Erna Perry
Biographic Data
| ID | 203359 |
|---|---|
| NAME | Erna Perry |
| GIVEN NAMES | Erna |
| FAMILY NAME | Perry |
| SIGNATURE | PERRY E |
| AFFILIATIONS | Mitchell Institute |
| ORCID | 0000-0003-2759-1384 |
| VERIFIED | Yes |
| TOTAL WORKS | 5 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 5 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 1975 |
| LATEST PUBLICATION YEAR | 2023 |
| H-INDEX | 0 |
Mystic on a Tilting Stage
Julian of Norwich's performance within her longer Revelations of Divine Love involves layers of authorizing and devotional steps that frame it as a gift for her community. She presents herself not as an author, but as a revelator, in step with John's acts of unveiling his visions and dialogue with the divine in the Biblical Revelations. Examining Julian's act of presenting her visions in writing demonstrates how her daring yet insistently orthodo…
"Be prepared to perform what I ask" - Invasions of Affective Piety in the Comedic Activity of The Second Shepherds' Play and Sir Gawain and the Green Knight
Beginning with an investigation into forms of aurality used in late fourteenth and early fifteenth-century Middle English devotional literature, this article breaks down journeys of affective piety in both the courtly romance and urban cycle plays. Traditional understandings of genre divisions are super-ceded in the Middle English period by performative spirituality and invocations to the audience/ reader to a contemplative posture. The Wakefield…
Face to Face
Pairing and Parenthood
The Social Web
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The Social Web
Face to Face
Pairing and Parenthood
"Be prepared to perform what I ask" - Invasions of Affective Piety in the Comedic Activity of The Second Shepherds' Play and Sir Gawain and the Green Knight
Beginning with an investigation into forms of aurality used in late fourteenth and early fifteenth-century Middle English devotional literature, this article breaks down journeys of affective piety in both the courtly romance and urban cycle plays. Traditional understandings of genre divisions are super-ceded in the Middle English period by performative spirituality and invocations to the audience/ reader to a contemplative posture. The Wakefield…
Mystic on a Tilting Stage
Julian of Norwich's performance within her longer Revelations of Divine Love involves layers of authorizing and devotional steps that frame it as a gift for her community. She presents herself not as an author, but as a revelator, in step with John's acts of unveiling his visions and dialogue with the divine in the Biblical Revelations. Examining Julian's act of presenting her visions in writing demonstrates how her daring yet insistently orthodo…
Philosophy (3 works) · Sociology (3 works) · Art (2 works) · Contemplation (2 works) · Historical Studies of British Isles (2 works) · Literature (2 works) · Medieval Literature and History (2 works) · Piety (2 works) · Psychology (2 works) · Reformation and Early Modern Christianity (2 works)