Julia H Schröder
Biographic Data
| ID | 2091176 |
|---|---|
| NAME | Julia H Schröder |
| GIVEN NAMES | Julia H |
| FAMILY NAME | Schröder |
| SIGNATURE | SCHRÖDER J H |
| VERIFIED | No |
| TOTAL WORKS | 5 |
| TOTAL CITATIONS | 1 |
| WORKS AS AUTHOR | 5 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2014 |
| LATEST PUBLICATION YEAR | 2021 |
| H-INDEX | 1 |
Intensität und narkotische Wirkung von Musik
Julia H. Schröder geht den Möglichkeiten der emotionalen und körperlichen Wirkung auf die Hörenden in der Konzertsituation nach. Nach einer Zukunftsvision geht sie zurück auf historische Diskurse über emotionale Hörweisen und gibt Beispiele aus aktueller Musikpraxis.
Makis Solomos
The History of the Erard Piano and Harp in Letters and Documents. 1785–1959. Band 1
Expanding the Horizon of Electroacoustic Music Analysis. Hrsg. von Simon Emmerson und Leigh Landy
Emergence and Emergency
Agostino Di Scipio refers often to system theory and transfers some of its models into his concert pieces, as well as into his installations and, recently, sounding objects. Some of these references are discussed in this paper, along with their musical implementations. In Di Scipio's Audible Ecosystemics series (2002–2005), the concept of emergence is central, meaning the unforeseen arising of higher level properties of a system from lower level …
Emergence and Emergency
Agostino Di Scipio refers often to system theory and transfers some of its models into his concert pieces, as well as into his installations and, recently, sounding objects. Some of these references are discussed in this paper, along with their musical implementations. In Di Scipio's Audible Ecosystemics series (2002–2005), the concept of emergence is central, meaning the unforeseen arising of higher level properties of a system from lower level …
Emergence and Emergency
Agostino Di Scipio refers often to system theory and transfers some of its models into his concert pieces, as well as into his installations and, recently, sounding objects. Some of these references are discussed in this paper, along with their musical implementations. In Di Scipio's Audible Ecosystemics series (2002–2005), the concept of emergence is central, meaning the unforeseen arising of higher level properties of a system from lower level …
The History of the Erard Piano and Harp in Letters and Documents. 1785–1959. Band 1
Expanding the Horizon of Electroacoustic Music Analysis. Hrsg. von Simon Emmerson und Leigh Landy
Makis Solomos
Intensität und narkotische Wirkung von Musik
Julia H. Schröder geht den Möglichkeiten der emotionalen und körperlichen Wirkung auf die Hörenden in der Konzertsituation nach. Nach einer Zukunftsvision geht sie zurück auf historische Diskurse über emotionale Hörweisen und gibt Beispiele aus aktueller Musikpraxis.
Art (5 works) · Computer Science (2 works) · Music Technology and Sound Studies (2 works) · Musicology and Musical Analysis (2 works) · Acoustics (1 work) · Art history (1 work) · Diverse Musicological Studies (1 work) · Epistemology (1 work) · HARP (1 work) · Implementation (1 work)