Hewitt Pantaleoni
Biographic Data
| ID | 209110 |
|---|---|
| NAME | Hewitt Pantaleoni |
| GIVEN NAMES | Hewitt |
| FAMILY NAME | Pantaleoni |
| SIGNATURE | PANTALEONI H |
| VERIFIED | No |
| TOTAL WORKS | 7 |
| TOTAL CITATIONS | 6 |
| AUTHOR COUNT | 7 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 1968 |
| LATEST PUBLICATION YEAR | 1989 |
| H-INDEX | 1 |
On the Nature of Music
One of Densmore's Dakota Rhythms Reconsidered
O ne of Frances Densmore's Dakota recordings reveals, under slowedspeed analysis, a pulse at least three times faster than that of Western music. By synchronizing with this pulse, the rhythms of the voice and the beats of the accompanying drum achieve perfect coordination while avoiding coincidence. Long baffled by the relationship between these two parts in Native American singing, researchers tended to agree with the Canadian musician Alexander…
A Reconsideration of Fillmore Reconsidered
Songs and Stories from Uganda
Songs and Stories from Uganda
Toward Understanding the Play of Sogo in Atsia
A possible notation for African dance drumming
It has long been recognized that Western musical notation is less than a satisfactory vehicle for recording African dance drumming. The symbols impose a fairly standardized Western interpretation that cannot be avoided, and they are incapable of expressing the life blood of African drumming, which is its timbre. A new system is needed, one without Western connotations and capable of indicating the quality of the sound, at least approximately
A possible notation for African dance drumming
It has long been recognized that Western musical notation is less than a satisfactory vehicle for recording African dance drumming. The symbols impose a fairly standardized Western interpretation that cannot be avoided, and they are incapable of expressing the life blood of African drumming, which is its timbre. A new system is needed, one without Western connotations and capable of indicating the quality of the sound, at least approximately
One of Densmore's Dakota Rhythms Reconsidered
O ne of Frances Densmore's Dakota recordings reveals, under slowedspeed analysis, a pulse at least three times faster than that of Western music. By synchronizing with this pulse, the rhythms of the voice and the beats of the accompanying drum achieve perfect coordination while avoiding coincidence. Long baffled by the relationship between these two parts in Native American singing, researchers tended to agree with the Canadian musician Alexander…
Toward Understanding the Play of Sogo in Atsia
A possible notation for African dance drumming
It has long been recognized that Western musical notation is less than a satisfactory vehicle for recording African dance drumming. The symbols impose a fairly standardized Western interpretation that cannot be avoided, and they are incapable of expressing the life blood of African drumming, which is its timbre. A new system is needed, one without Western connotations and capable of indicating the quality of the sound, at least approximately
Toward Understanding the Play of Sogo in Atsia
Songs and Stories from Uganda
Songs and Stories from Uganda
A Reconsideration of Fillmore Reconsidered
One of Densmore's Dakota Rhythms Reconsidered
O ne of Frances Densmore's Dakota recordings reveals, under slowedspeed analysis, a pulse at least three times faster than that of Western music. By synchronizing with this pulse, the rhythms of the voice and the beats of the accompanying drum achieve perfect coordination while avoiding coincidence. Long baffled by the relationship between these two parts in Native American singing, researchers tended to agree with the Canadian musician Alexander…
On the Nature of Music
Art (5 works) · History (4 works) · African studies and sociopolitical issues (2 works) · Diverse Musicological Studies (2 works) · Global Maritime and Colonial Histories (2 works) · Music Technology and Sound Studies (2 works) · Visual arts (2 works) · African history and culture analysis (1 works) · American Sports and Literature (1 works) · Biology (1 works)