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G Arunima

Biographic Data

ID2074754
NAMEG Arunima
GIVEN NAMESG
FAMILY NAMEArunima
SIGNATUREARUNIMA G
AFFILIATIONSNehru Memorial Museum and Library, New Delhi
VERIFIEDNo
TOTAL WORKS12
TOTAL CITATIONS34
AUTHOR COUNT11
EDITOR COUNT1
FIRST PUBLICATION YEAR1996
LATEST PUBLICATION YEAR2024
H-INDEX3
  • The politics of nakedness

    G Arunima•ARTICLE•Safundi•2024•References: 2

  • Love and Revolution in the Twentieth-Century Colonial and Postcolonial World

    Open Access•G Arunima, Patricia Hayes et al.•BOOK•Love and Revolution in the…•2021

  • Love and Revolution in the Twentieth-Century Colonial and Postcolonial World

    G Arunima, Patricia Hayes et al.•BOOK•Love and Revolution in the…•2021

  • Cameras, campuses and the future of politics in an era of imaging technologies

    Open Access•G Arunima•ARTICLE•Contributions to Indian Sociology•2020•Cited by: 2•References: 26

    The recent explosion and changes in camera technologies has had a bearing on state surveillance, amateur photographic practices, and people's involvement with camera cultures. Much of urban life is now mediated by photography in different forms-from being caught, often unaware, on CCTVs, to a far more self-conscious engagement with some of the more readily available camera forms. This article is an attempt to open up some of the issues at stake w…

  • There Comes Papa

    Open Access•G Arunima•BOOK•There comes papa•2019

    Historical analysis on the legal abolition of matriliny in 20th century Kerala, India; with particular reference to Nair caste

  • Bonds of love, ties of kinship? Or are there other ways of imagining the family

    Open Access•G Arunima•ARTICLE•The Indian Economic & Social…•2016•References: 8

    Can one write a ‘visual history’ of the family? This article is a preliminary attempt to explore the relationship between visuals and history and how this is configured in relation to an institution like the family. By examining a diverse set of Indian images, ranging from Company art, Kalighat prints, realist portraiture and some photography, I wish to problematise the relationship between representation and history. A chief interest in this exp…

  • Anna

    G Arunima, G Arunima G Arunima•ARTICLE•Cultural Critique•2012•Cited by: 1

  • Imagining communities–differently

    Open Access•G Arunima•ARTICLE•The Indian Economic & Social…•2006•Cited by: 13•References: 3

    This article examines the questions of ethnicity, territoriality and history in Kerala through an examination of two interrelated themes: the emergent print media and its uses, and the problem of language. By looking at examples of primarily two different kinds of prose writing that became available in this period—religious tracts and literary journals (with some references to the more explicitly literary genres like the novel and the short story…

  • Glimpses from a Writer's World

    Open Access•G Arunima•ARTICLE•Studies in History•2004•Cited by: 1

    Biographies by focusing on individuals and their lives become an essay on individuality, personality and privacy; in fact, the purpose of the biography is to make the subject special, different and unique. However, biographies place the subject in a curious relationship with the historical contextÛin that sense they are both similar to, yet different from, the novel. Both deal with interiorityÛyet their relationship to the ÎrealÌ is very differen…

  • Face value

    Open Access•G Arunima•ARTICLE•The Indian Economic & Social…•2003•Cited by: 4

    By exploring the portrait genre as the modular form in Ravi Varma's artistic oeuvre, this article explores the question of modernity in Ravi Varma's art. It argues that unlike the work of others artistes of nineteenth century India, Ravi Varma was uniquely positioned in that his modernity is not a product of 'critique', but of a different negotiation with both tradition and the 'West

  • Writing culture

    Open Access•G Arunima•ARTICLE•Studies in History•1997•Cited by: 2

  • Multiple meanings

    Open Access•G Arunima•ARTICLE•The Indian Economic & Social…•1996•Cited by: 11

  • Imagining communities–differently

    Open Access•G Arunima•ARTICLE•The Indian Economic & Social…•2006•Cited by: 13•References: 3

    This article examines the questions of ethnicity, territoriality and history in Kerala through an examination of two interrelated themes: the emergent print media and its uses, and the problem of language. By looking at examples of primarily two different kinds of prose writing that became available in this period—religious tracts and literary journals (with some references to the more explicitly literary genres like the novel and the short story…

  • Multiple meanings

    Open Access•G Arunima•ARTICLE•The Indian Economic & Social…•1996•Cited by: 11

  • Face value

    Open Access•G Arunima•ARTICLE•The Indian Economic & Social…•2003•Cited by: 4

    By exploring the portrait genre as the modular form in Ravi Varma's artistic oeuvre, this article explores the question of modernity in Ravi Varma's art. It argues that unlike the work of others artistes of nineteenth century India, Ravi Varma was uniquely positioned in that his modernity is not a product of 'critique', but of a different negotiation with both tradition and the 'West

