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Ted Gioia

Biographic Data

ID210464
NAMETed Gioia
GIVEN NAMESTed
FAMILY NAMEGioia
SIGNATUREGIOIA T
AFFILIATIONSindependent scholar
VERIFIEDNo
TOTAL WORKS5
TOTAL CITATIONS4
AUTHOR COUNT5
EDITOR COUNT0
FIRST PUBLICATION YEAR1994
LATEST PUBLICATION YEAR2011
H-INDEX1
  • Classic Blues from Smithsonian Folkways RecordingsClassic Blues Volume Two from Smithsonian Folkways Recordings

    Ted Gioia•ARTICLE•Ethnomusicology•2011

  • How Hooker found his boogie

    Open Access•Fernando Benadon, Ted Gioia•ARTICLE•Popular Music•2009•Cited by: 3•References: 4

    This article closely analyses the rhythmic components in John Lee Hooker's boogie. We show how Hooker recasts a signature riff from a ternary to a binary beat subdivision, paving the way for the triple-to-duple shift that characterised mid-century American popular music. Further, we attribute the boogie's 'hypnotic' feel to two psychoacoustic phenomena: stream segregation and temporal order misjudgement. Stream segregation occurs when the musical…

  • Hitting All the Wrong Notes

    Ruth Rubin, Rachel Rubin et al.•ARTICLE•New Labor Forum•2008

  • The History of Jazz

    Kenneth J Bindas, Ted Gioia•ARTICLE•Journal of American History•2000

    Journal Article The History of Jazz. By Ted Gioia. (New York: Oxford University Press, 1997. viii, 471 pp. Cloth, $30.00, ISBN 0-19-509081-0. Paper, $15.95, ISBN 0-1-512653-X.) Get access Kenneth J. Bindas Kenneth J. Bindas Kent State University, Kent, Ohio Search for other works by this author on: Oxford Academic Google Scholar Journal of American History, Volume 87, Issue 1, June 2000, Pages 265–266, https://doi.org/10.2307/2568011 Published: 0…

  • West Coast Jazz

    Robert C Post, Ted Gioia•ARTICLE•Journal of American History•1994•Cited by: 1

    Journal Article West Coast Jazz: Modern Jazz in California, 1945–1960. By Ted Gioia. (New York: Oxford University Press, 1992. xii, 404 pp. $24.95, ISBN 0-19-506310-4.) Get access Robert C. Post Robert C. Post Smithsonian Institution, Washington, D.C. Search for other works by this author on: Oxford Academic Google Scholar Journal of American History, Volume 80, Issue 4, March 1994, Pages 1528–1529, https://doi.org/10.2307/2080727 Published: 01 M…

  • How Hooker found his boogie

    Open Access•Fernando Benadon, Ted Gioia•ARTICLE•Popular Music•2009•Cited by: 3•References: 4

    This article closely analyses the rhythmic components in John Lee Hooker's boogie. We show how Hooker recasts a signature riff from a ternary to a binary beat subdivision, paving the way for the triple-to-duple shift that characterised mid-century American popular music. Further, we attribute the boogie's 'hypnotic' feel to two psychoacoustic phenomena: stream segregation and temporal order misjudgement. Stream segregation occurs when the musical…

  • West Coast Jazz

    Robert C Post, Ted Gioia•ARTICLE•Journal of American History•1994•Cited by: 1

    Journal Article West Coast Jazz: Modern Jazz in California, 1945–1960. By Ted Gioia. (New York: Oxford University Press, 1992. xii, 404 pp. $24.95, ISBN 0-19-506310-4.) Get access Robert C. Post Robert C. Post Smithsonian Institution, Washington, D.C. Search for other works by this author on: Oxford Academic Google Scholar Journal of American History, Volume 80, Issue 4, March 1994, Pages 1528–1529, https://doi.org/10.2307/2080727 Published: 01 M…

  • West Coast Jazz

    Robert C Post, Ted Gioia•ARTICLE•Journal of American History•1994•Cited by: 1

    Journal Article West Coast Jazz: Modern Jazz in California, 1945–1960. By Ted Gioia. (New York: Oxford University Press, 1992. xii, 404 pp. $24.95, ISBN 0-19-506310-4.) Get access Robert C. Post Robert C. Post Smithsonian Institution, Washington, D.C. Search for other works by this author on: Oxford Academic Google Scholar Journal of American History, Volume 80, Issue 4, March 1994, Pages 1528–1529, https://doi.org/10.2307/2080727 Published: 01 M…

  • The History of Jazz

    Kenneth J Bindas, Ted Gioia•ARTICLE•Journal of American History•2000

    Journal Article The History of Jazz. By Ted Gioia. (New York: Oxford University Press, 1997. viii, 471 pp. Cloth, $30.00, ISBN 0-19-509081-0. Paper, $15.95, ISBN 0-1-512653-X.) Get access Kenneth J. Bindas Kenneth J. Bindas Kent State University, Kent, Ohio Search for other works by this author on: Oxford Academic Google Scholar Journal of American History, Volume 87, Issue 1, June 2000, Pages 265–266, https://doi.org/10.2307/2568011 Published: 0…

  • Hitting All the Wrong Notes

    Ruth Rubin, Rachel Rubin et al.•ARTICLE•New Labor Forum•2008

  • How Hooker found his boogie

    Open Access•Fernando Benadon, Ted Gioia•ARTICLE•Popular Music•2009•Cited by: 3•References: 4

    This article closely analyses the rhythmic components in John Lee Hooker's boogie. We show how Hooker recasts a signature riff from a ternary to a binary beat subdivision, paving the way for the triple-to-duple shift that characterised mid-century American popular music. Further, we attribute the boogie's 'hypnotic' feel to two psychoacoustic phenomena: stream segregation and temporal order misjudgement. Stream segregation occurs when the musical…

  • Classic Blues from Smithsonian Folkways RecordingsClassic Blues Volume Two from Smithsonian Folkways Recordings

    Ted Gioia•ARTICLE•Ethnomusicology•2011

Art (4 works) · Music History and Culture (4 works) · Art history (3 works) · Computer Science (3 works) · Classics (2 works) · Classics (2 works) · History (2 works) · History (2 works) · Jazz (2 works) · Library science (2 works)

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