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Paul Sanden

Biographic Data

ID2027965
NAMEPaul Sanden
GIVEN NAMESPaul
FAMILY NAMESanden
SIGNATURESANDEN P
AFFILIATIONSUniversity of Lethbridge
VERIFIEDNo
TOTAL WORKS2
TOTAL CITATIONS1
AUTHOR COUNT2
EDITOR COUNT0
FIRST PUBLICATION YEAR2012
LATEST PUBLICATION YEAR2022
H-INDEX1
  • Présentation des articles hors thème

    Open Access•Ariane Couture, Paul Sanden•ARTICLE•Intersections Canadian Journal of…•2022

    Présentation des articles hors thème / Introduction of non-thematic papers. Un article de la revue Intersections (Formation à la médiation de la musique et l’exercice du métier) diffusée par la plateforme Érudit

  • Virtual liveness and sounding cyborgs

    Open Access•Paul Sanden•ARTICLE•Popular Music•2012•Cited by: 1•References: 21

    This article presents the concept of virtual liveness and demonstrates its relevance in an analysis of 'Vane', one of John Oswald'splunderphonicpieces. It argues that even when encountering a piece of music that lacks a physically co-present audience, lacks largely unmediated acoustic sound and lacks a live performer, the term 'performance' may still be usefully applied. In these cases, however, the sense of liveness that invokes this idea of per…

  • Virtual liveness and sounding cyborgs

    Open Access•Paul Sanden•ARTICLE•Popular Music•2012•Cited by: 1•References: 21

    This article presents the concept of virtual liveness and demonstrates its relevance in an analysis of 'Vane', one of John Oswald'splunderphonicpieces. It argues that even when encountering a piece of music that lacks a physically co-present audience, lacks largely unmediated acoustic sound and lacks a live performer, the term 'performance' may still be usefully applied. In these cases, however, the sense of liveness that invokes this idea of per…

  • Virtual liveness and sounding cyborgs

    Open Access•Paul Sanden•ARTICLE•Popular Music•2012•Cited by: 1•References: 21

    This article presents the concept of virtual liveness and demonstrates its relevance in an analysis of 'Vane', one of John Oswald'splunderphonicpieces. It argues that even when encountering a piece of music that lacks a physically co-present audience, lacks largely unmediated acoustic sound and lacks a live performer, the term 'performance' may still be usefully applied. In these cases, however, the sense of liveness that invokes this idea of per…

  • Présentation des articles hors thème

    Open Access•Ariane Couture, Paul Sanden•ARTICLE•Intersections Canadian Journal of…•2022

    Présentation des articles hors thème / Introduction of non-thematic papers. Un article de la revue Intersections (Formation à la médiation de la musique et l’exercice du métier) diffusée par la plateforme Érudit

Art (1 works) · Cartography (1 works) · Cognitive science (1 works) · Computer Science (1 works) · Contemporary art, education, critique (1 works) · Depth sounding (1 works) · Diverse Music Education Insights (1 works) · Education, sociology, and vocational training (1 works) · Geography (1 works) · History (1 works)

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