Richard Ziegfeld
Biographic Data
| ID | 2047403 |
|---|---|
| NAME | Richard Ziegfeld |
| GIVEN NAMES | Richard |
| FAMILY NAME | Ziegfeld |
| SIGNATURE | ZIEGFELD R |
| AFFILIATIONS | University of South Carolina |
| VERIFIED | No |
| TOTAL WORKS | 2 |
| TOTAL CITATIONS | 3 |
| WORKS AS AUTHOR | 2 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 1979 |
| LATEST PUBLICATION YEAR | 1989 |
| H-INDEX | 1 |
Interactive Fiction
HIS ESSAY offers a radical proposition: During the 1980s we may be witnessing the appearance of a new genreinteractive fiction. Because this literary form is new to many readers, I've divided the essay into three parts, two of which offer background. Part I describes software options, while Part II explores implications for literary writers. Part III raises a theoretical question: Is interactive fiction a new genre? Here's an illustrative scenari…
The Writer and His Publisher
Max Frisch and Peter Suhrkamp met on 25 August 1947 at the world premiere of a Carl Zuckmayer play. 1 While Frisch was still a relatively obscure writer, Suhrkamp was already highly respected in German publishing circles. Frisch had been unable to convince his own publisher, Atlantis Verlag, to bring out his Tagebuch, 1946-49. Suhrkamp, who was not even Frisch's publisher, exhibited a genuine personal interest in Frisch and his work. In an interv…
Interactive Fiction
HIS ESSAY offers a radical proposition: During the 1980s we may be witnessing the appearance of a new genreinteractive fiction. Because this literary form is new to many readers, I've divided the essay into three parts, two of which offer background. Part I describes software options, while Part II explores implications for literary writers. Part III raises a theoretical question: Is interactive fiction a new genre? Here's an illustrative scenari…
The Writer and His Publisher
Max Frisch and Peter Suhrkamp met on 25 August 1947 at the world premiere of a Carl Zuckmayer play. 1 While Frisch was still a relatively obscure writer, Suhrkamp was already highly respected in German publishing circles. Frisch had been unable to convince his own publisher, Atlantis Verlag, to bring out his Tagebuch, 1946-49. Suhrkamp, who was not even Frisch's publisher, exhibited a genuine personal interest in Frisch and his work. In an interv…
Interactive Fiction
HIS ESSAY offers a radical proposition: During the 1980s we may be witnessing the appearance of a new genreinteractive fiction. Because this literary form is new to many readers, I've divided the essay into three parts, two of which offer background. Part I describes software options, while Part II explores implications for literary writers. Part III raises a theoretical question: Is interactive fiction a new genre? Here's an illustrative scenari…
Art (2 works) · Digital Games and Media (1 work) · Digital Humanities and Scholarship (1 work) · German History and Society (1 work) · German Literature and Culture Studies (1 work) · Literary criticism (1 work) · Literary fiction (1 work) · Literature (1 work) · Literature and Cultural Memory (1 work)