W Jay Dowling
Biographic Data
| ID | 210552 |
|---|---|
| NAME | W Jay Dowling |
| GIVEN NAMES | W Jay |
| FAMILY NAME | Dowling |
| SIGNATURE | DOWLING W J |
| AFFILIATIONS | The University of Texas at Dallas |
| VERIFIED | No |
| TOTAL WORKS | 3 |
| TOTAL CITATIONS | 1 |
| WORKS AS AUTHOR | 3 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 1988 |
| LATEST PUBLICATION YEAR | 2022 |
| H-INDEX | 1 |
Real-Time Modulation Perception in Western Classical Music
The task of music listening involves an auditory scene analysis in which the listener makes judgments related to melody, harmony, and consonance or dissonance, all of which are made within the context of key or tonic region. Here we examine whether the process of tracking key region is independent of the process of tracking surface cues, and what surface cues may influence that process. To this end, highly trained, moderately trained, and untrain…
Simplicity and complexity in music and cognition
There are three areas that have been touched upon in this conference about which I will comment. First, there is the issue of what I have come to call the “skimpiness” of stimuli in many experimental studies of music cognition. Second, there is the issue of whether there are cognitive universals constraining musical understanding and structure, and if there are, what we should make of them. Third, I take up the nature of mental representations in…
Music Cognition
Music Cognition
Simplicity and complexity in music and cognition
There are three areas that have been touched upon in this conference about which I will comment. First, there is the issue of what I have come to call the “skimpiness” of stimuli in many experimental studies of music cognition. Second, there is the issue of whether there are cognitive universals constraining musical understanding and structure, and if there are, what we should make of them. Third, I take up the nature of mental representations in…
Real-Time Modulation Perception in Western Classical Music
The task of music listening involves an auditory scene analysis in which the listener makes judgments related to melody, harmony, and consonance or dissonance, all of which are made within the context of key or tonic region. Here we examine whether the process of tracking key region is independent of the process of tracking surface cues, and what surface cues may influence that process. To this end, highly trained, moderately trained, and untrain…
Cognitive psychology (3 works) · Music and Audio Processing (3 works) · Neuroscience and Music Perception (3 works) · Psychology (3 works) · Active listening (2 works) · Cognition (2 works) · Cognitive science (2 works) · Communication (2 works) · Neuroscience (2 works) · Acoustics (1 work)