Joshua Malitsky
Biographic Data
| ID | 206543 |
|---|---|
| NAME | Joshua Malitsky |
| GIVEN NAMES | Joshua |
| FAMILY NAME | Malitsky |
| SIGNATURE | MALITSKY J |
| AFFILIATIONS | Indiana University |
| VERIFIED | No |
| TOTAL WORKS | 5 |
| TOTAL CITATIONS | 9 |
| WORKS AS AUTHOR | 4 |
| WORKS AS EDITOR | 1 |
| FIRST PUBLICATION YEAR | 2010 |
| LATEST PUBLICATION YEAR | 2022 |
| H-INDEX | 2 |
The Documentary Imaginary of Brotherhood and Unity
This article explores how nonfiction film in postwar Yugoslavia (1945–51) expressed a fundamental ambivalence that negotiated a desire for and image of a unified nation-state (supranationalism) with that of one made up of multiple nations (nationalism). I argue that nonfiction film became a key vehicle for communicating the ideological principle of “brotherhood and unity” (“bratstvo i jedinstvo”), a slogan Yugoslav Communists used to articulate a…
A Companion to Documentary Film History
Knowing Sports
This article analyzes the mutually supportive confluence of sports and documentary by explaining how this dynamic informs assertions contemporary documentary makes about sport. Focusing on ESPN’s 30 for 30 series, it identifies five such claims: that it is imbricated with capital, that it is visually spectacular, that it celebrates individual expression, that it is always already narrativized, and that thinking about sport always entails thinking…
Science and Documentary
This article serves as an introduction to this Special Issue and explores in depth three concepts integral to the links between science and documentary: unity, indexicality, and reality. After outlining how and why the ‘scientific’ has been conceived as a problem in scholarship on documentary, the author offers an alternative framework based on recent scholarship in science and technology studies. This model seeks to account for the value of crit…
Ideologies in Fact
This article is a comparative analysis of moving and still-image documentary produced as part of the factography movement in the USSR. Factography was an interdisciplinary movement (driven in part by contemporary linguistic work) that sought to align with the First Five-Year Plan by eliminating the opposition between signification and production, transforming the relationship between language and work. I examine Esfir Shub's The Great Way alongsi…
Ideologies in Fact
This article is a comparative analysis of moving and still-image documentary produced as part of the factography movement in the USSR. Factography was an interdisciplinary movement (driven in part by contemporary linguistic work) that sought to align with the First Five-Year Plan by eliminating the opposition between signification and production, transforming the relationship between language and work. I examine Esfir Shub's The Great Way alongsi…
Knowing Sports
This article analyzes the mutually supportive confluence of sports and documentary by explaining how this dynamic informs assertions contemporary documentary makes about sport. Focusing on ESPN’s 30 for 30 series, it identifies five such claims: that it is imbricated with capital, that it is visually spectacular, that it celebrates individual expression, that it is always already narrativized, and that thinking about sport always entails thinking…
Ideologies in Fact
This article is a comparative analysis of moving and still-image documentary produced as part of the factography movement in the USSR. Factography was an interdisciplinary movement (driven in part by contemporary linguistic work) that sought to align with the First Five-Year Plan by eliminating the opposition between signification and production, transforming the relationship between language and work. I examine Esfir Shub's The Great Way alongsi…
Science and Documentary
This article serves as an introduction to this Special Issue and explores in depth three concepts integral to the links between science and documentary: unity, indexicality, and reality. After outlining how and why the ‘scientific’ has been conceived as a problem in scholarship on documentary, the author offers an alternative framework based on recent scholarship in science and technology studies. This model seeks to account for the value of crit…
Knowing Sports
This article analyzes the mutually supportive confluence of sports and documentary by explaining how this dynamic informs assertions contemporary documentary makes about sport. Focusing on ESPN’s 30 for 30 series, it identifies five such claims: that it is imbricated with capital, that it is visually spectacular, that it celebrates individual expression, that it is always already narrativized, and that thinking about sport always entails thinking…
A Companion to Documentary Film History
The Documentary Imaginary of Brotherhood and Unity
This article explores how nonfiction film in postwar Yugoslavia (1945–51) expressed a fundamental ambivalence that negotiated a desire for and image of a unified nation-state (supranationalism) with that of one made up of multiple nations (nationalism). I argue that nonfiction film became a key vehicle for communicating the ideological principle of “brotherhood and unity” (“bratstvo i jedinstvo”), a slogan Yugoslav Communists used to articulate a…
Art (3 works) · Cinema and Media Studies (3 works) · Italian Fascism and Post-war Society (3 works) · Law (3 works) · Political science (3 works) · Sociology (3 works) · Aesthetics (2 works) · Computer Science (2 works) · Epistemology (2 works) · Law (2 works)