Deborah Linderman
Biographic Data
| ID | 2123715 |
|---|---|
| NAME | Deborah Linderman |
| GIVEN NAMES | Deborah |
| FAMILY NAME | Linderman |
| SIGNATURE | LINDERMAN D |
| VERIFIED | No |
| TOTAL WORKS | 2 |
| TOTAL CITATIONS | 6 |
| WORKS AS AUTHOR | 2 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 1984 |
| LATEST PUBLICATION YEAR | 1991 |
| H-INDEX | 1 |
"The Mise-en-Abime in Hitchcock's "Vertigo
During its sequestration, Hitchcock's Vertigo, along with four of his other similarly inaccessible films, seemed particularly fit to answer to Foucault's imperatives in his essay What is an Author?: What are the modes of existence of this discourse? Where has it been used, how can it circulate, and who can appropriate it for himself?' As was more or less well known, the films had been appropriated by the representatives of the Hitchcock estate, o…
Powers of Horror
I. Approaching Abjection2. Something to Be Scared Of3. From Filth to Defilement4. Semiotics of Biblical Abomination5... Qui Tollis Peccata Mundi6. C line: Neither Actor nor Martyr7. Suffering and Horror8. Those Females Who Can Wreck the Infinite9. Ours to Jew or Die10. In the Beginning and Without End...11. Powers of Horror
Powers of Horror
I. Approaching Abjection2. Something to Be Scared Of3. From Filth to Defilement4. Semiotics of Biblical Abomination5... Qui Tollis Peccata Mundi6. C line: Neither Actor nor Martyr7. Suffering and Horror8. Those Females Who Can Wreck the Infinite9. Ours to Jew or Die10. In the Beginning and Without End...11. Powers of Horror
"The Mise-en-Abime in Hitchcock's "Vertigo
During its sequestration, Hitchcock's Vertigo, along with four of his other similarly inaccessible films, seemed particularly fit to answer to Foucault's imperatives in his essay What is an Author?: What are the modes of existence of this discourse? Where has it been used, how can it circulate, and who can appropriate it for himself?' As was more or less well known, the films had been appropriated by the representatives of the Hitchcock estate, o…
Powers of Horror
I. Approaching Abjection2. Something to Be Scared Of3. From Filth to Defilement4. Semiotics of Biblical Abomination5... Qui Tollis Peccata Mundi6. C line: Neither Actor nor Martyr7. Suffering and Horror8. Those Females Who Can Wreck the Infinite9. Ours to Jew or Die10. In the Beginning and Without End...11. Powers of Horror
"The Mise-en-Abime in Hitchcock's "Vertigo
During its sequestration, Hitchcock's Vertigo, along with four of his other similarly inaccessible films, seemed particularly fit to answer to Foucault's imperatives in his essay What is an Author?: What are the modes of existence of this discourse? Where has it been used, how can it circulate, and who can appropriate it for himself?' As was more or less well known, the films had been appropriated by the representatives of the Hitchcock estate, o…
Art (2 works) · Law in Society and Culture (2 works) · Aesthetics (1 work) · Anthropological Studies and Insights (1 work) · Cinema and Media Studies (1 work) · History (1 work) · Humanities (1 work) · Literature (1 work) · Medicine (1 work) · Philosophy (1 work)