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Elizabeth C Fine

Datos Biográficos

ID208760
NOMBREElizabeth C Fine
NOMBRESElizabeth C
APELLIDOFine
FIRMAFINE E C
AFILIACIONESVirginia Tech
ORCID0000-0001-5552-0685
VERIFICADOSí
TOTAL DE OBRAS13
TOTAL DE CITAS82
TOTAL COMO AUTOR13
TOTAL COMO EDITOR0
PRIMER AÑO DE PUBLICACIÓN1977
AÑO MÁS RECIENTE DE PUBLICACIÓN1999
ÍNDICE H4
  • Lazy Jack

    Elizabeth C Fine•ARTICLE•NWSA Journal•1999

    NWSA Journal - Volume 11, Number 3, Fall 1999

  • The Folklore Text

    Zdenek Salzmann, Elizabeth C Fine•ARTICLE•Language•1996

  • Books in review

    Elizabeth C Fine, Howard Averback et al.•ARTICLE•Text and Performance Quarterly•1995

    BODY, MOVEMENT, AND CULTURE: KINESTHETIC AND VISUAL SYMBOLISM IN A PHILIPPINE COMMUNITY. By Sally Ann Ness. Philadelphia: University of Pennsylvania Press, 1992, pp. xii‐292; paper $16.95. ON EDGE: PERFORMANCE AT THE END OF THE TWENTIETH CENTURY. By C. Carr. Hanover, NH, and London: University Press of New England/Wesleyan University Press, 1993; pp. xxii‐333; $40.00; paper $16.95. THEATRE, THEORY, POSTMODERNISM. By Johannes Birringer. Bloomingto…

  • Performance, Culture, and Identity

    Danielle M Roemer, Elizabeth C Fine et al.•ARTICLE•Journal of American Folklore•1994

    Preface Introduction by Elizabeth C. Fine and Jean Haskell Speer Performative Metaphors as Ritual Communication by Elizabeth C. Fine Ray Hicks: The Storyteller as Shaman by Cheryl Oxford Speech and Song of a Modern Sussex Yeoman by Josephine Johnson Performance as Meaning in a Mountain Folktale by Jean Haskell Speer That Black Fall: Farm Crisis Narratives by Phyllis Scott Carlin Spinstorying: An Analysis of Women Storytelling by Kristin M. Langel…

  • Boneshop of the Heart

    Nancy Kalow, Scott Crocker et al.•ARTICLE•Journal of American Folklore•1993

  • Stepping, Saluting, Cracking, and Freaking

    Elizabeth C Fine•ARTICLE•TDR/The Drama Review•1991

    Spotlights rake over the dark auditorium as the opening music of 2001 (A Space Odyssey) blares through the loudspeakers. The audience searches for the performers as the music suddenly shifts to a hard, driving beat and a recorded voice repeats, Ladies and Gentlemen. Now the spotlights illuminate the white tuxedos of the Delta sisters as they dance down the aisles toward the stage. In their white suits and gloves, their red cummerbunds, boutonnier…

  • Focal Problems

    Open Access•Elizabeth C Fine, Gordon Burnand•ARTICLE•Western Folklore•1987

  • The Folklore Text

    K Young, Elizabeth C Fine•ARTICLE•Western Folklore•1987•Citada por: 21

    Preface 1. Introduction The Problem Methodology and Organization Significance 2. The Development of the text in American Folkloristics The Ethnolinguistic Model of the Text The Literary Model of the Text Precursors to me Performance Approach Performance-Centered Experimentation with the Text Conclusion 3. The Performance Approach: Implications For the Text Key Concepts of the Performance Approach Problems of the Performance Approach: Making the T…

  • The Folklore Text

    Gerald E Parsons, Elizabeth C Fine•ARTICLE•Journal of American Folklore•1986•Citada por: 23

  • Tour guide performances as sight sacralization

    Open Access•Elizabeth C Fine, Jean Haskell Speer•ARTICLE•Annals of Tourism Research•1985•Citada por: 29•Referencias: 6

