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Georgiana Banita

Biographic Data

ID2046830
NAMEGeorgiana Banita
GIVEN NAMESGeorgiana
FAMILY NAMEBanita
SIGNATUREBANITA G
AFFILIATIONSUniversity of Constance
ORCID0000-0003-0921-3945
VERIFIEDYes
TOTAL WORKS9
TOTAL CITATIONS1
AUTHOR COUNT8
EDITOR COUNT1
FIRST PUBLICATION YEAR2008
LATEST PUBLICATION YEAR2017
H-INDEX1
  • Die Lust zu gehen: Weibliche Flanerie in Literatur und Film

    Jörn Glasenapp, Georgiana Banita et al.•BOOK•Die Lust zu gehen•2017

  • Die Lust zu gehen: Flanierende Frauen und die Entgrenzung der Moderne

    Georgiana Banita, Judith Ellenbürger et al.•CHAPTER•Die Lust zu gehen•2017

  • North American Literature and Global Studies: Transnationalism at War

    Open Access•Georgiana Banita•CHAPTER•Palgrave Handbook of Comparative…•2014

    American playwright Tony Kushner's Homebody/Kabul , first performed in New York City in December 2001, yet written long before the 9/11 terrorist attacks in the United States, presciently dramatizes the geopolitical ties linking the United Kingdom, the United States, and Afghanistan. The play drew much controversy, which distracted from Kushner's subtle themes of globalism, communication, language, and the vagaries of translation. The prefatory "…

  • Scapegoating in 'Ground Zero: Patrick McGrath's allegory of historical trauma

    Georgiana Banita•ARTICLE•Textual Practice•2012

    Informed by trauma theory, recent discussions of post-9/11 literature have vehemently lamented the failure of works by Don DeLillo, Jay McInerney, or Ken Kalfus to incorporate the aesthetic paradigm shift precipitated by the traumatic effects of the terrorist attacks. Through a close reading of Patrick McGrath's novella ‘Ground Zero’ (Ghost Town: Tales of Manhattan Then and Now, 2005) from a psychoanalytic and a narratological perspective (conver…

  • Home Squared: Barack Obama's Transnational Self-Reliance

    Georgiana Banita•ARTICLE•Biography•2010•Cited by: 1

    One of the most important aspects of Barack Obama's political success concerns the transnational makeup of his identity. Taking Dreams from My Father (1995) and The Audacity of Hope (2006) as case studies, this article examines how Obama's autobiographical self squares with the precepts of American exceptionalism in an era that has witnessed a palpable decline in the centrality and leverage of the US on an international stage

  • History of Literature in Canada: English-Canadian and French-Canadian

    Reingard M Nischik, Andrea Oberhuber et al.•BOOK•History of Literature in Canada•2008

    The development of literature in Canada with an eye to its multicultural, multiethnic, multilingual nature. From modest colonial beginnings, literature in Canada has arrived at the center stage of world literature. Works by English-Canadian writers -- both established writers such as Margaret Atwood and new talents such as Yann Martel -- make regular appearances on international bestseller lists. French-Canadian literature has also found its own …

  • Scorched Earth Tactics: Pre‐emptive Ecopolitics in the Aftermath of 9/11

    Georgiana Banita•ARTICLE•Parallax•2008

  • Decency, Torture, and the Words that Tell Us Nothing

    Open Access•Georgiana Banita•ARTICLE•Peace Review•2008•References: 1

    Daniel Pearl was not a war correspondent—he was a journalist for peace. And although on January 31, 2002 he was murdered for reasons related to his alleged affiliation with the CIA, he was also not

  • Visual Genders, Visual Histories: Gender and History Special Issues , edited by Patricia Hayes

    Open Access•Georgiana Banita•ARTICLE•Journal of History•2008

  • Home Squared: Barack Obama's Transnational Self-Reliance

    Georgiana Banita•ARTICLE•Biography•2010•Cited by: 1

    One of the most important aspects of Barack Obama's political success concerns the transnational makeup of his identity. Taking Dreams from My Father (1995) and The Audacity of Hope (2006) as case studies, this article examines how Obama's autobiographical self squares with the precepts of American exceptionalism in an era that has witnessed a palpable decline in the centrality and leverage of the US on an international stage

  • History of Literature in Canada: English-Canadian and French-Canadian

    Reingard M Nischik, Andrea Oberhuber et al.•BOOK•History of Literature in Canada•2008

    The development of literature in Canada with an eye to its multicultural, multiethnic, multilingual nature. From modest colonial beginnings, literature in Canada has arrived at the center stage of world literature. Works by English-Canadian writers -- both established writers such as Margaret Atwood and new talents such as Yann Martel -- make regular appearances on international bestseller lists. French-Canadian literature has also found its own …

  • Scorched Earth Tactics: Pre‐emptive Ecopolitics in the Aftermath of 9/11

    Georgiana Banita•ARTICLE•Parallax•2008

  • Decency, Torture, and the Words that Tell Us Nothing

    Open Access•Georgiana Banita•ARTICLE•Peace Review•2008•References: 1

    Daniel Pearl was not a war correspondent—he was a journalist for peace. And although on January 31, 2002 he was murdered for reasons related to his alleged affiliation with the CIA, he was also not

  • Visual Genders, Visual Histories: Gender and History Special Issues , edited by Patricia Hayes

    Open Access•Georgiana Banita•ARTICLE•Journal of History•2008

  • Home Squared: Barack Obama's Transnational Self-Reliance

    Georgiana Banita•ARTICLE•Biography•2010•Cited by: 1

    One of the most important aspects of Barack Obama's political success concerns the transnational makeup of his identity. Taking Dreams from My Father (1995) and The Audacity of Hope (2006) as case studies, this article examines how Obama's autobiographical self squares with the precepts of American exceptionalism in an era that has witnessed a palpable decline in the centrality and leverage of the US on an international stage

  • Scapegoating in 'Ground Zero: Patrick McGrath's allegory of historical trauma

    Georgiana Banita•ARTICLE•Textual Practice•2012

    Informed by trauma theory, recent discussions of post-9/11 literature have vehemently lamented the failure of works by Don DeLillo, Jay McInerney, or Ken Kalfus to incorporate the aesthetic paradigm shift precipitated by the traumatic effects of the terrorist attacks. Through a close reading of Patrick McGrath's novella ‘Ground Zero’ (Ghost Town: Tales of Manhattan Then and Now, 2005) from a psychoanalytic and a narratological perspective (conver…

  • North American Literature and Global Studies: Transnationalism at War

    Open Access•Georgiana Banita•CHAPTER•Palgrave Handbook of Comparative…•2014

    American playwright Tony Kushner's Homebody/Kabul , first performed in New York City in December 2001, yet written long before the 9/11 terrorist attacks in the United States, presciently dramatizes the geopolitical ties linking the United Kingdom, the United States, and Afghanistan. The play drew much controversy, which distracted from Kushner's subtle themes of globalism, communication, language, and the vagaries of translation. The prefatory "…

  • Die Lust zu gehen: Weibliche Flanerie in Literatur und Film

    Jörn Glasenapp, Georgiana Banita et al.•BOOK•Die Lust zu gehen•2017

  • Die Lust zu gehen: Flanierende Frauen und die Entgrenzung der Moderne

    Georgiana Banita, Judith Ellenbürger et al.•CHAPTER•Die Lust zu gehen•2017

Art (5 works) · History (5 works) · Law (5 works) · Sociology (5 works) · Philosophy (4 works) · Political science (4 works) · Politics (4 works) · Psychology (4 works) · Theology (3 works) · Gender Studies (2 works)

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