Randi Marselis
Biographic Data
| ID | 207447 |
|---|---|
| NAME | Randi Marselis |
| GIVEN NAMES | Randi |
| FAMILY NAME | Marselis |
| SIGNATURE | MARSELIS R |
| AFFILIATIONS | Roskilde University |
| ORCID | 0000-0003-1894-6462 |
| VERIFIED | Yes |
| TOTAL WORKS | 11 |
| TOTAL CITATIONS | 18 |
| AUTHOR COUNT | 11 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2008 |
| LATEST PUBLICATION YEAR | 2024 |
| H-INDEX | 2 |
Colourising the past
Colourised photographs have become a popular form of social media content, and this article examines how the digital sharing of colourised colonial photographs from the Sápmi region may develop into a kind of informal visual repatriation. This article presents a case study on the decolonial photographic practices of the Sámi colouriser Per Ivar Somby, who mines digitised photo archives, colourises selected photos, and subsequently shares them on …
Cross Pendants as Memory Objects
This article explores the potential of combining material analysis with object-elicited memory work in order to explore the role of objects in lived religion. It presents a case study on two traditional cross pendants, a Dagmar Cross and a Huguenot Cross, and analyses the cultural-historical contexts of the two crosses, including their importance for specific national and religious memory communities. Furthermore, the memory work sections of the …
Exhibiting Refugee Routes
In recent years, numerous European museums have collected objects related to refugees. This article examines the Flight for Life (På Flugt) exhibition (2017), which the National Museum of Denmark organized based on a contemporary collecting project that took place in Greece and Denmark in 2016. Alison Landsberg's concept of prosthetic memory is made use of here to examine how the exhibition invited visitors to identify with refugees. This empathe…
Personal Albums and Cultural Encounters
Increasingly, historical photographs and photo albums are taken seriously as museum objects, and museums are finding new ways of informing their visitors about the photo-historical aspects of their collections. Taking off from recent research on the changing role of photography in museums as well as discussions of representational ethics in relation to anthropological and colonial photography, this article examines the exhibition The Photo Albums…
Bridge the Gap
This article focuses on photo projects organised for teenage refugees by the Society for Humanistic Photography (Berlin, Germany). These projects, named Bridge the Gap I (2015), and Bridge the Gap II (2016), were carried out in Berlin and brought together teenagers with refugee and German-majority backgrounds to experiment with digital photography and create joint exhibitions. Drawing on concepts from memory studies, such as travelling memory and…
On Not Showing Scalps
Museums are increasingly taking the cultural values of source communities into account in their representational strategies, and that means that they now face the challenge of explaining to their publics how social responsibility toward distant source communities informs the choices each museum makes. This article examines how the National Museum of Denmark attempted to inform and discuss with the Danish public the museum's decision to not exhibi…
Remembering Dutch-Moluccan radicalism
This article examines memory politics in relation to radical actions of young Dutch-Moluccans, more specifically a train hijacking in 1977 at the village of De Punt in the Netherlands. The article examines how these historical events were remembered in the drama-documentary television film, De Punt, as well as in user-generated comments in an online discussion. The television film represented an inclusive memory culture that made room for the dif…
Migrant life stories and the Web
The life stories of migrants are increasingly being told, as part of the work of cultural organizations, and websites are well suited to making such life story projects accessible to the public. However, by using the lives of real people as raw material in a public forum, Web projects raise important questions about the terms on which participants are given a voice. This article focuses on a Danish website which depicts the life stories of migran…
Carsten Stage
The online version of this text can be found open access at
Digitizing migration heritage
Museums are increasingly digitizing their collections and making them available to the public on-line. Creating such digital resources may become means for social inclusion. For museums that acknowledge migration history and cultures of ethnic minority groups as important subjects in multiethnic societies, digitization brings new possibilities for reaching source communities. This article describes Web projects conducted at Museum Maluku in Utrec…
Descendants of Slaves
The aim of the Danish television documentary series Slavernes Slægt ( Descendants of Slaves, 2005) has been to enhance public awareness of Danish colonial history. As is typical of contemporary mediated memories, the account of national history is combined with `small histories' that focus on live stories of individuals and their families. Participating in the series are present-day descendants of enslaved Africans who, as a result of an interest…
On Not Showing Scalps
Museums are increasingly taking the cultural values of source communities into account in their representational strategies, and that means that they now face the challenge of explaining to their publics how social responsibility toward distant source communities informs the choices each museum makes. This article examines how the National Museum of Denmark attempted to inform and discuss with the Danish public the museum's decision to not exhibi…
Descendants of Slaves
The aim of the Danish television documentary series Slavernes Slægt ( Descendants of Slaves, 2005) has been to enhance public awareness of Danish colonial history. As is typical of contemporary mediated memories, the account of national history is combined with `small histories' that focus on live stories of individuals and their families. Participating in the series are present-day descendants of enslaved Africans who, as a result of an interest…
Bridge the Gap
This article focuses on photo projects organised for teenage refugees by the Society for Humanistic Photography (Berlin, Germany). These projects, named Bridge the Gap I (2015), and Bridge the Gap II (2016), were carried out in Berlin and brought together teenagers with refugee and German-majority backgrounds to experiment with digital photography and create joint exhibitions. Drawing on concepts from memory studies, such as travelling memory and…
Colourising the past
Colourised photographs have become a popular form of social media content, and this article examines how the digital sharing of colourised colonial photographs from the Sápmi region may develop into a kind of informal visual repatriation. This article presents a case study on the decolonial photographic practices of the Sámi colouriser Per Ivar Somby, who mines digitised photo archives, colourises selected photos, and subsequently shares them on …
