Nicole Waligora-Davis
Biographic Data
| ID | 2067228 |
|---|---|
| NAME | Nicole Waligora-Davis |
| GIVEN NAMES | Nicole |
| FAMILY NAME | Waligora-Davis |
| SIGNATURE | WALIGORA-DAVIS N |
| VERIFIED | No |
| TOTAL WORKS | 5 |
| TOTAL CITATIONS | 1 |
| WORKS AS AUTHOR | 5 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2003 |
| LATEST PUBLICATION YEAR | 2016 |
| H-INDEX | 1 |
Picture Freedom
Review of Picture Freedom: Remaking Black Visuality in the Early Nineteenth Century, Reviewed July 2015 by Stacy R. Williams, Architecture & Fine Arts Library, University of Southern California Libraries, [email protected]
Sanctuary
This book examines the anomalous legal status of black Americans and its influence on the formation of American citizenship, the relationship of U.S. to other states, and the government’s conceptualization of its imperial reach and power. The coordinated relationship between U.S. international and domestic interventions helped produce an alienated black American community whose status resembles refugees and stateless persons. This book underscore…
The Cambridge History of African American Literature
The first major twenty-first century history of four hundred years of black writing, The Cambridge History of African American Literature presents a comprehensive overview of the literary traditions, oral and print, of African-descended peoples in the United States. Expert contributors, drawn from the United States and beyond, emphasise the dual nature of each text discussed as a work of art created by an individual and as a response to unfolding…
Riotous Discontent
Through a reading of his fictional account of the Harlem race riot of 1943 that serves as the closing scenes of Invisible Man, this essay delineates Ellison's racial philosophy, a rubric as much an expression of black nationalism as it is the formation of an ethical system for human interaction and accountability. It is a reading, though, that necessarily traces Ellison's racially gendered critique of the State and its domestic colonial practices…
The African American Male, Writing, and Difference
W. Lawrence Hogue. The African American Male, Writing, and Difference: A Polycentric Approach to African American Literature, Criticism, and History. New York: SUNY P, 2003. 291 pp. ISBN 0-7914-5694-3, $27.95
Picture Freedom
Review of Picture Freedom: Remaking Black Visuality in the Early Nineteenth Century, Reviewed July 2015 by Stacy R. Williams, Architecture & Fine Arts Library, University of Southern California Libraries, [email protected]
The African American Male, Writing, and Difference
W. Lawrence Hogue. The African American Male, Writing, and Difference: A Polycentric Approach to African American Literature, Criticism, and History. New York: SUNY P, 2003. 291 pp. ISBN 0-7914-5694-3, $27.95
Riotous Discontent
Through a reading of his fictional account of the Harlem race riot of 1943 that serves as the closing scenes of Invisible Man, this essay delineates Ellison's racial philosophy, a rubric as much an expression of black nationalism as it is the formation of an ethical system for human interaction and accountability. It is a reading, though, that necessarily traces Ellison's racially gendered critique of the State and its domestic colonial practices…
Sanctuary
This book examines the anomalous legal status of black Americans and its influence on the formation of American citizenship, the relationship of U.S. to other states, and the government’s conceptualization of its imperial reach and power. The coordinated relationship between U.S. international and domestic interventions helped produce an alienated black American community whose status resembles refugees and stateless persons. This book underscore…
The Cambridge History of African American Literature
The first major twenty-first century history of four hundred years of black writing, The Cambridge History of African American Literature presents a comprehensive overview of the literary traditions, oral and print, of African-descended peoples in the United States. Expert contributors, drawn from the United States and beyond, emphasise the dual nature of each text discussed as a work of art created by an individual and as a response to unfolding…
Picture Freedom
Review of Picture Freedom: Remaking Black Visuality in the Early Nineteenth Century, Reviewed July 2015 by Stacy R. Williams, Architecture & Fine Arts Library, University of Southern California Libraries, [email protected]
History (4 works) · Race, History, and American Society (4 works) · Sociology (4 works) · Art (3 works) · Gender Studies (3 works) · Law (3 works) · Political science (3 works) · Politics (3 works) · African americans (2 works) · African americans in literature (2 works)