Elena V Golovneva
Biographic Data
| ID | 204765 |
|---|---|
| NAME | Elena V Golovneva |
| GIVEN NAMES | Elena V |
| FAMILY NAME | Golovneva |
| SIGNATURE | GOLOVNEVA E V |
| AFFILIATIONS | Ural Federal University |
| ORCID | 0000-0002-0709-4615 |
| VERIFIED | Yes |
| TOTAL WORKS | 19 |
| TOTAL CITATIONS | 2 |
| WORKS AS AUTHOR | 19 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2015 |
| LATEST PUBLICATION YEAR | 2026 |
| H-INDEX | 1 |
Опыты изучения и визуализации религиозности в Чувашии в условиях антирелигиозной пропаганды 1920–1930-х гг
Рассматриваются преломления советской атеистической политики и особенности реализации антирелигиозной кампании в национальных республиках в 1920–1930-е гг. на примере Чувашии. На основе впервые вводимых в научный оборот архивных материалов показано, что в Чувашской Республике сохранялся высокий уровень бытовой религиозности, представленный спектром религиозных «пережитков». Отмечается, что низкая эффективность прямой агитации в условиях устойчиво…
Anti-Religious Propaganda in the Ussr in the 1920s - 1930s
The article examines the problem of scientific foundations for the anti-religious propaganda in the USSR in the 1920s – 1930s in the context of the development of religious studies. The materials of the journal “Anti-Religious” analyzed by the authors indicate that during the “cultural revolution” research work on the study of religion was accompanied by the collection and creation of visual documents on the ethno-confessional composition of the …
China on the Screen
This article considers the underexplored phenomenon of the animated propaganda film of the 1920s in the context of Soviet film production (more particularly, China on Fire from 1925, directed by Yu. Merkulov). The animated propaganda film is studied as a kind of “revolutionary manifesto” in the context of the “cultural revolution” and the processes of nation-building in the USSR. The aim of the work is to examine the Soviet agitation cartoon film…
Images of Kamchatka in the visual archive of the ethnographer Elizaveta Orlova
The article draws on archival findings to examine the body of visual materials collected by the Leningrad ethnographer and scholar of the Siberian North and the Russian Far East Elizaveta Orlova (1899-1976) during her trips to Kamchatka in the 1920s-1930s which was the period of the socialist development of the region. I attempt to analyze Orlova's legacy in the context both of methodologies employed by the early Soviet ethnography of the North a…
"Cinema-Atlas of the USSR" and the representation of the North in cinema-documents of the 1920-1930s
Киноатлас СССР» и репрезентация Севера в кинодокументах 1920-1930-х гг
Around Buryat-Mongolia Kulturfilm
УДК 7 91. 2 2 9. 2:3 9 (571.5 4) В. А. Беляева
The cinema-atlas of the USSR
Предлагаемое исследование посвящено историко-антропологическому анализу этнофильма «Бухара» (1927) известных советских кинематографистов – оператора Я. М. Толчана и монтажницы Е. И. Свиловой. На этом характерном для изучаемого периода примере в статье проводится рассмотрение «опытов кинематографистов» в процессе оформления этнографического направления в советском кино. В постреволюционных идеологических реалиях кинематографисты, увлекаемые этногр…
Anti-Religious Film “At the Sectarians” by Anatoly Terskoi (1930)
Shamanism in the Soviet Anti-Religious Cinematography of the 1920s–1930s (film “Igdenbu” (1930) of Amo Bek-Nazarov)
, .
