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Arnt Maasø

Biographic Data

ID2031975
NAMEArnt Maasø
GIVEN NAMESArnt
FAMILY NAMEMaasø
SIGNATUREMAASØ A
AFFILIATIONSUniversity of Oslo
ORCID0000-0003-1046-4178
VERIFIEDYes
TOTAL WORKS5
TOTAL CITATIONS28
AUTHOR COUNT5
EDITOR COUNT0
FIRST PUBLICATION YEAR2007
LATEST PUBLICATION YEAR2022
H-INDEX4
  • The Streaming Paradox

    Open Access•Arnt Maasø, Hendrik Storstein Spilker•ARTICLE•Popular Music & Society•2022•Cited by: 7•References: 5

    Why does music listening in streaming services seem tied to a superstar economy despite the plenitude of digital music? This article explores what we label the streaming paradox: the way in which plenitude at the outset produces narrowness as the outcome. Based on dissection of the interfaces of streaming services, interviews with stakeholders, and analyses of user data, the article introduces six key gatekeeping mechanisms (and concepts) at work…

  • Metrics and decision-making in music streaming

    Open Access•Arnt Maasø, Anja Nylund Hagen•ARTICLE•Popular Communication•2019•Cited by: 7•References: 8

    Music streaming enables the tracking of listening behavior in more detail than any previous music-distribution format. While it is well known that streaming services collect troves of data, little is known about how stakeholders, including managers or label executives, make metric-based decisions and how they understand the impact of algorithms. The article uses anonymized interviews with music industry professionals, exploring how they use metri…

  • Music Streaming, Festivals, and the Eventization of Music

    Arnt Maasø•ARTICLE•Popular Music & Society•2016•Cited by: 8•References: 14

    A key aspect of music-streaming services is the user’s access to their vast libraries and abundant choices anytime and anywhere. This article explores how artists performing at a large music festival in Norway were streamed before, during, and after the festival over the course of four different years. The data shows that festival streams grew by more than 40% compared to control weeks and were particularly pronounced among users who lived near t…

  • MediatingMusic

    Open Access•Anne Danielsen, Arnt Maasø•ARTICLE•Popular Music•2009•Cited by: 2•References: 9

    This article investigates how the concrete sound of and recording process behind a pop tune relate to the possibilities and constraints of its electronic media. After a brief presentation of some theoretical issues related to the question of mediation and materiality, we address the claim that digitisation erases the material aspects of mediation through an investigation of contemporary popular music. Through a close analysis of the sound (and th…

  • Small Talk Makes a Big Difference

    Open Access•Yngvil Beyer, Gunn Enli et al.•ARTICLE•Television & New Media•2007•Cited by: 4•References: 7

    The article discusses key features of SMS-based television. It has a particular focus on the shift from one-way broadcast communication toward two-way interactivity, and on new forms of user participation through SMS-based television's interactive design interfaces. The article presents a multimodal analysis of design in SMS-based television formats, a discourse analysis of their roles and interactions, and a typology of their degrees of interact…

  • Music Streaming, Festivals, and the Eventization of Music

    Arnt Maasø•ARTICLE•Popular Music & Society•2016•Cited by: 8•References: 14

    A key aspect of music-streaming services is the user’s access to their vast libraries and abundant choices anytime and anywhere. This article explores how artists performing at a large music festival in Norway were streamed before, during, and after the festival over the course of four different years. The data shows that festival streams grew by more than 40% compared to control weeks and were particularly pronounced among users who lived near t…

  • The Streaming Paradox

    Open Access•Arnt Maasø, Hendrik Storstein Spilker•ARTICLE•Popular Music & Society•2022•Cited by: 7•References: 5

    Why does music listening in streaming services seem tied to a superstar economy despite the plenitude of digital music? This article explores what we label the streaming paradox: the way in which plenitude at the outset produces narrowness as the outcome. Based on dissection of the interfaces of streaming services, interviews with stakeholders, and analyses of user data, the article introduces six key gatekeeping mechanisms (and concepts) at work…

  • Metrics and decision-making in music streaming

    Open Access•Arnt Maasø, Anja Nylund Hagen•ARTICLE•Popular Communication•2019•Cited by: 7•References: 8

