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Joseph Straus

Biographic Data

ID2060915
NAMEJoseph Straus
GIVEN NAMESJoseph
FAMILY NAMEStraus
SIGNATURESTRAUS J
AFFILIATIONSThe Graduate Center, CUNY
ORCID0009-0003-9811-7396
VERIFIEDYes
TOTAL WORKS16
TOTAL CITATIONS14
AUTHOR COUNT15
EDITOR COUNT1
FIRST PUBLICATION YEAR1914
LATEST PUBLICATION YEAR2022
H-INDEX2
  • The Melodic Organization of The Rite of Spring

    Open Access•Joseph N Straus, Joseph Straus•ARTICLE•Music Theory Online•2022

    Most previous analytical studies of The Rite of Spring have focused on its harmony and rhythm. This article shifts attention to its melodies—mostly short fragments that move repetitively within a narrow registral frame—and shows that they take on expressive meanings closely linked with the work’s dramatic scenario. In addition to operating in the manner of Wagnerian leitmotivs in relation to characters or dramatic situations, they are often bound…

  • Artificial Intelligence – Challenges and Chances for Europe

    Open Access•Joseph Straus•ARTICLE•European Review•2020

    As one of the building blocks of the fourth industrial revolution, artificial intelligence has attracted much public attention and sparked protracted discussions about its impact on future technological, economic and social developments. This contribution conveys insights into artificial intelligence’s basic methods and tools, its main achievements, its economic environment and the surrounding ethical and social issues. Based on the announced and…

  • Research, Exploitation and Patenting in the Area of Human Embryonic Stem Cells in Europe – A Case of Concern Causing Inconsistency

    Open Access•Joseph Straus•ARTICLE•European Review•2016•References: 1

    Research on human embryonic stem cells, their exploitation and patenting is a highly controversial issue. This contribution provides for some basic understanding of technologies involved. It discusses ethical issues and legal rules dealing with the research and exploitation of stem cells in Europe. Moreover, it presents and analyses in some detail the statutory provisions of the EU in dealing with the patenting of human embryonic stem cells and t…

  • The Oxford handbook of music and disability studies

    Neil William Lerner, Joseph Nathan Straus et al.•BOOK•The Oxford handbook of music and…•2016

    The essays in this volume share a theoretical and methodological connection to Disability Studies, especially its central idea that disability is a social and cultural construction. Disability is shown to be a core feature of the musical identity of music makers (especially composers and performers), something that affects their lives and works and their public reception. Music represents disability in various ways and affirms the notion that dis…

  • Intellectual Property Rights: Ethical Aspects

    Open Access•Joseph Straus•CHAPTER•International Encyclopedia of the…•2015

  • Total Voice Leading

    Open Access•Joseph N Straus, Joseph Straus•ARTICLE•Music Theory Online•2014•Cited by: 1•References: 10

    The total voice leading between sets X and Y is defined as the complete collection of ordered pc intervals formed between the pcs in X and the pcs in Y. These interval multisets (imultisets) describe the sonic signature of the motion from X to Y, and they always have the property of transpositional combination. In some cases, the same total voice leading may be produced by different pairs of X and Y (Cohn 1988 refers to this as "multiple parentag…

  • Three Stravinsky Analyses: Petrushka, Scene 1 (to Rehearsal No. 8);The Rake's Progress, Act III, Scene 3 ("In a foolish dream");Requiem Canticles, "Exaudi

    Open Access•Joseph N Straus, Joseph Straus•ARTICLE•Music Theory Online•2012•Cited by: 2•References: 11

    Most published work in our field privileges theory over analysis, with analysis acting as a subordinate testing ground and exemplification for a theory. Reversing that customary polarity, this article analyzes three works by Stravinsky (Petrushka, The Rake's Progress, Requiem Canticles) with a relative minimum of theoretical preconceptions and with the simple aim, in David Lewin's words, of "hearing the piece[s] better

  • The Impact of the New World Order on Economic Development: The Role of the Intellectual Property Rights System

    Open Access•Joseph Straus•ARTICLE•European Review•2007

    Since the establishment of the World Trade Organization, one of its pillars, the TRIPs Agreement, has been exposed to strong criticism. The main objection being that TRIPs works against the interest of the developing world. This criticism will be examined against the empirical data showing the actual economic development in developing countries, with a special focus on China and India. As those data reveal, the developing countries are to be view…

  • Normalizing the Abnormal: Disability in Music and Music Theory

    Joseph N Straus, Joseph Straus•ARTICLE•Journal of the American…•2006•Cited by: 11•References: 5

    The emerging interdisciplinary field of disability studies takes as its subject matter the historical, social, and cultural construction of disability. After a brief introduction to disability studies, this article explores the interconnected histories of disability and music as they are manifested in three theoretical approaches to late eighteenth- and early nineteenth-century Western art music (the musical Formenlehre and the tonal theories of …

