Mattie Burkert
Biographic Data
| ID | 2038099 |
|---|---|
| NAME | Mattie Burkert |
| GIVEN NAMES | Mattie |
| FAMILY NAME | Burkert |
| SIGNATURE | BURKERT M |
| AFFILIATIONS | University of Oregon |
| ORCID | 0000-0002-5320-9831 |
| VERIFIED | Yes |
| TOTAL WORKS | 5 |
| TOTAL CITATIONS | 2 |
| WORKS AS AUTHOR | 5 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2016 |
| LATEST PUBLICATION YEAR | 2025 |
| H-INDEX | 1 |
Trivial Pursuit
The Cambridge Edition of the Works of Aphra Behn, Vol. 4
Nobodies and Somebodies
Stock characters named “Nobody” and “Somebody” were mainstays of British performance culture in the mid- to late eighteenth century. Playbills and newspaper advertisements show that these roles were popular with audiences in London, Dublin, and Edinburgh, as well as on the regional stages. Men and women alike took on these personae to deliver songs, prologues, and epilogues, often as part of benefit performances where they chose their most crowd-…
Style, Computers, and Early Modern Drama
Dennis Austin Britton and Melissa Walter's edited collection is impressive in its coverage and its engagement with the questions that arise from a reappraisal of Shakespeare source study. The book is organized into four parts: "Source Study, Sustainability, and Cultural Diversity"; "Sources and Audiences"; "Authorship and Transmission"; and "Source Study in the Digital Age
Archives, Numbers, Meaning
As a necessary precondition of large-scale digital humanities projects, texts, archival materials, and historical individuals must become data—a process that involves choices about collection, curation, and preparation. While scholars of media and digital culture make clear the mediated and constructed nature of data, practitioners of “distant reading” and related methods have been less inclined to offer a transparent account of their materials. …
Archives, Numbers, Meaning
As a necessary precondition of large-scale digital humanities projects, texts, archival materials, and historical individuals must become data—a process that involves choices about collection, curation, and preparation. While scholars of media and digital culture make clear the mediated and constructed nature of data, practitioners of “distant reading” and related methods have been less inclined to offer a transparent account of their materials. …
Archives, Numbers, Meaning
As a necessary precondition of large-scale digital humanities projects, texts, archival materials, and historical individuals must become data—a process that involves choices about collection, curation, and preparation. While scholars of media and digital culture make clear the mediated and constructed nature of data, practitioners of “distant reading” and related methods have been less inclined to offer a transparent account of their materials. …
Style, Computers, and Early Modern Drama
Dennis Austin Britton and Melissa Walter's edited collection is impressive in its coverage and its engagement with the questions that arise from a reappraisal of Shakespeare source study. The book is organized into four parts: "Source Study, Sustainability, and Cultural Diversity"; "Sources and Audiences"; "Authorship and Transmission"; and "Source Study in the Digital Age
Nobodies and Somebodies
Stock characters named “Nobody” and “Somebody” were mainstays of British performance culture in the mid- to late eighteenth century. Playbills and newspaper advertisements show that these roles were popular with audiences in London, Dublin, and Edinburgh, as well as on the regional stages. Men and women alike took on these personae to deliver songs, prologues, and epilogues, often as part of benefit performances where they chose their most crowd-…
The Cambridge Edition of the Works of Aphra Behn, Vol. 4
Trivial Pursuit
Art (5 works) · Literature (5 works) · History (4 works) · History (3 works) · Sociology (3 works) · Art history (2 works) · Digital Humanities and Scholarship (2 works) · Media studies (2 works) · Theater, Performance, and Music History (2 works) · Aesthetics (1 work)