Isabel Bredenbröker
Biographic Data
| ID | 202997 |
|---|---|
| NAME | Isabel Bredenbröker |
| GIVEN NAMES | Isabel |
| FAMILY NAME | Bredenbröker |
| SIGNATURE | BREDENBRÖKER I |
| AFFILIATIONS | University of Bremen |
| ORCID | 0000-0002-9610-8918 |
| VERIFIED | Yes |
| TOTAL WORKS | 4 |
| TOTAL CITATIONS | 1 |
| WORKS AS AUTHOR | 4 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2020 |
| LATEST PUBLICATION YEAR | 2025 |
| H-INDEX | 1 |
Plastic(s)
"Queer Sonic Fingerprint"-Listening to speculative queer relations in ethnographic collections
Queer Sonic Fingerprint is the multimodal result of a collaboration between anthropologist Isabel Bredenbröker and sound artist Adam Pultz Melbye. Our work embarked from the question of how the sonic as a register of making and experiencing can inform queer relations in the context of ethnographic collections. You are listening to audio recorded during a sound installation at Art Laboratory Berlin on November 4, 2024 (120 min, assembled from a ta…
Plastic stays beautiful
Plastics are as positively durable as they are easily breakable, almost impossible to mend and hard to get rid of. They promise eternal life, but their immortality may quickly turn them into the undead. This paper discusses the use and role of plastics in Ghanaian funerary contexts, specifically in a small-town community in the Ghanaian Volta Region. It investigates plastics' agency as materials that may potentially either contain death successfu…
On death, time, and moving images
Plastic stays beautiful
Plastics are as positively durable as they are easily breakable, almost impossible to mend and hard to get rid of. They promise eternal life, but their immortality may quickly turn them into the undead. This paper discusses the use and role of plastics in Ghanaian funerary contexts, specifically in a small-town community in the Ghanaian Volta Region. It investigates plastics' agency as materials that may potentially either contain death successfu…
On death, time, and moving images
Plastic stays beautiful
Plastics are as positively durable as they are easily breakable, almost impossible to mend and hard to get rid of. They promise eternal life, but their immortality may quickly turn them into the undead. This paper discusses the use and role of plastics in Ghanaian funerary contexts, specifically in a small-town community in the Ghanaian Volta Region. It investigates plastics' agency as materials that may potentially either contain death successfu…
Plastic(s)
"Queer Sonic Fingerprint"-Listening to speculative queer relations in ethnographic collections
Queer Sonic Fingerprint is the multimodal result of a collaboration between anthropologist Isabel Bredenbröker and sound artist Adam Pultz Melbye. Our work embarked from the question of how the sonic as a register of making and experiencing can inform queer relations in the context of ethnographic collections. You are listening to audio recorded during a sound installation at Art Laboratory Berlin on November 4, 2024 (120 min, assembled from a ta…
Art (2 works) · Sociology (2 works) · Active listening (1 work) · Aesthetics (1 work) · African cultural and philosophical studies (1 work) · African history and culture studies (1 work) · African Sexualities and LGBTQ+ Issues (1 work) · Anthropological Studies and Insights (1 work) · Anthropology (1 work) · Artificial Intelligence (1 work)