Albert Stabler
Biographic Data
| ID | 210150 |
|---|---|
| NAME | Albert Stabler |
| GIVEN NAMES | Albert |
| FAMILY NAME | Stabler |
| SIGNATURE | STABLER A |
| AFFILIATIONS | Illinois State University |
| ORCID | 0000-0002-7921-3978 |
| VERIFIED | Yes |
| TOTAL WORKS | 6 |
| TOTAL CITATIONS | 7 |
| AUTHOR COUNT | 6 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2016 |
| LATEST PUBLICATION YEAR | 2024 |
| H-INDEX | 1 |
Data, Disability, Detour, Détournement
In the current upswell of interest in data visualization and infographics among visual arts educators there has not been sufficient reflection on the ideological baggage and policy implications of information presented as reliably neutral and factual. Such presumptions have been challenged by conceptualist artists for many decades, and particularly by disabled artists in the last decade, whose experiences with medical and assistive technology, an…
“This is NOT okay
Disabled university students, as well as disabled faculty, staff, and other community members, face an array of challenges in conducting their studies and in navigating their daily lives. The authors relay their experiences as disabled members of a university community, and recount the work they did to gather information about the experiences of disabled people at the university, and to find a group intended to creatively and supportively address…
The Contractual Aesthetics of Sharecropping in Black Conceptualism
The impersonal legal language of contracts, termed the “aesthetic of administration” by Benjamin Buchloh, has had a strong impact on postwar conceptualist art. In the U.S., however, a two-tiered legal system explicitly existed from before the founding of the republic up through the end of Jim Crow, and, implicit in so-called “colorblind” legal discourse, continue to exist. Without claiming an exclusive status for Black conceptualist art, Black ar…
A fluid frontier
This edited volume presents a variety of past and present perspectives on a remarkable period of transnational regional history. The first Fugitive Slave Law was passed in the U.S. in 1793, and tra...
Punishment in Effigy
At least twice, Georges Bataille commented briefly but memorably on photographs he owned of a Chinese prisoner being executed by dismemberment. The history of this punishment in China, known as lingchi, or “the death by a thousand cuts,” ended around the same time the photographs were taken, but Bataille’s comments evinced a modern sensibility of punishment that is aesthetic rather than pedagogical, and which Bataille often theorized with referen…
Mike Kelley and the Supermax
Mike Kelley's 1995 sculpture Educational Complex, an architectural model that amalgamates every school Kelley ever attended, presents an ambivalent narrative on the psychology of memory and trauma, using institutional forms to comment on the unconscious. Memory and architecture merge similarly in the writings and images of Renaissance mystic and scholar Giordano Bruno. The idea of imaginary architecture is linked with punishment in the Carceri d'…
A fluid frontier
This edited volume presents a variety of past and present perspectives on a remarkable period of transnational regional history. The first Fugitive Slave Law was passed in the U.S. in 1793, and tra...
Punishment in Effigy
At least twice, Georges Bataille commented briefly but memorably on photographs he owned of a Chinese prisoner being executed by dismemberment. The history of this punishment in China, known as lingchi, or “the death by a thousand cuts,” ended around the same time the photographs were taken, but Bataille’s comments evinced a modern sensibility of punishment that is aesthetic rather than pedagogical, and which Bataille often theorized with referen…
Mike Kelley and the Supermax
Mike Kelley's 1995 sculpture Educational Complex, an architectural model that amalgamates every school Kelley ever attended, presents an ambivalent narrative on the psychology of memory and trauma, using institutional forms to comment on the unconscious. Memory and architecture merge similarly in the writings and images of Renaissance mystic and scholar Giordano Bruno. The idea of imaginary architecture is linked with punishment in the Carceri d'…
A fluid frontier
This edited volume presents a variety of past and present perspectives on a remarkable period of transnational regional history. The first Fugitive Slave Law was passed in the U.S. in 1793, and tra...
The Contractual Aesthetics of Sharecropping in Black Conceptualism
The impersonal legal language of contracts, termed the “aesthetic of administration” by Benjamin Buchloh, has had a strong impact on postwar conceptualist art. In the U.S., however, a two-tiered legal system explicitly existed from before the founding of the republic up through the end of Jim Crow, and, implicit in so-called “colorblind” legal discourse, continue to exist. Without claiming an exclusive status for Black conceptualist art, Black ar…
“This is NOT okay
Disabled university students, as well as disabled faculty, staff, and other community members, face an array of challenges in conducting their studies and in navigating their daily lives. The authors relay their experiences as disabled members of a university community, and recount the work they did to gather information about the experiences of disabled people at the university, and to find a group intended to creatively and supportively address…
Data, Disability, Detour, Détournement
In the current upswell of interest in data visualization and infographics among visual arts educators there has not been sufficient reflection on the ideological baggage and policy implications of information presented as reliably neutral and factual. Such presumptions have been challenged by conceptualist artists for many decades, and particularly by disabled artists in the last decade, whose experiences with medical and assistive technology, an…
Sociology (4 works) · Aesthetics (3 works) · Art (3 works) · Law (3 works) · Law (3 works) · Law in Society and Culture (3 works) · Political science (3 works) · Psychology (3 works) · Archaeology (2 works) · History (2 works)