Valentina Azarova
Biographic Data
| ID | 203224 |
|---|---|
| NAME | Valentina Azarova |
| GIVEN NAMES | Valentina |
| FAMILY NAME | Azarova |
| SIGNATURE | AZAROVA V |
| AFFILIATIONS | de:border // migration justice collective |
| ORCID | 0000-0003-1049-2259 |
| VERIFIED | Yes |
| TOTAL WORKS | 10 |
| TOTAL CITATIONS | 3 |
| AUTHOR COUNT | 10 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2018 |
| LATEST PUBLICATION YEAR | 2026 |
| H-INDEX | 1 |
Corporate Accountability in the Arms Sector: Possibilities, Limits, and Visions of Justice
Interpretation of the ideas of the era of high Scholasticism and the texts of St. Francis of Assisi in the finale of Messiaen's opera "St. Francis of Assisi. Franciscan Scenes": Choir functions
Interpreting the axioms of Holy Scripture, the spiritual ideas of the era of high Scholasticism and the texts of St. Francis of Assisi, Messiaen chose the choir as the instrument necessary for interpreting the spiritual meaning of the work. In the finale of the opera, the non-verbal and verbal parts of the invisible and visible chorus interact, acting as a commentator, participant in the action / "collective character" and, finally, the protagoni…
Reparations for border deaths: Enforced Disappearance, Reparations From Below , and Border Abolitionist Horizons
Towards a Counterculture of International Justice
Coloniality and Eurocentrism are entrenched in the field of international justice, reproducing a harmful dominant culture within international justice non-governmental organizations (‘IJ NGOs’) that influences how practitioners behave, interact with each other, and respond to violence and harm. The article argues that this dominant culture prioritizes punitive approaches to violence over more life-affirming forms of justice and accountability tha…
Themes of Christian Spirituality, New Plastic Forms and Perception of Visual Formulas in the XXth Century French Musical and Theatrical Works
For the first time, the author of this article considered a set of themes related to Christian spirituality in the works by P. Claudel, A. Honegger and O. Messiaen which were created for the XXth century French synthetic theater and offered a new reading into the holiness and Christian behavior. New plastic forms of stage movement and dance, which depicted modern ways of organizing stage space, have been defined as an integral part of French work…
On the organization of sound space in "The Tidings brought by Mary" by Paul Claudel, 1912 edition
The article examines the words and the meaning, as well as the dramaturgy of sound in the first edition of the mystery "The Tidings brought by Mary" by Paul Claudel. Understanding the synthesis of verbal and vocal intonation leads the author of the article to discover new ways of solving the problem of stage music in mystery drama by Claudel. The discrete nature of the design of the sound space of the mystery in the first edition represents the c…
French mystery drama in the mirror of the twentieth century
The article considers the reflection of the basic laws of the mystery of the XIV–XVI centuries in the musical and theatrical works of the French "synthetic theater" of the twentieth century. These are "The Martyrdom of Saint Sebastian" by G. d'Annunzio — C. Debussy (1911) and "The Good News of Mary" by P. Claudel (1912-1948). The purpose of the work is to establish the peculiarities of the operation of the principles of semantics and composition …
The Order of Grace in Francis Poulenc’s Le Dialogue des Carmélites
The article examines the space of spiritual meaning and the system of its organization in “Le dialogue des carmélites,” Francis Poulenc’s opera which discloses the subject of spiritual feats in Christ’s name. Poulenc characterized the peculiarities of the spiritual path from the Deadly Torment of the Christian nun Blanche, which turned out to be among the victims of the republican government and along with the other Carmelite sisters accepted a m…
The secret life of non-recognition: EU-Israel relations and the obligation of non-recognition in international law
The European Union (EU) is undertaking a prolonged, slow-burning revision of its relations with Israel, driven by the need to avoid recognition of an illegal situation. This article reviews these ongoing developments from the perspective of international law. As compared with the EU's response to the annexation of Crimea by imposing sanctions on Russia, its measures vis-à-vis Israel aim at protecting the EU internal legal and political order from…
Business and Human Rights in Occupied Territory: The UN Database of Business Active in Israel’s Settlements
The law and practice concerning the responsibilities of businesses and the obligations of their home states in relation to private dealings in occupied territory are under-developed. The establishment of a database by the United Nations (UN) Office of the High Commissioner for Human Rights to monitor the activities of corporate actors in the Occupied Palestinian Territory (OPT) is an opportunity to provide much-needed guidance on the scope of app…
Business and Human Rights in Occupied Territory: The UN Database of Business Active in Israel’s Settlements
The law and practice concerning the responsibilities of businesses and the obligations of their home states in relation to private dealings in occupied territory are under-developed. The establishment of a database by the United Nations (UN) Office of the High Commissioner for Human Rights to monitor the activities of corporate actors in the Occupied Palestinian Territory (OPT) is an opportunity to provide much-needed guidance on the scope of app…
