University |
| ORCID | 0000-0002-8194-4032 |
| VERIFIED | Yes |
| TOTAL WORKS | 6 |
| TOTAL CITATIONS | 0 |
| AUTHOR COUNT | 4 |
| EDITOR COUNT | 2 |
| FIRST PUBLICATION YEAR | 2018 |
| LATEST PUBLICATION YEAR | 2023 |
| H-INDEX | 0 |
Post-Byzantine Cretan Icon Painting
Since Manolis Chatzidakis’s pivotal publications on post-Byzantine Cretan icon painting in the 1970s, research in the field is, by now, very well established. In turn, these studies have demonstrated the contribution of Venetian Crete’s artistic production to European culture. Despite Giorgio Vasari’s condemnations of the ‘Greek style’, Byzantine icons remained popular in Renaissance Europe among Western patrons. Research on Venetian Crete has gr…
Hell in the Byzantine World
Hell on Crete
Angeliki Lymberopoulou identifies the basic characteristics of the imagery of Hell (the Place of Hell Formed by the River of Fire, Individual Sinners and Communal Punishments), but highlights the absence of iconographical standardisation. Since Hell signified divergence from the preaching of the Orthodox Church and highlighted to the faithful the consequences of sin, it was often formed according to the degree to which communities were affected b…
The Five Senses in Hell
This short article addresses how representations of Hell incorporated clear references to the five senses in order to make the punishments more vivid and realistic to its viewers
Cross-Cultural Interaction between Byzantium and the West, 1204–1669
Cross-Cultural Interaction Between Byzantium and the West, 1204-1669
No prominent works on this page.
Cross-Cultural Interaction between Byzantium and the West, 1204–1669
Cross-Cultural Interaction Between Byzantium and the West, 1204-1669
Hell on Crete
Angeliki Lymberopoulou identifies the basic characteristics of the imagery of Hell (the Place of Hell Formed by the River of Fire, Individual Sinners and Communal Punishments), but highlights the absence of iconographical standardisation. Since Hell signified divergence from the preaching of the Orthodox Church and highlighted to the faithful the consequences of sin, it was often formed according to the degree to which communities were affected b…
The Five Senses in Hell
This short article addresses how representations of Hell incorporated clear references to the five senses in order to make the punishments more vivid and realistic to its viewers
Hell in the Byzantine World
Post-Byzantine Cretan Icon Painting
Since Manolis Chatzidakis’s pivotal publications on post-Byzantine Cretan icon painting in the 1970s, research in the field is, by now, very well established. In turn, these studies have demonstrated the contribution of Venetian Crete’s artistic production to European culture. Despite Giorgio Vasari’s condemnations of the ‘Greek style’, Byzantine icons remained popular in Renaissance Europe among Western patrons. Research on Venetian Crete has gr…
Art (4 works) · Byzantine Studies and History (4 works) · Historical and Religious Studies of Rome (4 works) · History (4 works) · Ancient history (3 works) · Art history (3 works) · Classical Antiquity Studies (3 works) · Philosophy (3 works) · Byzantine architecture (2 works) · History (2 works)