Jutta Toelle
Dados Biográficos
| ID | 2117070 |
|---|---|
| NOME | Jutta Toelle |
| PRENOMES | Jutta |
| SOBRENOME | Toelle |
| ASSINATURA | TOELLE J |
| AFILIAÇÕES | Max Planck Institute for Empirical Aesthetics |
| ORCID | 0000-0002-7032-3644 |
| VERIFICADO | Sim |
| TOTAL DE OBRAS | 12 |
| TOTAL DE CITAÇÕES | 0 |
| TOTAL COMO AUTOR | 12 |
| TOTAL COMO EDITOR | 0 |
| PRIMEIRO ANO DE PUBLICAÇÃO | 2012 |
| ANO MAIS RECENTE DE PUBLICAÇÃO | 2023 |
| ÍNDICE H | 0 |
Audience Engagement
The aesthetic experience of live concerts
Music listening can lead to strong aesthetic experiences.However, to gain deeper insights into such experiences, more empirical research outside of laboratory settings is required.The current exploratory study measured aesthetic experience (music-induced emotions and absorption) in combination with psychophysiology (facial electromyography and arousal measures) from 98 participants during three live concerts with a program of classical, romantic,…
The audience as artist? The audience’s experience of participatory music
This study aimed to uncover potential effects on and meanings experienced by audience members who participated in performances (‘participants’) of intentional efforts to integrate participatory elements in art music practice. We document a recent project in which two contemporary composers were commissioned to write new pieces including parts for audience participants. We analysed observational and questionnaire data from three concerts that inte…
Live und interaktiv
Listening to Early Modern Catholicism
Mission Soundscapes
Todas las naciones han de oyrla
The essay focuses on the role of bells in the Jesuit reducciones . Within the contested sound world of the mission areas, bells played an important role as their sounds formed a sense of space, regulated social life, and established an audibility of time and order. Amongst all the other European sounds which Catholic missionaries had introduced by the seventeenth century—church songs, prayers in European languages, and instrumental music—bells fu…
Barbara Eichner
Da indessen die Mohren den Psalm
Christian Thorau [u.a.] (Hrsg.)
Andreas Ballstaedt [u.a.] (Hrsg.)
Opera as business? From impresari to the publishing industry
The impresario was a key figure of nineteenth-century Italian operatic life. Along with other economic, financial and organizational aspects of ottocento opera, the article examines the role of these shrewd businessmen, drawing particular attention to the role of the Habsburgs in the administration of theaters in Lombardy. Along with a general job description of the Italian opera impresario of the first half of the nineteenth century, the article…
Sem obras proeminentes nesta página.
Opera as business? From impresari to the publishing industry
The impresario was a key figure of nineteenth-century Italian operatic life. Along with other economic, financial and organizational aspects of ottocento opera, the article examines the role of these shrewd businessmen, drawing particular attention to the role of the Habsburgs in the administration of theaters in Lombardy. Along with a general job description of the Italian opera impresario of the first half of the nineteenth century, the article…
Christian Thorau [u.a.] (Hrsg.)
Andreas Ballstaedt [u.a.] (Hrsg.)
Barbara Eichner
Da indessen die Mohren den Psalm
Todas las naciones han de oyrla
The essay focuses on the role of bells in the Jesuit reducciones . Within the contested sound world of the mission areas, bells played an important role as their sounds formed a sense of space, regulated social life, and established an audibility of time and order. Amongst all the other European sounds which Catholic missionaries had introduced by the seventeenth century—church songs, prayers in European languages, and instrumental music—bells fu…
Mission Soundscapes
Live und interaktiv
Listening to Early Modern Catholicism
The audience as artist? The audience’s experience of participatory music
This study aimed to uncover potential effects on and meanings experienced by audience members who participated in performances (‘participants’) of intentional efforts to integrate participatory elements in art music practice. We document a recent project in which two contemporary composers were commissioned to write new pieces including parts for audience participants. We analysed observational and questionnaire data from three concerts that inte…
Audience Engagement
The aesthetic experience of live concerts
Music listening can lead to strong aesthetic experiences.However, to gain deeper insights into such experiences, more empirical research outside of laboratory settings is required.The current exploratory study measured aesthetic experience (music-induced emotions and absorption) in combination with psychophysiology (facial electromyography and arousal measures) from 98 participants during three live concerts with a program of classical, romantic,…
Art (10 obras) · Historical Influence and Diplomacy (4 obras) · History (4 obras) · Humanities (4 obras) · Literature (4 obras) · Political science (4 obras) · Computer Science (3 obras) · History (3 obras) · Psychology (3 obras) · Sociology (3 obras)