The secret life of non-recognition: EU-Israel relations and the obligation of non-recognition in international law
The European Union (EU) is undertaking a prolonged, slow-burning revision of its relations with Israel, driven by the need to avoid recognition of an illegal situation. This article reviews these ongoing developments from the perspective of international law. As compared with the EU's response to the annexation of Crimea by imposing sanctions on Russia, its measures vis-à-vis Israel aim at protecting the EU internal legal and political order from…
The secret life of non-recognition: EU-Israel relations and the obligation of non-recognition in international law
The European Union (EU) is undertaking a prolonged, slow-burning revision of its relations with Israel, driven by the need to avoid recognition of an illegal situation. This article reviews these ongoing developments from the perspective of international law. As compared with the EU's response to the annexation of Crimea by imposing sanctions on Russia, its measures vis-à-vis Israel aim at protecting the EU internal legal and political order from…
Business and Human Rights in Occupied Territory: The UN Database of Business Active in Israel’s Settlements
The law and practice concerning the responsibilities of businesses and the obligations of their home states in relation to private dealings in occupied territory are under-developed. The establishment of a database by the United Nations (UN) Office of the High Commissioner for Human Rights to monitor the activities of corporate actors in the Occupied Palestinian Territory (OPT) is an opportunity to provide much-needed guidance on the scope of app…
The Order of Grace in Francis Poulenc’s Le Dialogue des Carmélites
The article examines the space of spiritual meaning and the system of its organization in “Le dialogue des carmélites,” Francis Poulenc’s opera which discloses the subject of spiritual feats in Christ’s name. Poulenc characterized the peculiarities of the spiritual path from the Deadly Torment of the Christian nun Blanche, which turned out to be among the victims of the republican government and along with the other Carmelite sisters accepted a m…
On the organization of sound space in "The Tidings brought by Mary" by Paul Claudel, 1912 edition
The article examines the words and the meaning, as well as the dramaturgy of sound in the first edition of the mystery "The Tidings brought by Mary" by Paul Claudel. Understanding the synthesis of verbal and vocal intonation leads the author of the article to discover new ways of solving the problem of stage music in mystery drama by Claudel. The discrete nature of the design of the sound space of the mystery in the first edition represents the c…
French mystery drama in the mirror of the twentieth century
The article considers the reflection of the basic laws of the mystery of the XIV–XVI centuries in the musical and theatrical works of the French "synthetic theater" of the twentieth century. These are "The Martyrdom of Saint Sebastian" by G. d'Annunzio — C. Debussy (1911) and "The Good News of Mary" by P. Claudel (1912-1948). The purpose of the work is to establish the peculiarities of the operation of the principles of semantics and composition …
Themes of Christian Spirituality, New Plastic Forms and Perception of Visual Formulas in the XXth Century French Musical and Theatrical Works
For the first time, the author of this article considered a set of themes related to Christian spirituality in the works by P. Claudel, A. Honegger and O. Messiaen which were created for the XXth century French synthetic theater and offered a new reading into the holiness and Christian behavior. New plastic forms of stage movement and dance, which depicted modern ways of organizing stage space, have been defined as an integral part of French work…
Towards a Counterculture of International Justice
Coloniality and Eurocentrism are entrenched in the field of international justice, reproducing a harmful dominant culture within international justice non-governmental organizations (‘IJ NGOs’) that influences how practitioners behave, interact with each other, and respond to violence and harm. The article argues that this dominant culture prioritizes punitive approaches to violence over more life-affirming forms of justice and accountability tha…
Interpretation of the ideas of the era of high Scholasticism and the texts of St. Francis of Assisi in the finale of Messiaen's opera "St. Francis of Assisi. Franciscan Scenes": Choir functions
Interpreting the axioms of Holy Scripture, the spiritual ideas of the era of high Scholasticism and the texts of St. Francis of Assisi, Messiaen chose the choir as the instrument necessary for interpreting the spiritual meaning of the work. In the finale of the opera, the non-verbal and verbal parts of the invisible and visible chorus interact, acting as a commentator, participant in the action / "collective character" and, finally, the protagoni…
Reparations for border deaths: Enforced Disappearance, Reparations From Below , and Border Abolitionist Horizons
Corporate Accountability in the Arms Sector: Possibilities, Limits, and Visions of Justice
Art (4 works) · History (4 works) · Philosophy (4 works) · Political science (4 works) · Sociology (4 works) · Aesthetics (3 works) · Law (3 works) · Literature (3 works) · Musical (3 works) · Art history (2 works)