Anne Draffkorn Kilmer

Biographic Data

ID202969
NAMEAnne Draffkorn Kilmer
GIVEN NAMESAnne Draffkorn
FAMILY NAMEKilmer
SIGNATUREKILMER A D
AFFILIATIONSUniversity of California, Berkeley
VERIFIEDNo
TOTAL WORKS24
TOTAL CITATIONS20
AUTHOR COUNT24
EDITOR COUNT0
FIRST PUBLICATION YEAR1963
LATEST PUBLICATION YEAR2016
H-INDEX2

  • Archaeology of instruments

    Robert Anderson, Robert H Anderson et al.CHAPTERThe new Grove dictionary of music…2016

  • Ancient Board Games in Perspective . I. L. Finkel

    Anne Draffkorn KilmerARTICLEJournal of Anthropological Research2009

  • More Old Babylonian Music-Instruction Fragments from Nippur

    Anne Draffkorn Kilmer, Anne Kilmer et al.ARTICLEJournal of Cuneiform Studies2009Cited by: 1

  • Music in Ancient Israel/Palestine

    Anne Draffkorn Kilmer, Joachim Braun et al.ARTICLEJournal of the American Oriental…2003

    This book contains the first study of the musical culture of ancient Israel/Palestine based primarily on the archaeological record. Noted musicologist Joachim Braun explores the music of the Holy Land region of the Middle East, tracing its form and development from its beginning in the Stone Age to the fourth century A.D. Synopsis An Israeli musicologist (retired, Bar-Ilan U.) provides a first- ever study of the musical culture of ancient Israel/…

  • On Drums and Strings and Trumpet Blasts

    Anne Draffkorn Kilmer, Joachim Braun et al.ARTICLEJournal of the American Oriental…2002

    Joachim Braun's detailed descriptions of all available evidence-archaeological, textual, iconographic-elucidate his readers' understanding and appreciation of the rich and complex musical life that existed in ancient Israel/Palestine. Braun's careful and comprehensive account begins in the Stone Age and proceeds steadily and clearly to the Hellenistic-Roman periods; thus we accompany the author and his evidence on a very long journey that manages…

  • Mesopotamia

    Anne Draffkorn Kilmer, Anne Kilmer et al.CHAPTERThe new Grove dictionary of music…2001

  • Notation

    Ian D Bent, Ian Bent et al.CHAPTERThe new Grove dictionary of music…2001

  • Old Babylonian Music Instruction Texts

    Anne Draffkorn Kilmer, Anne Kilmer et al.ARTICLEJournal of Cuneiform Studies1996Cited by: 3

  • Nuzi Texts

    John W Carnahan, Kent G Hillard et al.ARTICLEJournal of Cuneiform Studies1994

  • Musikgeschichte in Bildern

    Anne Draffkorn Kilmer, Subhi Anwar RashidARTICLEJournal of the American Oriental…1990Cited by: 1

  • Proportional Guidelines in Ancient near Eastern Art

    Guitty Azarpay, W G Lambert et al.ARTICLEJournal of Near Eastern Studies1987Cited by: 1

  • Old Babylonian Musical Instructions Relating to Hymnody

    Anne Draffkorn Kilmer, Miguel CivilARTICLEJournal of Cuneiform Studies1986Cited by: 2

  • The Fragmentary Music Text from Nippur

    Richard L Crocker, Anne Draffkorn KilmerARTICLEIraq1984

    In November of 1977, in the University Museum Babylonian Collection in Philadelphia, Aaron Shaffer identified a small fragment whose obverse is closely parallel to the obverse of Nabnītu 32. His handcopy and transliteration (of the obverse) are presented directly below.There is little question that this fragment belongs to Nabnītu 32, col. 1 ( = Music Text 2) as reconstructed from U.3011 (UET 7, 126) + K.9922 (see MSL 16, 249–54).

  • A Music Tablet from Sippar(?)

    Anne Draffkorn KilmerARTICLEIraq1984

    It will be recalled that, since 1960, four cuneiform tablets containing valuable information regarding ancient music theory have been brought to light. One could almost say that it has been uncanny how each text, as it was discovered or recognized, has elucidated the other. Before BM 65217 + 66616 is examined, it is in order to review these texts briefly.Text 1. CBS 10996, NB, Nippur. The (incomplete) first column of this mathematical text (a lis…

  • The Eclipse Dragon on an Arabic Frontispiece-Miniature

    Guitty Azarpay, Anne Draffkorn KilmerARTICLEJournal of the American Oriental…1978

    A lunar emblem framed by a pair of entwined dragons is repeated twice on the double frontispiece-miniatures of the Arabic Pseudo-Galen manuscript in the Bibliotheque Nationale, MS arabe 2964, in Paris. Bishr Fares who discovered the manuscript argued for a relationship between the subject matter of these frontispiece-miniatures and the content of the text of the manuscript which dealt with the effects and treatment of snakebite. The present paper…

  • Benno Landsberger's Lexicographical Contributions (Concluded)

    Anne Draffkorn Kilmer, Daniel A FoxvogARTICLEJournal of Cuneiform Studies1975

  • Benno Landsberger's Lexicographical Contributions (Continued)

    Anne Draffkorn Kilmer, Daniel A FoxvogARTICLEJournal of Cuneiform Studies1975

  • Benno Landsberger's Lexicographical Contributions

    Daniel A Foxvog, Anne Draffkorn KilmerARTICLEJournal of Cuneiform Studies1975Cited by: 1

  • A Bibliography of B. Landsberger's Works

    Anne Draffkorn Kilmer, Johannes RengerARTICLEJournal of Cuneiform Studies1974

  • Symbolic Gestures in Akkadian Contracts from Alalakh and Ugarit

    Anne Draffkorn KilmerARTICLEJournal of the American Oriental…1974

    The expression ina appi Sadddu occurs in two texts from Alalakh Level IV (AT 16 and AT 92). This expression has generally been understood as reflecting mistreatment of some kind. The present paper offers another-more plausible-explanation. ina appi Sadddu has to be regarded as a legal formula denoting breach of contract. This interpretation finds corroboration in contemporary contracts from nearby Ugarit where similar symbolic gestures or figures…

  • The Akkadian of Alalaḫ

    Anne Draffkorn Kilmer, George GiacumakisARTICLEJournal of the American Oriental…1973

  • Mounds of the near East

    Anne Draffkorn Kilmer, Seton LloydARTICLEJournal of the American Oriental…1967Cited by: 10

  • Additions and Corrections

    Anne Draffkorn KilmerARTICLEJournal of the American Oriental…1965

  • The First Tablet of malku = s̆arru together with Its Explicit Version

    Anne Draffkorn KilmerARTICLEJournal of the American Oriental…1963Cited by: 1