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K Gelder

Biographic Data

ID21179
NAMEK Gelder
GIVEN NAMESK
FAMILY NAMEGelder
SIGNATUREGELDER K
AFFILIATIONSThe University of Melbourne
ORCID0000-0003-0875-9348
VERIFIEDYes
TOTAL WORKS16
TOTAL CITATIONS7
AUTHOR COUNT16
EDITOR COUNT0
FIRST PUBLICATION YEAR1980
LATEST PUBLICATION YEAR2021
H-INDEX2
  • Irish Republicanism and the Colonial Australian Bushranger Narrative

    Open Access•K Gelder, Rachael D Weaver et al.•ARTICLE•Australian Literary Studies•2021•Cited by: 1•References: 2

    This article examines a range of colonial Australian Irish bushranger narratives in terms of their investments in revolutionary republicanism, arguing that these become increasingly contested and compromised over time. Beginning with the anonymously published novel Rebel Convicts (1858), it looks at how the fate of transported Irish revolutionaries is imagined in relation to colonial settlement and the convict system. It then turns to Ned Kelly’s…

  • The Australian Kangaroo Hunt Novel (1830–1858) as *Bildungsroman

    Open Access•K Gelder, Rachael D Weaver et al.•ARTICLE•Australian Literary Studies•2019•Cited by: 1

    In Australia – and no doubt in other outposts of empire – hunting provided a rite of passage for ambitious young men to learn about local conditions and establish their colonial credentials. This article argues that the kangaroo hunt narrative therefore operated as a kind of colonial bildungsroman or novel of education. It examines three kangaroo hunt novels written by women who had in fact never travelled to Australia. The first is Sarah Porter’…

  • Towards a Genealogy of Minor Colonial Australian Character Types

    K Gelder, Rachael D Weaver et al.•ARTICLE•Interventions•2015

    The business of colonization is often understood in terms of global frameworks, large-scale movements and top-down, ‘abstract’ perspectives; in which case, the turn to minor characters in the colonized world might seem almost like an act of bad faith. It runs the risk of breaking open stable, overarching categories, like the ‘white man’ – which, as minor characters are introduced, sometimes struggles to retain its ascendancy. This essay pursues t…

  • The Cambridge Companion to the Modern Gothic

    Open Access•Katarzyna Ancuta, John Paul Riquelme et al.•BOOK•Cambridge Companion to the Modern…•2014

    This Companion explores the many ways in which the Gothic has dispersed in the twentieth and twenty-first centuries, and in particular how it has come to offer a focus for the tensions inherent in modernity. Fourteen essays by world-class experts show how the Gothic in numerous forms - including literature, film, television, and cyberspace - helps audiences both to distance themselves from and to deal with some of the key underlying problems of m…

  • Citational Vampires: Transnational Techniques of Circulation in Irma Vep, Blood: The Last Vampire and Thirst

    Open Access•K Gelder•CHAPTER•Transnational and Postcolonial…•2013

    One of the problems to do with viewing and analysing cinema from remote locations is to do with the matter of getting to what Meaghan Morris has called the 'local levels of language community and affective mobilisation' (2005, p. 7). Naturally, there is always a sense that cinema from other places — cinema that is no doubt best understood through its local frameworks of production and consumption, its local traditions and so on — will always exce…

  • The Censor's Library

    K Gelder•ARTICLE•Australian Historical Studies•2013

    The Censor's Library . By Nicole Moore. Brisbane: University of Queensland Press, 2012. Pp. 432. A$39.95 paper. Nicole Moore's book begins with a revelation, the surprise discovery of something lon

  • The Man of Feeling

    Open Access•K Gelder•ARTICLE•Cultural Studies Review•2013

    A review of Peter Read's Haunted Earth (University of New South Wales Press, Sydney, 2003

  • Gothic Terms, Themes, Concepts and Contexts

    Open Access•Colette Conroy, Franz J Potter et al.•CHAPTER•Handbook of the Gothic•2009

    Just as THE UNCANNY offers a connection to the structure of the unconscious, the abject offers a sensation of horror that connects us viscerally to the experience of repression and the process of subject formation. For Julia Kristeva, in Powers of Horror, abjection disturbs ‘identity, system, order’ and is characterised by ‘the in-between, the ambiguous, the composite’.

  • Gothic Locations

    Open Access•Carol Margaret Davison, Allan Smith et al.•CHAPTER•Handbook of the Gothic•2009

    In Love and Death in the American Novel (1960), Leslie Fiedler describes AMERICAN LITERATURE as ‘bewilderingly and embarrassingly, a gothic fiction’ that wrestles with moral/psychological questions and exposes the American soul’s hidden ‘blackness’. Attentive to the dark side of America’s socio-political legacy and ‘the sins of the fathers’, American Gothic wrestles with that nation’s two ‘special guilts’ — ‘the slaughter of the Indians’ and ‘the…

  • English, Autonomy, and the Republic of Letters

    K Gelder•ARTICLE•Australian Humanities Review•2009

  • When the imaginary Australian is not uncanny: Nation, psyche and belonging in recent Australian cultural criticism and history