  • Caring for Stravinsky

    A Gritten, Stravinsky Stravinsky et al.•ARTICLE•The Musical Times•2002

  • SMT 1997 Plenary Session: Introductory Remarks

    Open Access•Joseph N Straus, Joseph Straus•ARTICLE•Music Theory Online•1998

    The Society for Music Theory celebrates its twentieth anniversary amid the growing diversity of our field. Six of our most distinguished members have been asked to talk about what has interested them most in the past ten years, since our tenth-anniversary celebration in 1987 at the Eastman School of Music

  • The Music of Ruth Crawford Seeger

    Liz Garnett, Joseph N Straus et al.•ARTICLE•Music Analysis•1997

    1. Introduction 2. Elements of a style 3. Six analyses 4. Crawford's music in its context Biography Index

  • The Music of Ruth Crawford Seeger

    Larry Polansky, Joseph N Straus et al.•ARTICLE•American Music•1996

  • Post-structuralism and Music Theory: A Response to Adam Krims (MTO 0.11)

    Open Access•Joseph N Straus, Joseph Straus•ARTICLE•Music Theory Online•1995

    In a recent article in this journal, Adam Krims has argued that mainstream music theory, with its organicist bias, is fundamentally incompatible with post-structuralist thought. This comentary is a defense of theory-based analysis in a postmodern world

  • Words about Music

    Fred Everett Maus, Milton Babbitt et al.•ARTICLE•American Music•1989

  • Jewish Essays and Homiletical Literature

    Charles I Hoffman, Joseph Straus et al.•ARTICLE•The Jewish Quarterly Review•1914

  • Normalizing the Abnormal: Disability in Music and Music Theory

    Joseph N Straus, Joseph Straus•ARTICLE•Journal of the American…•2006•Cited by: 11•References: 5

    The emerging interdisciplinary field of disability studies takes as its subject matter the historical, social, and cultural construction of disability. After a brief introduction to disability studies, this article explores the interconnected histories of disability and music as they are manifested in three theoretical approaches to late eighteenth- and early nineteenth-century Western art music (the musical Formenlehre and the tonal theories of …

  • Three Stravinsky Analyses: Petrushka, Scene 1 (to Rehearsal No. 8);The Rake's Progress, Act III, Scene 3 ("In a foolish dream");Requiem Canticles, "Exaudi

    Open Access•Joseph N Straus, Joseph Straus•ARTICLE•Music Theory Online•2012•Cited by: 2•References: 11

    Most published work in our field privileges theory over analysis, with analysis acting as a subordinate testing ground and exemplification for a theory. Reversing that customary polarity, this article analyzes three works by Stravinsky (Petrushka, The Rake's Progress, Requiem Canticles) with a relative minimum of theoretical preconceptions and with the simple aim, in David Lewin's words, of "hearing the piece[s] better

  • Total Voice Leading

    Open Access•Joseph N Straus, Joseph Straus•ARTICLE•Music Theory Online•2014•Cited by: 1•References: 10

    The total voice leading between sets X and Y is defined as the complete collection of ordered pc intervals formed between the pcs in X and the pcs in Y. These interval multisets (imultisets) describe the sonic signature of the motion from X to Y, and they always have the property of transpositional combination. In some cases, the same total voice leading may be produced by different pairs of X and Y (Cohn 1988 refers to this as "multiple parentag…

  • Jewish Essays and Homiletical Literature

    Charles I Hoffman, Joseph Straus et al.•ARTICLE•The Jewish Quarterly Review•1914

  • Words about Music

    Fred Everett Maus, Milton Babbitt et al.•ARTICLE•American Music•1989

  • Post-structuralism and Music Theory: A Response to Adam Krims (MTO 0.11)

    Open Access•Joseph N Straus, Joseph Straus•ARTICLE•Music Theory Online•1995

    In a recent article in this journal, Adam Krims has argued that mainstream music theory, with its organicist bias, is fundamentally incompatible with post-structuralist thought. This comentary is a defense of theory-based analysis in a postmodern world

  • The Music of Ruth Crawford Seeger

    Larry Polansky, Joseph N Straus et al.•ARTICLE•American Music•1996

  • The Music of Ruth Crawford Seeger

    Liz Garnett, Joseph N Straus et al.•ARTICLE•Music Analysis•1997

    1. Introduction 2. Elements of a style 3. Six analyses 4. Crawford's music in its context Biography Index

  • SMT 1997 Plenary Session: Introductory Remarks

    Open Access•Joseph N Straus, Joseph Straus•ARTICLE•Music Theory Online•1998

    The Society for Music Theory celebrates its twentieth anniversary amid the growing diversity of our field. Six of our most distinguished members have been asked to talk about what has interested them most in the past ten years, since our tenth-anniversary celebration in 1987 at the Eastman School of Music