  • Cameras, campuses and the future of politics in an era of imaging technologies

    Open Access•G Arunima•ARTICLE•Contributions to Indian Sociology•2020•Cited by: 2•References: 26

    The recent explosion and changes in camera technologies has had a bearing on state surveillance, amateur photographic practices, and people's involvement with camera cultures. Much of urban life is now mediated by photography in different forms-from being caught, often unaware, on CCTVs, to a far more self-conscious engagement with some of the more readily available camera forms. This article is an attempt to open up some of the issues at stake w…

  • Writing culture

    Open Access•G Arunima•ARTICLE•Studies in History•1997•Cited by: 2

  • Anna

    G Arunima, G Arunima G Arunima•ARTICLE•Cultural Critique•2012•Cited by: 1

  • Glimpses from a Writer's World

    Open Access•G Arunima•ARTICLE•Studies in History•2004•Cited by: 1

    Biographies by focusing on individuals and their lives become an essay on individuality, personality and privacy; in fact, the purpose of the biography is to make the subject special, different and unique. However, biographies place the subject in a curious relationship with the historical contextÛin that sense they are both similar to, yet different from, the novel. Both deal with interiorityÛyet their relationship to the ÎrealÌ is very differen…

  • Multiple meanings

    Open Access•G Arunima•ARTICLE•The Indian Economic & Social…•1996•Cited by: 11

  • Writing culture

    Open Access•G Arunima•ARTICLE•Studies in History•1997•Cited by: 2

  • Face value

    Open Access•G Arunima•ARTICLE•The Indian Economic & Social…•2003•Cited by: 4

    By exploring the portrait genre as the modular form in Ravi Varma's artistic oeuvre, this article explores the question of modernity in Ravi Varma's art. It argues that unlike the work of others artistes of nineteenth century India, Ravi Varma was uniquely positioned in that his modernity is not a product of 'critique', but of a different negotiation with both tradition and the 'West

  • Glimpses from a Writer's World

    Open Access•G Arunima•ARTICLE•Studies in History•2004•Cited by: 1

    Biographies by focusing on individuals and their lives become an essay on individuality, personality and privacy; in fact, the purpose of the biography is to make the subject special, different and unique. However, biographies place the subject in a curious relationship with the historical contextÛin that sense they are both similar to, yet different from, the novel. Both deal with interiorityÛyet their relationship to the ÎrealÌ is very differen…

  • Imagining communities–differently

    Open Access•G Arunima•ARTICLE•The Indian Economic & Social…•2006•Cited by: 13•References: 3

    This article examines the questions of ethnicity, territoriality and history in Kerala through an examination of two interrelated themes: the emergent print media and its uses, and the problem of language. By looking at examples of primarily two different kinds of prose writing that became available in this period—religious tracts and literary journals (with some references to the more explicitly literary genres like the novel and the short story…

  • Anna

    G Arunima, G Arunima G Arunima•ARTICLE•Cultural Critique•2012•Cited by: 1

  • Bonds of love, ties of kinship? Or are there other ways of imagining the family

    Open Access•G Arunima•ARTICLE•The Indian Economic & Social…•2016•References: 8

    Can one write a ‘visual history’ of the family? This article is a preliminary attempt to explore the relationship between visuals and history and how this is configured in relation to an institution like the family. By examining a diverse set of Indian images, ranging from Company art, Kalighat prints, realist portraiture and some photography, I wish to problematise the relationship between representation and history. A chief interest in this exp…

  • There Comes Papa

    Open Access•G Arunima•BOOK•There comes papa•2019

    Historical analysis on the legal abolition of matriliny in 20th century Kerala, India; with particular reference to Nair caste

  • Cameras, campuses and the future of politics in an era of imaging technologies

    Open Access•G Arunima•ARTICLE•Contributions to Indian Sociology•2020•Cited by: 2•References: 26

    The recent explosion and changes in camera technologies has had a bearing on state surveillance, amateur photographic practices, and people's involvement with camera cultures. Much of urban life is now mediated by photography in different forms-from being caught, often unaware, on CCTVs, to a far more self-conscious engagement with some of the more readily available camera forms. This article is an attempt to open up some of the issues at stake w…

  • Love and Revolution in the Twentieth-Century Colonial and Postcolonial World

    Open Access•G Arunima, Patricia Hayes et al.•BOOK•Love and Revolution in the…•2021

  • Love and Revolution in the Twentieth-Century Colonial and Postcolonial World

    G Arunima, Patricia Hayes et al.•BOOK•Love and Revolution in the…•2021

  • The politics of nakedness

    G Arunima•ARTICLE•Safundi•2024•References: 2

Art (9 works) · History (8 works) · Sociology (7 works) · Aesthetics (6 works) · History (6 works) · Literature (5 works) · Computer Science (4 works) · Law (4 works) · Law (4 works) · Linguistics (4 works)

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