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Julie Mccown

Biographic Data

ID2038666
NAMEJulie Mccown
GIVEN NAMESJulie
FAMILY NAMEMccown
SIGNATUREMCCOWN J
AFFILIATIONSSouthern Utah University
ORCID0000-0001-5367-367X
VERIFIEDYes
TOTAL WORKS3
TOTAL CITATIONS0
AUTHOR COUNT3
EDITOR COUNT0
FIRST PUBLICATION YEAR2013
LATEST PUBLICATION YEAR2019
H-INDEX0
  • Bodily Eyes

    Julie Mccown•ARTICLE•ANQ A Quarterly Journal of Short…•2019

    Eighteenth-century poet and essayist Jupiter Hammon lived most of his life on Lloyd’s Neck along the northern shore of Long Island, New York. The two homes he lived in there, the Henry Lloyd Salt-B

  • Crocodilian Transmission

    Julie Mccown•ARTICLE•Configurations•2014

    This essay brings William Bartram’s 1791 Travels and Thomas De Quincey’s 1849 “The English Mail-Coach” into productive conversation with each other, focusing on crocodilians as a central point of connection. As both physical and semiotic specimens in correspondence networks, crocodilians become a medium of exchange through which Bartram and De Quincey confront the limits of personal identity and imperial expansion. By bringing together these two …

  • Animating the Corpse

    Open Access•Julie Mccown•ARTICLE•Humanimalia•2013

    This essay argues that the physicality and materiality of the animal puppets in Ladislas Starewitch’s 1937 stop motion film The Tale of the Fox enable a nuanced, complex consideration of representations of real animal bodies that I define as “sutured hybridity.” Within The Tale of the Fox’s narrative, production, and distribution, a series of four sutures (medieval past/technologically mediated future, animal/human, alive/dead, and humanist/posth…

No prominent works on this page.

  • Animating the Corpse

    Open Access•Julie Mccown•ARTICLE•Humanimalia•2013

    This essay argues that the physicality and materiality of the animal puppets in Ladislas Starewitch’s 1937 stop motion film The Tale of the Fox enable a nuanced, complex consideration of representations of real animal bodies that I define as “sutured hybridity.” Within The Tale of the Fox’s narrative, production, and distribution, a series of four sutures (medieval past/technologically mediated future, animal/human, alive/dead, and humanist/posth…

  • Crocodilian Transmission

    Julie Mccown•ARTICLE•Configurations•2014

    This essay brings William Bartram’s 1791 Travels and Thomas De Quincey’s 1849 “The English Mail-Coach” into productive conversation with each other, focusing on crocodilians as a central point of connection. As both physical and semiotic specimens in correspondence networks, crocodilians become a medium of exchange through which Bartram and De Quincey confront the limits of personal identity and imperial expansion. By bringing together these two …

  • Bodily Eyes

    Julie Mccown•ARTICLE•ANQ A Quarterly Journal of Short…•2019

    Eighteenth-century poet and essayist Jupiter Hammon lived most of his life on Lloyd’s Neck along the northern shore of Long Island, New York. The two homes he lived in there, the Henry Lloyd Salt-B

Aesthetics (2 works) · Art (2 works) · Philosophy (2 works) · Psychology (2 works) · Abstraction (1 works) · American and British Literature Analysis (1 works) · Animal ethics (1 works) · Animal rights (1 works) · Art history (1 works) · Astronomy (1 works)

Ethnos_APP • Open Source Project • MIT License • Frontend v2.0.0 • Privacy and Cookies • API Documentation: api.ethnos.app/docs • API Source Code: GitHub • DOI: 10.5281/zenodo.17049435 • Frontend Source Code: GitHub • DOI: 10.5281/zenodo.17050053 • cruz.rio.br • Expectantes Misericordiae