    K Gelder•ARTICLE•Journal of Australian Studies•2005

    Postcolonialism does not exists outside the shadow of colonialism and even as Australia remains under the shadow of colonialism, it is postcolonial because it does things that could not have been done if Australia were still just colonial. Postcolonialism in Australia means more Aboriginal presence, but for non-Aboriginal Australians, less Aboriginal contact and so the emphasis on one to one relationships is important, especially in a postcolonia…

  • Popular Fiction: The Logics and Practices of a Literary Field

    K Gelder•BOOK•Popular Fiction•2004

    In this important book, Ken Gelder offers a lively, progressive and comprehensive account of popular fiction as a distinctive literary field. Drawing on a wide range of popular novelists, from Sir Walter Scott and Marie Corelli to Ian Fleming, J. K. Rowling and Stephen King, his book describes for the first time how this field works and what its unique features are. In addition, Gelder provides a critical history of three primary genres - romance…

  • Reading the Vampire

    K Gelder•BOOK•Reading the Vampire•2002

    Insatiable bloodlust, dangerous sexualities, the horror of the undead, uncharted Trannsylvanian wildernesses, and a morbid fascination with the `other': the legend of the vampire continues to haunt popular imagination.Reading the Vampire examines the vampire in all its various manifestations and cultural meanings. Ken Gelder investigates vampire narratives in literature and in film, from early vampire stories like Sheridan Le Fanu's `lesbian vamp…

  • Postcolonial voodoo

    K Gelder•ARTICLE•Postcolonial Studies•2000•Cited by: 2•References: 2

  • Uncanny Australia

    Open Access•K Gelder, J M Jacobs•ARTICLE•Ecumene•1995•Cited by: 3

  • David Ireland’s *Prisoner’ and *The Flesheaters

    Open Access•K Gelder•ARTICLE•Australian Literary Studies•1980

    Examines The Unknown Industrial Prisoner under the aspect of the authorâ s allusions and references to an American novel, Miss Lonelyhearts (1933), by Nathanael West

  • Uncanny Australia

    Open Access•K Gelder, J M Jacobs•ARTICLE•Ecumene•1995•Cited by: 3

  • Postcolonial voodoo

    K Gelder•ARTICLE•Postcolonial Studies•2000•Cited by: 2•References: 2

  • Irish Republicanism and the Colonial Australian Bushranger Narrative

    Open Access•K Gelder, Rachael D Weaver et al.•ARTICLE•Australian Literary Studies•2021•Cited by: 1•References: 2

    This article examines a range of colonial Australian Irish bushranger narratives in terms of their investments in revolutionary republicanism, arguing that these become increasingly contested and compromised over time. Beginning with the anonymously published novel Rebel Convicts (1858), it looks at how the fate of transported Irish revolutionaries is imagined in relation to colonial settlement and the convict system. It then turns to Ned Kelly’s…

  • The Australian Kangaroo Hunt Novel (1830–1858) as *Bildungsroman

    Open Access•K Gelder, Rachael D Weaver et al.•ARTICLE•Australian Literary Studies•2019•Cited by: 1

    In Australia – and no doubt in other outposts of empire – hunting provided a rite of passage for ambitious young men to learn about local conditions and establish their colonial credentials. This article argues that the kangaroo hunt narrative therefore operated as a kind of colonial bildungsroman or novel of education. It examines three kangaroo hunt novels written by women who had in fact never travelled to Australia. The first is Sarah Porter’…

  • David Ireland’s *Prisoner’ and *The Flesheaters

    Open Access•K Gelder•ARTICLE•Australian Literary Studies•1980

    Examines The Unknown Industrial Prisoner under the aspect of the authorâ s allusions and references to an American novel, Miss Lonelyhearts (1933), by Nathanael West

  • Uncanny Australia

    Open Access•K Gelder, J M Jacobs•ARTICLE•Ecumene•1995•Cited by: 3

  • Postcolonial voodoo

    K Gelder•ARTICLE•Postcolonial Studies•2000•Cited by: 2•References: 2

  • Reading the Vampire

    K Gelder•BOOK•Reading the Vampire•2002

    Insatiable bloodlust, dangerous sexualities, the horror of the undead, uncharted Trannsylvanian wildernesses, and a morbid fascination with the `other': the legend of the vampire continues to haunt popular imagination.Reading the Vampire examines the vampire in all its various manifestations and cultural meanings. Ken Gelder investigates vampire narratives in literature and in film, from early vampire stories like Sheridan Le Fanu's `lesbian vamp…

  • Popular Fiction: The Logics and Practices of a Literary Field

    K Gelder•BOOK•Popular Fiction•2004

    In this important book, Ken Gelder offers a lively, progressive and comprehensive account of popular fiction as a distinctive literary field. Drawing on a wide range of popular novelists, from Sir Walter Scott and Marie Corelli to Ian Fleming, J. K. Rowling and Stephen King, his book describes for the first time how this field works and what its unique features are. In addition, Gelder provides a critical history of three primary genres - romance…

  • When the imaginary Australian is not uncanny: Nation, psyche and belonging in recent Australian cultural criticism and history

