Alexandra Fidyk
Biographic Data
| ID | 204777 |
|---|---|
| NAME | Alexandra Fidyk |
| GIVEN NAMES | Alexandra |
| FAMILY NAME | Fidyk |
| SIGNATURE | FIDYK A |
| AFFILIATIONS | University of Alberta |
| VERIFIED | No |
| TOTAL WORKS | 4 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 4 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2009 |
| LATEST PUBLICATION YEAR | 2024 |
| H-INDEX | 0 |
Red Thread Dancing|Feather Dreaming
We offer a dream|dance in visual, metaphoric, and haptic image by engaging creation-centered poetic inquiring as a unique rendering of embodied reflexivity through the arts. Our lyric text, a songscape, framed by the interplay of chorus and storying verse, enacts the movement and mood of a dance. Red threads and feathers, as partners, symbolize the voice and agency of entities becoming within the complex relational-ecologies with whom we live. Th…
Intruders,’ ‘animal roots’ and ‘Mother Earth’
In highlighting symbolic events in the life of Canadian artist Emily Carr – her loss, her growing pains, her joys and her achievements – a case is made for a transformative relationship with the art complex. These events are initially narrated providing a backdrop to the first half of her life. At age 56, however, she had a numinous encounter that symbolized the transition to the second half of life, ushering in a new relationship with an autonom…
“The Killing” and “there came a silence”
A “Rehabilitation of Eros”
In response to Marie-Louise von Franz’s last public lecture, “C. G. Jung’s Rehabilitation of the Feeling Function in Our Civilization,” the author responds to Jung’s call to develop a differentiated relatedness through the retelling of the Greek myth of Eros’ birth in Plato’s Symposium. This example of love is a more subtle, complex, and inclusive interpretation of er’s than contemporary renderings. Such redress advances the “rehabilitation of Er…
No prominent works on this page.
A “Rehabilitation of Eros”
In response to Marie-Louise von Franz’s last public lecture, “C. G. Jung’s Rehabilitation of the Feeling Function in Our Civilization,” the author responds to Jung’s call to develop a differentiated relatedness through the retelling of the Greek myth of Eros’ birth in Plato’s Symposium. This example of love is a more subtle, complex, and inclusive interpretation of er’s than contemporary renderings. Such redress advances the “rehabilitation of Er…
“The Killing” and “there came a silence”
Intruders,’ ‘animal roots’ and ‘Mother Earth’
In highlighting symbolic events in the life of Canadian artist Emily Carr – her loss, her growing pains, her joys and her achievements – a case is made for a transformative relationship with the art complex. These events are initially narrated providing a backdrop to the first half of her life. At age 56, however, she had a numinous encounter that symbolized the transition to the second half of life, ushering in a new relationship with an autonom…
Red Thread Dancing|Feather Dreaming
We offer a dream|dance in visual, metaphoric, and haptic image by engaging creation-centered poetic inquiring as a unique rendering of embodied reflexivity through the arts. Our lyric text, a songscape, framed by the interplay of chorus and storying verse, enacts the movement and mood of a dance. Red threads and feathers, as partners, symbolize the voice and agency of entities becoming within the complex relational-ecologies with whom we live. Th…
Aesthetics (4 works) · Art (4 works) · Epistemology (3 works) · Literature (3 works) · Philosophy (3 works) · Sociology (3 works) · Feeling (2 works) · History (2 works) · Jungian Analytical Psychology (2 works) · Linguistics (2 works)