Exhibiting Refugee Routes
In recent years, numerous European museums have collected objects related to refugees. This article examines the Flight for Life (På Flugt) exhibition (2017), which the National Museum of Denmark organized based on a contemporary collecting project that took place in Greece and Denmark in 2016. Alison Landsberg's concept of prosthetic memory is made use of here to examine how the exhibition invited visitors to identify with refugees. This empathe…
Remembering Dutch-Moluccan radicalism
This article examines memory politics in relation to radical actions of young Dutch-Moluccans, more specifically a train hijacking in 1977 at the village of De Punt in the Netherlands. The article examines how these historical events were remembered in the drama-documentary television film, De Punt, as well as in user-generated comments in an online discussion. The television film represented an inclusive memory culture that made room for the dif…
Migrant life stories and the Web
The life stories of migrants are increasingly being told, as part of the work of cultural organizations, and websites are well suited to making such life story projects accessible to the public. However, by using the lives of real people as raw material in a public forum, Web projects raise important questions about the terms on which participants are given a voice. This article focuses on a Danish website which depicts the life stories of migran…
Carsten Stage
The online version of this text can be found open access at
Digitizing migration heritage
Museums are increasingly digitizing their collections and making them available to the public on-line. Creating such digital resources may become means for social inclusion. For museums that acknowledge migration history and cultures of ethnic minority groups as important subjects in multiethnic societies, digitization brings new possibilities for reaching source communities. This article describes Web projects conducted at Museum Maluku in Utrec…
Descendants of Slaves
The aim of the Danish television documentary series Slavernes Slægt ( Descendants of Slaves, 2005) has been to enhance public awareness of Danish colonial history. As is typical of contemporary mediated memories, the account of national history is combined with `small histories' that focus on live stories of individuals and their families. Participating in the series are present-day descendants of enslaved Africans who, as a result of an interest…
Digitizing migration heritage
Museums are increasingly digitizing their collections and making them available to the public on-line. Creating such digital resources may become means for social inclusion. For museums that acknowledge migration history and cultures of ethnic minority groups as important subjects in multiethnic societies, digitization brings new possibilities for reaching source communities. This article describes Web projects conducted at Museum Maluku in Utrec…
Migrant life stories and the Web
The life stories of migrants are increasingly being told, as part of the work of cultural organizations, and websites are well suited to making such life story projects accessible to the public. However, by using the lives of real people as raw material in a public forum, Web projects raise important questions about the terms on which participants are given a voice. This article focuses on a Danish website which depicts the life stories of migran…
Carsten Stage
The online version of this text can be found open access at
Remembering Dutch-Moluccan radicalism
This article examines memory politics in relation to radical actions of young Dutch-Moluccans, more specifically a train hijacking in 1977 at the village of De Punt in the Netherlands. The article examines how these historical events were remembered in the drama-documentary television film, De Punt, as well as in user-generated comments in an online discussion. The television film represented an inclusive memory culture that made room for the dif…
On Not Showing Scalps
Museums are increasingly taking the cultural values of source communities into account in their representational strategies, and that means that they now face the challenge of explaining to their publics how social responsibility toward distant source communities informs the choices each museum makes. This article examines how the National Museum of Denmark attempted to inform and discuss with the Danish public the museum's decision to not exhibi…
Bridge the Gap
This article focuses on photo projects organised for teenage refugees by the Society for Humanistic Photography (Berlin, Germany). These projects, named Bridge the Gap I (2015), and Bridge the Gap II (2016), were carried out in Berlin and brought together teenagers with refugee and German-majority backgrounds to experiment with digital photography and create joint exhibitions. Drawing on concepts from memory studies, such as travelling memory and…
Personal Albums and Cultural Encounters
Increasingly, historical photographs and photo albums are taken seriously as museum objects, and museums are finding new ways of informing their visitors about the photo-historical aspects of their collections. Taking off from recent research on the changing role of photography in museums as well as discussions of representational ethics in relation to anthropological and colonial photography, this article examines the exhibition The Photo Albums…
Exhibiting Refugee Routes
In recent years, numerous European museums have collected objects related to refugees. This article examines the Flight for Life (På Flugt) exhibition (2017), which the National Museum of Denmark organized based on a contemporary collecting project that took place in Greece and Denmark in 2016. Alison Landsberg's concept of prosthetic memory is made use of here to examine how the exhibition invited visitors to identify with refugees. This empathe…
Cross Pendants as Memory Objects
This article explores the potential of combining material analysis with object-elicited memory work in order to explore the role of objects in lived religion. It presents a case study on two traditional cross pendants, a Dagmar Cross and a Huguenot Cross, and analyses the cultural-historical contexts of the two crosses, including their importance for specific national and religious memory communities. Furthermore, the memory work sections of the …
Colourising the past
Colourised photographs have become a popular form of social media content, and this article examines how the digital sharing of colourised colonial photographs from the Sápmi region may develop into a kind of informal visual repatriation. This article presents a case study on the decolonial photographic practices of the Sámi colouriser Per Ivar Somby, who mines digitised photo archives, colourises selected photos, and subsequently shares them on …
History (7 works) · Sociology (7 works) · Art (6 works) · Media studies (6 works) · Museums and Cultural Heritage (5 works) · Archaeology (4 works) · Computer Science (4 works) · History (4 works) · Political science (4 works) · Politics (4 works)