  • In Defense of Literary Dialect

    Elizabeth C Fine, Elizabeth Fine•ARTICLE•Journal of American Folklore•1983•Citada por: 3•Referencias: 1

    If folklorists were to accept Dennis R. Preston's (1982) charges against their attempts to record dialect in print, they might feel embarrassed that their textmaking of the 1970s was so bad. Few folklorists would like to admit that their efforts at representing folk speech are culturally or racially biased; nor would they like to think that their uses of literary dialect respellings "having as their primary effect on the reader a demotion of opin…

  • Traditional American Indian Literatures

    Elizabeth C Fine, Karl Kroeber•ARTICLE•Journal of American Folklore•1983

    This book is a welcome addition to studies of American Indian folklore and ethnopoetics. Karl Kroeber has compiled five essays by himself, Jarold Ramsey, Dennis Tedlock, Barre Toelken and Tacheeni Scott, and Dell Hymes to support his argument that Indian narratives are first-rate works of art that need sophisticated critical attention. The book's purpose is twofold: to correct critical ethnocentrism and to enable readers to recognize the artistry…

  • A new look at performance

    Elizabeth C Fine, Jean Haskell Speer•ARTICLE•Communication Monographs•1977•Citada por: 6•Referencias: 5

    Performance is central to the study of oral interpretation, but it can also be content for research and teaching. This paper presents a rationale for the study of performance

  • Tour guide performances as sight sacralization

    Open Access•Elizabeth C Fine, Jean Haskell Speer•ARTICLE•Annals of Tourism Research•1985•Citada por: 29•Referencias: 6

  • The Folklore Text

    Gerald E Parsons, Elizabeth C Fine•ARTICLE•Journal of American Folklore•1986•Citada por: 23

  • The Folklore Text

    K Young, Elizabeth C Fine•ARTICLE•Western Folklore•1987•Citada por: 21

    Preface 1. Introduction The Problem Methodology and Organization Significance 2. The Development of the text in American Folkloristics The Ethnolinguistic Model of the Text The Literary Model of the Text Precursors to me Performance Approach Performance-Centered Experimentation with the Text Conclusion 3. The Performance Approach: Implications For the Text Key Concepts of the Performance Approach Problems of the Performance Approach: Making the T…

  • A new look at performance

    Elizabeth C Fine, Jean Haskell Speer•ARTICLE•Communication Monographs•1977•Citada por: 6•Referencias: 5

    Performance is central to the study of oral interpretation, but it can also be content for research and teaching. This paper presents a rationale for the study of performance

  • In Defense of Literary Dialect

    Elizabeth C Fine, Elizabeth Fine•ARTICLE•Journal of American Folklore•1983•Citada por: 3•Referencias: 1

    If folklorists were to accept Dennis R. Preston's (1982) charges against their attempts to record dialect in print, they might feel embarrassed that their textmaking of the 1970s was so bad. Few folklorists would like to admit that their efforts at representing folk speech are culturally or racially biased; nor would they like to think that their uses of literary dialect respellings "having as their primary effect on the reader a demotion of opin…

  • A new look at performance

    Elizabeth C Fine, Jean Haskell Speer•ARTICLE•Communication Monographs•1977•Citada por: 6•Referencias: 5

    Performance is central to the study of oral interpretation, but it can also be content for research and teaching. This paper presents a rationale for the study of performance

  • In Defense of Literary Dialect

    Elizabeth C Fine, Elizabeth Fine•ARTICLE•Journal of American Folklore•1983•Citada por: 3•Referencias: 1

    If folklorists were to accept Dennis R. Preston's (1982) charges against their attempts to record dialect in print, they might feel embarrassed that their textmaking of the 1970s was so bad. Few folklorists would like to admit that their efforts at representing folk speech are culturally or racially biased; nor would they like to think that their uses of literary dialect respellings "having as their primary effect on the reader a demotion of opin…