  • Caring for Stravinsky

    A Gritten, Stravinsky Stravinsky et al.•ARTICLE•The Musical Times•2002

  • Normalizing the Abnormal: Disability in Music and Music Theory

    Joseph N Straus, Joseph Straus•ARTICLE•Journal of the American…•2006•Cited by: 11•References: 5

    The emerging interdisciplinary field of disability studies takes as its subject matter the historical, social, and cultural construction of disability. After a brief introduction to disability studies, this article explores the interconnected histories of disability and music as they are manifested in three theoretical approaches to late eighteenth- and early nineteenth-century Western art music (the musical Formenlehre and the tonal theories of …

  • The Impact of the New World Order on Economic Development: The Role of the Intellectual Property Rights System

    Open Access•Joseph Straus•ARTICLE•European Review•2007

    Since the establishment of the World Trade Organization, one of its pillars, the TRIPs Agreement, has been exposed to strong criticism. The main objection being that TRIPs works against the interest of the developing world. This criticism will be examined against the empirical data showing the actual economic development in developing countries, with a special focus on China and India. As those data reveal, the developing countries are to be view…

  • Three Stravinsky Analyses: Petrushka, Scene 1 (to Rehearsal No. 8);The Rake's Progress, Act III, Scene 3 ("In a foolish dream");Requiem Canticles, "Exaudi

    Open Access•Joseph N Straus, Joseph Straus•ARTICLE•Music Theory Online•2012•Cited by: 2•References: 11

    Most published work in our field privileges theory over analysis, with analysis acting as a subordinate testing ground and exemplification for a theory. Reversing that customary polarity, this article analyzes three works by Stravinsky (Petrushka, The Rake's Progress, Requiem Canticles) with a relative minimum of theoretical preconceptions and with the simple aim, in David Lewin's words, of "hearing the piece[s] better

  • Total Voice Leading

    Open Access•Joseph N Straus, Joseph Straus•ARTICLE•Music Theory Online•2014•Cited by: 1•References: 10

    The total voice leading between sets X and Y is defined as the complete collection of ordered pc intervals formed between the pcs in X and the pcs in Y. These interval multisets (imultisets) describe the sonic signature of the motion from X to Y, and they always have the property of transpositional combination. In some cases, the same total voice leading may be produced by different pairs of X and Y (Cohn 1988 refers to this as "multiple parentag…

  • Intellectual Property Rights: Ethical Aspects

    Open Access•Joseph Straus•CHAPTER•International Encyclopedia of the…•2015

  • Research, Exploitation and Patenting in the Area of Human Embryonic Stem Cells in Europe – A Case of Concern Causing Inconsistency

    Open Access•Joseph Straus•ARTICLE•European Review•2016•References: 1

    Research on human embryonic stem cells, their exploitation and patenting is a highly controversial issue. This contribution provides for some basic understanding of technologies involved. It discusses ethical issues and legal rules dealing with the research and exploitation of stem cells in Europe. Moreover, it presents and analyses in some detail the statutory provisions of the EU in dealing with the patenting of human embryonic stem cells and t…

  • The Oxford handbook of music and disability studies

    Neil William Lerner, Joseph Nathan Straus et al.•BOOK•The Oxford handbook of music and…•2016

    The essays in this volume share a theoretical and methodological connection to Disability Studies, especially its central idea that disability is a social and cultural construction. Disability is shown to be a core feature of the musical identity of music makers (especially composers and performers), something that affects their lives and works and their public reception. Music represents disability in various ways and affirms the notion that dis…

  • Artificial Intelligence – Challenges and Chances for Europe

    Open Access•Joseph Straus•ARTICLE•European Review•2020

    As one of the building blocks of the fourth industrial revolution, artificial intelligence has attracted much public attention and sparked protracted discussions about its impact on future technological, economic and social developments. This contribution conveys insights into artificial intelligence’s basic methods and tools, its main achievements, its economic environment and the surrounding ethical and social issues. Based on the announced and…

  • The Melodic Organization of The Rite of Spring

    Open Access•Joseph N Straus, Joseph Straus•ARTICLE•Music Theory Online•2022

    Most previous analytical studies of The Rite of Spring have focused on its harmony and rhythm. This article shifts attention to its melodies—mostly short fragments that move repetitively within a narrow registral frame—and shows that they take on expressive meanings closely linked with the work’s dramatic scenario. In addition to operating in the manner of Wagnerian leitmotivs in relation to characters or dramatic situations, they are often bound…

Art (9 works) · Musicology and Musical Analysis (9 works) · Visual arts (7 works) · Philosophy (6 works) · Art history (4 works) · Engineering (4 works) · Law (4 works) · Literature (4 works) · Political science (4 works) · Psychology (4 works)

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