    K Gelder•ARTICLE•Journal of Australian Studies•2005

    Postcolonialism does not exists outside the shadow of colonialism and even as Australia remains under the shadow of colonialism, it is postcolonial because it does things that could not have been done if Australia were still just colonial. Postcolonialism in Australia means more Aboriginal presence, but for non-Aboriginal Australians, less Aboriginal contact and so the emphasis on one to one relationships is important, especially in a postcolonia…

  • Gothic Terms, Themes, Concepts and Contexts

    Open Access•Colette Conroy, Franz J Potter et al.•CHAPTER•Handbook of the Gothic•2009

    Just as THE UNCANNY offers a connection to the structure of the unconscious, the abject offers a sensation of horror that connects us viscerally to the experience of repression and the process of subject formation. For Julia Kristeva, in Powers of Horror, abjection disturbs ‘identity, system, order’ and is characterised by ‘the in-between, the ambiguous, the composite’.

  • Gothic Locations

    Open Access•Carol Margaret Davison, Allan Smith et al.•CHAPTER•Handbook of the Gothic•2009

    In Love and Death in the American Novel (1960), Leslie Fiedler describes AMERICAN LITERATURE as ‘bewilderingly and embarrassingly, a gothic fiction’ that wrestles with moral/psychological questions and exposes the American soul’s hidden ‘blackness’. Attentive to the dark side of America’s socio-political legacy and ‘the sins of the fathers’, American Gothic wrestles with that nation’s two ‘special guilts’ — ‘the slaughter of the Indians’ and ‘the…

  • English, Autonomy, and the Republic of Letters

    K Gelder•ARTICLE•Australian Humanities Review•2009

  • Citational Vampires: Transnational Techniques of Circulation in Irma Vep, Blood: The Last Vampire and Thirst

    Open Access•K Gelder•CHAPTER•Transnational and Postcolonial…•2013

    One of the problems to do with viewing and analysing cinema from remote locations is to do with the matter of getting to what Meaghan Morris has called the 'local levels of language community and affective mobilisation' (2005, p. 7). Naturally, there is always a sense that cinema from other places — cinema that is no doubt best understood through its local frameworks of production and consumption, its local traditions and so on — will always exce…

  • The Censor's Library

    K Gelder•ARTICLE•Australian Historical Studies•2013

    The Censor's Library . By Nicole Moore. Brisbane: University of Queensland Press, 2012. Pp. 432. A$39.95 paper. Nicole Moore's book begins with a revelation, the surprise discovery of something lon

  • The Man of Feeling

    Open Access•K Gelder•ARTICLE•Cultural Studies Review•2013

    A review of Peter Read's Haunted Earth (University of New South Wales Press, Sydney, 2003

  • The Cambridge Companion to the Modern Gothic

    Open Access•Katarzyna Ancuta, John Paul Riquelme et al.•BOOK•Cambridge Companion to the Modern…•2014

    This Companion explores the many ways in which the Gothic has dispersed in the twentieth and twenty-first centuries, and in particular how it has come to offer a focus for the tensions inherent in modernity. Fourteen essays by world-class experts show how the Gothic in numerous forms - including literature, film, television, and cyberspace - helps audiences both to distance themselves from and to deal with some of the key underlying problems of m…

  • Towards a Genealogy of Minor Colonial Australian Character Types

    K Gelder, Rachael D Weaver et al.•ARTICLE•Interventions•2015

    The business of colonization is often understood in terms of global frameworks, large-scale movements and top-down, ‘abstract’ perspectives; in which case, the turn to minor characters in the colonized world might seem almost like an act of bad faith. It runs the risk of breaking open stable, overarching categories, like the ‘white man’ – which, as minor characters are introduced, sometimes struggles to retain its ascendancy. This essay pursues t…

  • The Australian Kangaroo Hunt Novel (1830–1858) as *Bildungsroman

    Open Access•K Gelder, Rachael D Weaver et al.•ARTICLE•Australian Literary Studies•2019•Cited by: 1

    In Australia – and no doubt in other outposts of empire – hunting provided a rite of passage for ambitious young men to learn about local conditions and establish their colonial credentials. This article argues that the kangaroo hunt narrative therefore operated as a kind of colonial bildungsroman or novel of education. It examines three kangaroo hunt novels written by women who had in fact never travelled to Australia. The first is Sarah Porter’…

  • Irish Republicanism and the Colonial Australian Bushranger Narrative

    Open Access•K Gelder, Rachael D Weaver et al.•ARTICLE•Australian Literary Studies•2021•Cited by: 1•References: 2

    This article examines a range of colonial Australian Irish bushranger narratives in terms of their investments in revolutionary republicanism, arguing that these become increasingly contested and compromised over time. Beginning with the anonymously published novel Rebel Convicts (1858), it looks at how the fate of transported Irish revolutionaries is imagined in relation to colonial settlement and the convict system. It then turns to Ned Kelly’s…

Art (15 works) · History (11 works) · Literature (10 works) · Sociology (9 works) · Law (7 works) · Political science (7 works) · Aesthetics (6 works) · Australian History and Society (6 works) · Psychology (6 works) · Media studies (5 works)

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