Neo Muyanga
Biographic Data
| ID | 212647 |
|---|---|
| NAME | Neo Muyanga |
| GIVEN NAMES | Neo |
| FAMILY NAME | Muyanga |
| SIGNATURE | MUYANGA N |
| AFFILIATIONS | University of Cape Town |
| VERIFIED | No |
| TOTAL WORKS | 5 |
| TOTAL CITATIONS | 1 |
| AUTHOR COUNT | 4 |
| EDITOR COUNT | 1 |
| FIRST PUBLICATION YEAR | 2016 |
| LATEST PUBLICATION YEAR | 2022 |
| H-INDEX | 1 |
The Creative Politics of Legibility
This conversation among a trio of interdisciplinary practitioners moves nimbly between a palace, a shed, and a kitchen-with a trickster spider as totem. Reflections on a new opera based in African folklore produced as a multimodal collaboration in Europe extends to the DIY-DIT principles of independent art spaces and the backyard appeal of a tiny space for big ideas, and concludes with a thought experiment for a new kind of urban incubator that m…
Violence: An Anthology
African Theatre 19: Opera & Music Theatre
Voicing fluid voices: Reflections of the multivalence of voice in Miriam Makeba’s art and life
The article examines voice and voicing in translation processes in music, using on the one hand the example of Miriam Makeba, and on the other hand, features of African choir, in order to develop a broader argument about the musical and political significance of the multivalence of voice. The article begins with a re-valuation of some of the contributions of Miriam Makeba and their relevance to contemporary concerns of the twenty-first century, s…
The Musical Thread: Neo Muyanga on Opera and South Africa
The other opera articles presented in this collection revolve around Ndodana-Breen's Winnie The Opera, an operatic first in South Africa as the first full-length opera written and orchestrated by a
The Creative Politics of Legibility
This conversation among a trio of interdisciplinary practitioners moves nimbly between a palace, a shed, and a kitchen-with a trickster spider as totem. Reflections on a new opera based in African folklore produced as a multimodal collaboration in Europe extends to the DIY-DIT principles of independent art spaces and the backyard appeal of a tiny space for big ideas, and concludes with a thought experiment for a new kind of urban incubator that m…
The Musical Thread: Neo Muyanga on Opera and South Africa
The other opera articles presented in this collection revolve around Ndodana-Breen's Winnie The Opera, an operatic first in South Africa as the first full-length opera written and orchestrated by a
Voicing fluid voices: Reflections of the multivalence of voice in Miriam Makeba’s art and life
The article examines voice and voicing in translation processes in music, using on the one hand the example of Miriam Makeba, and on the other hand, features of African choir, in order to develop a broader argument about the musical and political significance of the multivalence of voice. The article begins with a re-valuation of some of the contributions of Miriam Makeba and their relevance to contemporary concerns of the twenty-first century, s…
African Theatre 19: Opera & Music Theatre
Violence: An Anthology
The Creative Politics of Legibility
This conversation among a trio of interdisciplinary practitioners moves nimbly between a palace, a shed, and a kitchen-with a trickster spider as totem. Reflections on a new opera based in African folklore produced as a multimodal collaboration in Europe extends to the DIY-DIT principles of independent art spaces and the backyard appeal of a tiny space for big ideas, and concludes with a thought experiment for a new kind of urban incubator that m…
Art (4 works) · Visual arts (4 works) · History (3 works) · Aesthetics (2 works) · Law (2 works) · Linguistics (2 works) · Literature (2 works) · Political science (2 works) · Politics (2 works) · Sociology (2 works)