Kamchatka in Industrial Photo Reportage of G.Z. Gaidukevich, 1930s
Cinema Atlas of the Ussr
Исследуется функционирование учебного кинематографа в СССР в 1930-е гг., связанного с показом на экране процессов «социалистической реконструкции» отдаленных регионов Союза. В качестве примера подобного рода картин анализируется учебный географический фильм «Восточная Сибирь» (1935), снятый на киностудии «Сибтехфильм» режиссером А. И. Гайдулем. Источником для анализа выступают сценарии к фильму и сопроводительная документация (монтажные листы, пр…
Soviet Anti-Religious Film. “Sectarians” by Vladimir Korolevich (1930)
The article examines a unique phenomenon of Soviet cinema - the anti-religious film of the 1920s-1930s - a question insufficiently explored in humanitarian historiography so far. Being an organic part of the “cultural revolution”, on the one hand, anti-religious films of this period acted as an effective tool for the propaganda of the Soviet state in the fight against both the official church and manifestations of everyday religiosity. On the oth…
The Far East in Vladimir Arsenyev’s Photographic Works
This article explores the peculiarities of the photographic perception of the Far East by Vladimir K. Arsenyev (1872–1930), a traveller and researcher who wrote dozens of valuable literary and scholarly works about the region and created brilliant photographic images of its natural and ethnic diversity. The authors refer to previously unpublished archival data and photographic collections kept in the Archive of the Amur Regional Studies Society i…
Drawing Kamchatka
The article analyses the children`s drawings of the Bystrinskiye Evens living in Kamchatka, with the aim of investigating the traditional worldview components and representational potential of the regional image. It is based on a retrospective analysis of the previously unpublished archival data of Elizaveta Orlova (1899-1976) - the ethnographer who studied this ethnic enclave in Kamchatka in the first half of the 20th century and collected visua…
Owning the East
The castle complexes of the belarusian nobility between the 14th and the 17th centuries
Siberia the Soviet
1930-1940- . , () . , ()
The Representation of Childhood in Ethnographic Films of Siberian Indigenous Peoples
This article investigates the representation of childhood in ethnographic films among the indigenous peoples of the Russian North. The article focuses on the documentary film Malen’kaia Katerina (Tiny Katerina; Ivan Golovnev 2004), which depicts the childhood of a Khanty girl in northwestern Siberia. The article employs the concept of ethnocinema as a synthesis of scientific and aesthetic approaches for perceiving and understanding traditional cu…
Inventing the Sacred Place
This article reflects on the experience of theorizing sacred place through case-study of Okunevo village\nin Western Siberia. On particular, it focuses on the analysis of non-traditional religious movements\nin context of this Siberian village. The article opens with brief review of the meaning and content of\nconcept “sacred place.” It then reflects understudied in scientific researches interpretation of sacred\nplace by representatives of neo-o…
Drawing Kamchatka
The article analyses the children`s drawings of the Bystrinskiye Evens living in Kamchatka, with the aim of investigating the traditional worldview components and representational potential of the regional image. It is based on a retrospective analysis of the previously unpublished archival data of Elizaveta Orlova (1899-1976) - the ethnographer who studied this ethnic enclave in Kamchatka in the first half of the 20th century and collected visua…
Inventing the Sacred Place
This article reflects on the experience of theorizing sacred place through case-study of Okunevo village\nin Western Siberia. On particular, it focuses on the analysis of non-traditional religious movements\nin context of this Siberian village. The article opens with brief review of the meaning and content of\nconcept “sacred place.” It then reflects understudied in scientific researches interpretation of sacred\nplace by representatives of neo-o…
Inventing the Sacred Place
This article reflects on the experience of theorizing sacred place through case-study of Okunevo village\nin Western Siberia. On particular, it focuses on the analysis of non-traditional religious movements\nin context of this Siberian village. The article opens with brief review of the meaning and content of\nconcept “sacred place.” It then reflects understudied in scientific researches interpretation of sacred\nplace by representatives of neo-o…
Siberia the Soviet
1930-1940- . , () . , ()
The Representation of Childhood in Ethnographic Films of Siberian Indigenous Peoples
This article investigates the representation of childhood in ethnographic films among the indigenous peoples of the Russian North. The article focuses on the documentary film Malen’kaia Katerina (Tiny Katerina; Ivan Golovnev 2004), which depicts the childhood of a Khanty girl in northwestern Siberia. The article employs the concept of ethnocinema as a synthesis of scientific and aesthetic approaches for perceiving and understanding traditional cu…
The castle complexes of the belarusian nobility between the 14th and the 17th centuries
Owning the East
Drawing Kamchatka
The article analyses the children`s drawings of the Bystrinskiye Evens living in Kamchatka, with the aim of investigating the traditional worldview components and representational potential of the regional image. It is based on a retrospective analysis of the previously unpublished archival data of Elizaveta Orlova (1899-1976) - the ethnographer who studied this ethnic enclave in Kamchatka in the first half of the 20th century and collected visua…
The Far East in Vladimir Arsenyev’s Photographic Works
This article explores the peculiarities of the photographic perception of the Far East by Vladimir K. Arsenyev (1872–1930), a traveller and researcher who wrote dozens of valuable literary and scholarly works about the region and created brilliant photographic images of its natural and ethnic diversity. The authors refer to previously unpublished archival data and photographic collections kept in the Archive of the Amur Regional Studies Society i…
Soviet Anti-Religious Film. “Sectarians” by Vladimir Korolevich (1930)
The article examines a unique phenomenon of Soviet cinema - the anti-religious film of the 1920s-1930s - a question insufficiently explored in humanitarian historiography so far. Being an organic part of the “cultural revolution”, on the one hand, anti-religious films of this period acted as an effective tool for the propaganda of the Soviet state in the fight against both the official church and manifestations of everyday religiosity. On the oth…
Anti-Religious Film “At the Sectarians” by Anatoly Terskoi (1930)
Shamanism in the Soviet Anti-Religious Cinematography of the 1920s–1930s (film “Igdenbu” (1930) of Amo Bek-Nazarov)
, .
