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Sanne Krogh Groth

Biographic Data

ID2058635
NAMESanne Krogh Groth
GIVEN NAMESSanne Krogh
FAMILY NAMEGroth
SIGNATUREGROTH S K
ORCID0000-0001-7901-7734
VERIFIEDYes
TOTAL WORKS3
TOTAL CITATIONS4
AUTHOR COUNT3
EDITOR COUNT0
FIRST PUBLICATION YEAR2016
LATEST PUBLICATION YEAR2025
H-INDEX1
  • Trance Against the Machine

    Sanne Krogh Groth, N Bubandt•ARTICLE•Resonance The Journal of Sound…•2025

    This article explores the musical performances, aesthetics, and multi-situated reception of Indonesian electronic dance music in Europe and Indonesia, focusing on the duo Gabber Modus Operandi (GMO). Since their first international tour titled “Trance Against the Machine” in 2019, the duo has gained significant attention, especially in Europe, because they are seen as part of a seismic shift in the electronic dance continuum. The article critical…

  • Bloomsbury Handbook of Sound Art

    Sanne Krogh Groth, Holger Schulze•BOOK•Bloomsbury Handbook of Sound Art•2020•Cited by: 1

    The Bloomsbury Handbook of Sound Art explores and delineates what Sound Art is in the 21st century. Sound artworks today embody the contemporary and transcultural trends towards the post-apocalyptic, a wide sensorial spectrum of sonic imaginaries as well as the decolonization and deinstitutionalization around the making of sound. Within the areas of musicology, art history, and, later, sound studies, Sound Art has evolved at least since the 1980s…

  • Composers on Stage

    Sanne Krogh Groth•ARTICLE•Contemporary Music Review•2016•Cited by: 3•References: 8

    In recent years, workflows within the field of contemporary classical music have changed drastically. Increasingly, composers are active in the process of creating and co-creating performances, not only the auditory dimensions but also the visual design and theatrical staging. The practice has recently been termed The New Discipline [Jennifer Walshe (2016, March 4). The new discipline: A compositional manifesto. Retrieved from www.borealis.no]. O…

  • Composers on Stage

    Sanne Krogh Groth•ARTICLE•Contemporary Music Review•2016•Cited by: 3•References: 8

    In recent years, workflows within the field of contemporary classical music have changed drastically. Increasingly, composers are active in the process of creating and co-creating performances, not only the auditory dimensions but also the visual design and theatrical staging. The practice has recently been termed The New Discipline [Jennifer Walshe (2016, March 4). The new discipline: A compositional manifesto. Retrieved from www.borealis.no]. O…

  • Bloomsbury Handbook of Sound Art

    Sanne Krogh Groth, Holger Schulze•BOOK•Bloomsbury Handbook of Sound Art•2020•Cited by: 1

    The Bloomsbury Handbook of Sound Art explores and delineates what Sound Art is in the 21st century. Sound artworks today embody the contemporary and transcultural trends towards the post-apocalyptic, a wide sensorial spectrum of sonic imaginaries as well as the decolonization and deinstitutionalization around the making of sound. Within the areas of musicology, art history, and, later, sound studies, Sound Art has evolved at least since the 1980s…

  • Composers on Stage

    Sanne Krogh Groth•ARTICLE•Contemporary Music Review•2016•Cited by: 3•References: 8

    In recent years, workflows within the field of contemporary classical music have changed drastically. Increasingly, composers are active in the process of creating and co-creating performances, not only the auditory dimensions but also the visual design and theatrical staging. The practice has recently been termed The New Discipline [Jennifer Walshe (2016, March 4). The new discipline: A compositional manifesto. Retrieved from www.borealis.no]. O…

  • Bloomsbury Handbook of Sound Art

    Sanne Krogh Groth, Holger Schulze•BOOK•Bloomsbury Handbook of Sound Art•2020•Cited by: 1

    The Bloomsbury Handbook of Sound Art explores and delineates what Sound Art is in the 21st century. Sound artworks today embody the contemporary and transcultural trends towards the post-apocalyptic, a wide sensorial spectrum of sonic imaginaries as well as the decolonization and deinstitutionalization around the making of sound. Within the areas of musicology, art history, and, later, sound studies, Sound Art has evolved at least since the 1980s…

  • Trance Against the Machine

    Sanne Krogh Groth, N Bubandt•ARTICLE•Resonance The Journal of Sound…•2025

    This article explores the musical performances, aesthetics, and multi-situated reception of Indonesian electronic dance music in Europe and Indonesia, focusing on the duo Gabber Modus Operandi (GMO). Since their first international tour titled “Trance Against the Machine” in 2019, the duo has gained significant attention, especially in Europe, because they are seen as part of a seismic shift in the electronic dance continuum. The article critical…

Art (2 works) · 21st century (1 works) · Acoustics (1 works) · Aesthetics (1 works) · Art, modern (1 works) · Arts (1 works) · Asian Studies and History (1 works) · Computer Science (1 works) · Contemporary classical music (1 works) · Digital Education and Society (1 works)

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