  • Traditional American Indian Literatures

    Elizabeth C Fine, Karl Kroeber•ARTICLE•Journal of American Folklore•1983

    This book is a welcome addition to studies of American Indian folklore and ethnopoetics. Karl Kroeber has compiled five essays by himself, Jarold Ramsey, Dennis Tedlock, Barre Toelken and Tacheeni Scott, and Dell Hymes to support his argument that Indian narratives are first-rate works of art that need sophisticated critical attention. The book's purpose is twofold: to correct critical ethnocentrism and to enable readers to recognize the artistry…

  • Tour guide performances as sight sacralization

    Open Access•Elizabeth C Fine, Jean Haskell Speer•ARTICLE•Annals of Tourism Research•1985•Citada por: 29•Referencias: 6

  • The Folklore Text

    Gerald E Parsons, Elizabeth C Fine•ARTICLE•Journal of American Folklore•1986•Citada por: 23

  • Focal Problems

    Open Access•Elizabeth C Fine, Gordon Burnand•ARTICLE•Western Folklore•1987

  • The Folklore Text

    K Young, Elizabeth C Fine•ARTICLE•Western Folklore•1987•Citada por: 21

    Preface 1. Introduction The Problem Methodology and Organization Significance 2. The Development of the text in American Folkloristics The Ethnolinguistic Model of the Text The Literary Model of the Text Precursors to me Performance Approach Performance-Centered Experimentation with the Text Conclusion 3. The Performance Approach: Implications For the Text Key Concepts of the Performance Approach Problems of the Performance Approach: Making the T…

  • Stepping, Saluting, Cracking, and Freaking

    Elizabeth C Fine•ARTICLE•TDR/The Drama Review•1991

    Spotlights rake over the dark auditorium as the opening music of 2001 (A Space Odyssey) blares through the loudspeakers. The audience searches for the performers as the music suddenly shifts to a hard, driving beat and a recorded voice repeats, Ladies and Gentlemen. Now the spotlights illuminate the white tuxedos of the Delta sisters as they dance down the aisles toward the stage. In their white suits and gloves, their red cummerbunds, boutonnier…

  • Boneshop of the Heart

    Nancy Kalow, Scott Crocker et al.•ARTICLE•Journal of American Folklore•1993

  • Performance, Culture, and Identity

    Danielle M Roemer, Elizabeth C Fine et al.•ARTICLE•Journal of American Folklore•1994

    Preface Introduction by Elizabeth C. Fine and Jean Haskell Speer Performative Metaphors as Ritual Communication by Elizabeth C. Fine Ray Hicks: The Storyteller as Shaman by Cheryl Oxford Speech and Song of a Modern Sussex Yeoman by Josephine Johnson Performance as Meaning in a Mountain Folktale by Jean Haskell Speer That Black Fall: Farm Crisis Narratives by Phyllis Scott Carlin Spinstorying: An Analysis of Women Storytelling by Kristin M. Langel…

  • Books in review

    Elizabeth C Fine, Howard Averback et al.•ARTICLE•Text and Performance Quarterly•1995

    BODY, MOVEMENT, AND CULTURE: KINESTHETIC AND VISUAL SYMBOLISM IN A PHILIPPINE COMMUNITY. By Sally Ann Ness. Philadelphia: University of Pennsylvania Press, 1992, pp. xii‐292; paper $16.95. ON EDGE: PERFORMANCE AT THE END OF THE TWENTIETH CENTURY. By C. Carr. Hanover, NH, and London: University Press of New England/Wesleyan University Press, 1993; pp. xxii‐333; $40.00; paper $16.95. THEATRE, THEORY, POSTMODERNISM. By Johannes Birringer. Bloomingto…

  • The Folklore Text

    Zdenek Salzmann, Elizabeth C Fine•ARTICLE•Language•1996

  • Lazy Jack

    Elizabeth C Fine•ARTICLE•NWSA Journal•1999

    NWSA Journal - Volume 11, Number 3, Fall 1999

Art (10 obras) · History (8 obras) · Literature (8 obras) · History (6 obras) · Folklore, Mythology, and Literature Studies (5 obras) · Sociology (5 obras) · Folklore (3 obras) · Linguistics (3 obras) · Philosophy (3 obras) · Art history (2 obras)

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