Kamchatka in Industrial Photo Reportage of G.Z. Gaidukevich, 1930s
Cinema Atlas of the Ussr
Исследуется функционирование учебного кинематографа в СССР в 1930-е гг., связанного с показом на экране процессов «социалистической реконструкции» отдаленных регионов Союза. В качестве примера подобного рода картин анализируется учебный географический фильм «Восточная Сибирь» (1935), снятый на киностудии «Сибтехфильм» режиссером А. И. Гайдулем. Источником для анализа выступают сценарии к фильму и сопроводительная документация (монтажные листы, пр…
The cinema-atlas of the USSR
Предлагаемое исследование посвящено историко-антропологическому анализу этнофильма «Бухара» (1927) известных советских кинематографистов – оператора Я. М. Толчана и монтажницы Е. И. Свиловой. На этом характерном для изучаемого периода примере в статье проводится рассмотрение «опытов кинематографистов» в процессе оформления этнографического направления в советском кино. В постреволюционных идеологических реалиях кинематографисты, увлекаемые этногр…
Images of Kamchatka in the visual archive of the ethnographer Elizaveta Orlova
The article draws on archival findings to examine the body of visual materials collected by the Leningrad ethnographer and scholar of the Siberian North and the Russian Far East Elizaveta Orlova (1899-1976) during her trips to Kamchatka in the 1920s-1930s which was the period of the socialist development of the region. I attempt to analyze Orlova's legacy in the context both of methodologies employed by the early Soviet ethnography of the North a…
"Cinema-Atlas of the USSR" and the representation of the North in cinema-documents of the 1920-1930s
Киноатлас СССР» и репрезентация Севера в кинодокументах 1920-1930-х гг
Around Buryat-Mongolia Kulturfilm
УДК 7 91. 2 2 9. 2:3 9 (571.5 4) В. А. Беляева
Anti-Religious Propaganda in the Ussr in the 1920s - 1930s
The article examines the problem of scientific foundations for the anti-religious propaganda in the USSR in the 1920s – 1930s in the context of the development of religious studies. The materials of the journal “Anti-Religious” analyzed by the authors indicate that during the “cultural revolution” research work on the study of religion was accompanied by the collection and creation of visual documents on the ethno-confessional composition of the …
China on the Screen
This article considers the underexplored phenomenon of the animated propaganda film of the 1920s in the context of Soviet film production (more particularly, China on Fire from 1925, directed by Yu. Merkulov). The animated propaganda film is studied as a kind of “revolutionary manifesto” in the context of the “cultural revolution” and the processes of nation-building in the USSR. The aim of the work is to examine the Soviet agitation cartoon film…
Опыты изучения и визуализации религиозности в Чувашии в условиях антирелигиозной пропаганды 1920–1930-х гг
Рассматриваются преломления советской атеистической политики и особенности реализации антирелигиозной кампании в национальных республиках в 1920–1930-е гг. на примере Чувашии. На основе впервые вводимых в научный оборот архивных материалов показано, что в Чувашской Республике сохранялся высокий уровень бытовой религиозности, представленный спектром религиозных «пережитков». Отмечается, что низкая эффективность прямой агитации в условиях устойчиво…
Art (10 works) · History (9 works) · Political science (8 works) · History (7 works) · Archaeology (6 works) · Politics (6 works) · Sociology (6 works) · Aesthetics (5 works) · Art history (5 works) · Computer Science (5 works)