    Music streaming enables the tracking of listening behavior in more detail than any previous music-distribution format. While it is well known that streaming services collect troves of data, little is known about how stakeholders, including managers or label executives, make metric-based decisions and how they understand the impact of algorithms. The article uses anonymized interviews with music industry professionals, exploring how they use metri…

  • Small Talk Makes a Big Difference

    Open Access•Yngvil Beyer, Gunn Enli et al.•ARTICLE•Television & New Media•2007•Cited by: 4•References: 7

    The article discusses key features of SMS-based television. It has a particular focus on the shift from one-way broadcast communication toward two-way interactivity, and on new forms of user participation through SMS-based television's interactive design interfaces. The article presents a multimodal analysis of design in SMS-based television formats, a discourse analysis of their roles and interactions, and a typology of their degrees of interact…

  • MediatingMusic

    Open Access•Anne Danielsen, Arnt Maasø•ARTICLE•Popular Music•2009•Cited by: 2•References: 9

    This article investigates how the concrete sound of and recording process behind a pop tune relate to the possibilities and constraints of its electronic media. After a brief presentation of some theoretical issues related to the question of mediation and materiality, we address the claim that digitisation erases the material aspects of mediation through an investigation of contemporary popular music. Through a close analysis of the sound (and th…

  • Small Talk Makes a Big Difference

    Open Access•Yngvil Beyer, Gunn Enli et al.•ARTICLE•Television & New Media•2007•Cited by: 4•References: 7

    The article discusses key features of SMS-based television. It has a particular focus on the shift from one-way broadcast communication toward two-way interactivity, and on new forms of user participation through SMS-based television's interactive design interfaces. The article presents a multimodal analysis of design in SMS-based television formats, a discourse analysis of their roles and interactions, and a typology of their degrees of interact…

  • MediatingMusic

    Open Access•Anne Danielsen, Arnt Maasø•ARTICLE•Popular Music•2009•Cited by: 2•References: 9

    This article investigates how the concrete sound of and recording process behind a pop tune relate to the possibilities and constraints of its electronic media. After a brief presentation of some theoretical issues related to the question of mediation and materiality, we address the claim that digitisation erases the material aspects of mediation through an investigation of contemporary popular music. Through a close analysis of the sound (and th…

  • Music Streaming, Festivals, and the Eventization of Music

    Arnt Maasø•ARTICLE•Popular Music & Society•2016•Cited by: 8•References: 14

    A key aspect of music-streaming services is the user’s access to their vast libraries and abundant choices anytime and anywhere. This article explores how artists performing at a large music festival in Norway were streamed before, during, and after the festival over the course of four different years. The data shows that festival streams grew by more than 40% compared to control weeks and were particularly pronounced among users who lived near t…

  • Metrics and decision-making in music streaming

    Open Access•Arnt Maasø, Anja Nylund Hagen•ARTICLE•Popular Communication•2019•Cited by: 7•References: 8

    Music streaming enables the tracking of listening behavior in more detail than any previous music-distribution format. While it is well known that streaming services collect troves of data, little is known about how stakeholders, including managers or label executives, make metric-based decisions and how they understand the impact of algorithms. The article uses anonymized interviews with music industry professionals, exploring how they use metri…

  • The Streaming Paradox

    Open Access•Arnt Maasø, Hendrik Storstein Spilker•ARTICLE•Popular Music & Society•2022•Cited by: 7•References: 5

    Why does music listening in streaming services seem tied to a superstar economy despite the plenitude of digital music? This article explores what we label the streaming paradox: the way in which plenitude at the outset produces narrowness as the outcome. Based on dissection of the interfaces of streaming services, interviews with stakeholders, and analyses of user data, the article introduces six key gatekeeping mechanisms (and concepts) at work…

Sociology (5 works) · Computer Science (4 works) · Music History and Culture (4 works) · Active listening (3 works) · Business (3 works) · Cultural Industries and Urban Development (3 works) · Key (lock (3 works) · Multimedia (3 works) · Advertising (2 works) · Art (2 works)

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