Ruth Benschop
Biographic Data
| ID | 202943 |
|---|---|
| NAME | Ruth Benschop |
| GIVEN NAMES | Ruth |
| FAMILY NAME | Benschop |
| SIGNATURE | BENSCHOP R |
| AFFILIATIONS | University of Groningen |
| VERIFIED | No |
| TOTAL WORKS | 5 |
| TOTAL CITATIONS | 23 |
| AUTHOR COUNT | 4 |
| EDITOR COUNT | 1 |
| FIRST PUBLICATION YEAR | 1997 |
| LATEST PUBLICATION YEAR | 2022 |
| H-INDEX | 2 |
Participatory Practices in Art and Cultural Heritage
Participatory Practices in Art and Cultural Heritage
Memory machines or musical instruments
According to R. Murray Shafer, recording technology is both a crucial tool to preserve endangered sounds, and a threat to such sounds. This ambiguity raises the question of how the role of recording technology should be understood. In this article, I examine this role in a recent soundscape production called Alle Namen. First I discuss historical work presenting a shift in the use of recording technology from a memory machine aiming to reconstruc…
What Is a Tachistoscope? Historical Explorations of an Instrument
The ArgumentThis essay addresses the historiographical question of how to study scientific instruments and the connections between them without rigidly determining the boundaries of the object under historical scrutiny beforehand. To do this, I will explore an episode in the early history of the tachistoscope - defined, among other things, as an instrument for the brief exposure of visual stimuli in experimental psychology. After looking at the t…
Resisting Pictures
L'A. se demande en quoi les representations picturales vehiculent des representations et une politique ontologique. Il porte plus particulierement son attention sur certaines peintures de la Renaissance italienne dont « La Bataille de San Romano » datant du XV e siecle. Il etudie l'influence de la perspective et du perspectivisme en ce domaine. Il examine le caractere descriptif de la peinture flamande du XVII e siecle et de la conception de la p…
Resisting Pictures
L'A. se demande en quoi les representations picturales vehiculent des representations et une politique ontologique. Il porte plus particulierement son attention sur certaines peintures de la Renaissance italienne dont « La Bataille de San Romano » datant du XV e siecle. Il etudie l'influence de la perspective et du perspectivisme en ce domaine. Il examine le caractere descriptif de la peinture flamande du XVII e siecle et de la conception de la p…
What Is a Tachistoscope? Historical Explorations of an Instrument
The ArgumentThis essay addresses the historiographical question of how to study scientific instruments and the connections between them without rigidly determining the boundaries of the object under historical scrutiny beforehand. To do this, I will explore an episode in the early history of the tachistoscope - defined, among other things, as an instrument for the brief exposure of visual stimuli in experimental psychology. After looking at the t…
Memory machines or musical instruments
According to R. Murray Shafer, recording technology is both a crucial tool to preserve endangered sounds, and a threat to such sounds. This ambiguity raises the question of how the role of recording technology should be understood. In this article, I examine this role in a recent soundscape production called Alle Namen. First I discuss historical work presenting a shift in the use of recording technology from a memory machine aiming to reconstruc…
Resisting Pictures
L'A. se demande en quoi les representations picturales vehiculent des representations et une politique ontologique. Il porte plus particulierement son attention sur certaines peintures de la Renaissance italienne dont « La Bataille de San Romano » datant du XV e siecle. Il etudie l'influence de la perspective et du perspectivisme en ce domaine. Il examine le caractere descriptif de la peinture flamande du XVII e siecle et de la conception de la p…
What Is a Tachistoscope? Historical Explorations of an Instrument
The ArgumentThis essay addresses the historiographical question of how to study scientific instruments and the connections between them without rigidly determining the boundaries of the object under historical scrutiny beforehand. To do this, I will explore an episode in the early history of the tachistoscope - defined, among other things, as an instrument for the brief exposure of visual stimuli in experimental psychology. After looking at the t…
Memory machines or musical instruments
According to R. Murray Shafer, recording technology is both a crucial tool to preserve endangered sounds, and a threat to such sounds. This ambiguity raises the question of how the role of recording technology should be understood. In this article, I examine this role in a recent soundscape production called Alle Namen. First I discuss historical work presenting a shift in the use of recording technology from a memory machine aiming to reconstruc…
Participatory Practices in Art and Cultural Heritage
Participatory Practices in Art and Cultural Heritage
Aesthetics (3 works) · Art (3 works) · History (3 works) · Sociology (3 works) · Archaeology (2 works) · Cognitive science (2 works) · Computer Science (2 works) · Epistemology (2 works) · Law (2 works) · Philosophy (2 works)