Adam R Kaul
Biographic Data
| ID | 204151 |
|---|---|
| NAME | Adam R Kaul |
| GIVEN NAMES | Adam R |
| FAMILY NAME | Kaul |
| SIGNATURE | KAUL A R |
| VERIFIED | No |
| TOTAL WORKS | 5 |
| TOTAL CITATIONS | 28 |
| AUTHOR COUNT | 5 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2006 |
| LATEST PUBLICATION YEAR | 2009 |
| H-INDEX | 3 |
Turning the Tune: Traditional music, tourism, and social change in an Irish village
The last century has seen radical social changes in Ireland, which have impacted all aspects of local life but none more so than traditional Irish music, an increasingly important identity marker both in Ireland and abroad. The author focuses on a small village in County Clare, which became a kind of pilgrimage site for those interested in experiencing traditional music. He begins by tracing its historical development from the days prior to the i…
Performing Ecstasies: Music, Dance, and Ritual in the Mediterranean
Performing Ecstasies: Music, Dance, and Ritual in the Mediterranean." Folk Life, 46(1), pp. 165–166
The limits of commodification in traditional Irish music sessions
This article analyses the economics of paid-for traditional Irish music sessions in Doolin, County Clare in the Republic of Ireland. In part, it takes up Shepherd's recent call for research on the commodification of culture in tourist destinations. It is argued here that 'commodification' should be distinguished from the more general process of 'commercialization'. I suggest that commercialization is simply the build-up of commercial relationship…
On ‘Tradition: Between the Local and the Global in a Traditional Irish Music
This article explores the dominant discourses about the notion of ‘tradition’, with particular reference to the traditional Irish music scene in a village in County Clare with a strong tourist industry, arguing that it is in the discursively fluid spaces between the ‘local’ and the ‘global’ where the mobility of ‘tradition’ and traditional practitioners between local places occurs. Instead of opposing local traditions to their globalisation in a …
American Cultural Anthropology and British Social Anthropology: Connections and Differences
The limits of commodification in traditional Irish music sessions
This article analyses the economics of paid-for traditional Irish music sessions in Doolin, County Clare in the Republic of Ireland. In part, it takes up Shepherd's recent call for research on the commodification of culture in tourist destinations. It is argued here that 'commodification' should be distinguished from the more general process of 'commercialization'. I suggest that commercialization is simply the build-up of commercial relationship…
Turning the Tune: Traditional music, tourism, and social change in an Irish village
The last century has seen radical social changes in Ireland, which have impacted all aspects of local life but none more so than traditional Irish music, an increasingly important identity marker both in Ireland and abroad. The author focuses on a small village in County Clare, which became a kind of pilgrimage site for those interested in experiencing traditional music. He begins by tracing its historical development from the days prior to the i…
Performing Ecstasies: Music, Dance, and Ritual in the Mediterranean
Performing Ecstasies: Music, Dance, and Ritual in the Mediterranean." Folk Life, 46(1), pp. 165–166
American Cultural Anthropology and British Social Anthropology: Connections and Differences
On ‘Tradition: Between the Local and the Global in a Traditional Irish Music
This article explores the dominant discourses about the notion of ‘tradition’, with particular reference to the traditional Irish music scene in a village in County Clare with a strong tourist industry, arguing that it is in the discursively fluid spaces between the ‘local’ and the ‘global’ where the mobility of ‘tradition’ and traditional practitioners between local places occurs. Instead of opposing local traditions to their globalisation in a …
American Cultural Anthropology and British Social Anthropology: Connections and Differences
Performing Ecstasies: Music, Dance, and Ritual in the Mediterranean
Performing Ecstasies: Music, Dance, and Ritual in the Mediterranean." Folk Life, 46(1), pp. 165–166
The limits of commodification in traditional Irish music sessions
This article analyses the economics of paid-for traditional Irish music sessions in Doolin, County Clare in the Republic of Ireland. In part, it takes up Shepherd's recent call for research on the commodification of culture in tourist destinations. It is argued here that 'commodification' should be distinguished from the more general process of 'commercialization'. I suggest that commercialization is simply the build-up of commercial relationship…
Turning the Tune: Traditional music, tourism, and social change in an Irish village
The last century has seen radical social changes in Ireland, which have impacted all aspects of local life but none more so than traditional Irish music, an increasingly important identity marker both in Ireland and abroad. The author focuses on a small village in County Clare, which became a kind of pilgrimage site for those interested in experiencing traditional music. He begins by tracing its historical development from the days prior to the i…
Art (3 works) · History (3 works) · Sociology (3 works) · History (2 works) · Irish (2 works) · Law (2 works) · Law (2 works) · Music History and Culture (2 works) · Philosophy (2 works) · Philosophy (2 works)